Glass Pavilion

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1914 "Glass Pavilion" of Bruno Taut

The Glass Pavilion, built in 1914 and designed by Bruno Taut, was a prismatic glass dome structure at the Cologne Deutscher Werkbund Exhibition.[1][2] The structure was a brightly colored landmark of the exhibition, and was constructed using concrete and glass.[1][2] The concrete structure had inlaid colored glass plates on the facade that acted as mirrors.[3] Taut described his little temple of beauty as

Taut's Glass Pavilion is his best known single building achievement.[1][2][3] He built it for the association of the German glass industry specifically for the 1914 exhibition.To show the potential glass had on architectural design .[1][2][3] They financed the structure that was considered a house of art.[4][5] It also indicated how the material might be used to orchestrate human emotions and assist in the construction of a spiritual utopia. The structure was made at the time when expressionism was most fashionable in Germany, and it is sometimes referred to as an expressionist-style building.[1][2][3] The only known photographs of the building were made during 1914; due to their black and white nature, these photographs are only marginal representations of the actualities of the work.[1] The building was destroyed soon after the exhibition since it was an exhibition building only and not built for practical use.[1][3]

The Glass Pavilion was a pineapple-shaped multi-faceted polygonal designed rhombic structure.[1][2] It had a fourteen-sided base constructed of thick glass bricks used for the exterior walls devoid of rectangles.Each part of the cupola was designed to recall the complex geometry of nature.[1][2] The Pavilion structure was on a concrete plinth, the entrance reached by two flights of steps (one on either side of the building), which gave the pavilion a temple-like quality. Taut's Glass Pavilion was the first building of glass bricks of importance.[3][6]

Interior staircases and waterfalls

There were glass-treaded metal staircases inside that led to the upper projection room that showed a kaleidoscope of colors.[2][4] Between the staircases was a seven-tiered cascading waterfall with underwater lighting, this created a sensation of descending to the lower level 'as if through sparkling water'.[1][2][4] The interior had prisms producing colored rays from the outside sunlight.[1][4] The floor-to-ceiling colored glass walls were mosaic.[1][4] All this had the effect of a large crystal producing a large variety of colors.[1][4]

The frieze of the Glass Pavilion was written with aphoristic poems of glass done by the anarcho-socialist writer Paul Scheerbart.[2][7] Scheerbart's ideas also inspired the ritualistic composition of the interior. For Scheerbart, bringing in the moon's and the stars' light brought in different positive feelings which led to a whole new culture.

Examples of these were

"Glass Pavilion" of Taut being built.

Paul Scheerbart in 1914 published a book called Glasarchitektur ("Architecture in glass") and dedicated it to Taut.[2] Taut in 1914 founded a magazine called Frühlicht ("Dawn's Light") for his Expressionist devotees.[1] It emphasized the iconography of glass which is also represented by his Glass Pavilion.[1] This philosophy can be traced back to accounts of Solomon's Temple.[1] An early drawing of the Glass Pavilion by Taut says he made it in the spirit of a Gothic cathedral.[8]


  1. ^ a b c d e f g h i j k l m n o p Weston, p. 40
  2. ^ a b c d e f g h i j k l m Watkin, p. 590
  3. ^ a b c d e f g Richards, p. 16
  4. ^ a b c d e f Colquhoun, p. 92
  5. ^ ,p 40
  6. ^ Anzovin, p. 15, item 1198, The first building of glass bricks of importance was the Glass Pavilion, built in 1914 in Cologne, Germany, by the modernist-socialist architect Bruno Taut.
  7. ^ Watkin, p. 590, The simplified frieze or string-course of the Glass Pavilion, which Taut built for the glass industry at the Deutscher Werkbund Exhibition in 1914, was inscribed with aphorisms. such as "coloured glass destroys hatred."
  8. ^ Weston, p. 40, One of Taut's early drawings for the Pavilion describes it as having been made in the spirit of a Gothic cathedral.


  • Weston, Richard, Plans, Sections and Elevations: Key Buildings of the Twentieth Century, Laurence King Publishing 2004, ISBN 1-85669-382-1
  • Watkin, David, A History of Western Architecture, Laurence King Publishing 2005, ISBN 1-85669-459-3
  • Richards, Brent et al., New Glass Architecture, Yale University Press 2006, ISBN 0-300-10795-1
  • Colquhoun, Alan, Modern Architecture, Oxford University Press 2002, ISBN 0-19-284226-9
  • Anzovin, Steven et al., Famous First Facts, International Edition, H. W. Wilson Company 2000, ISBN 0-8242-0958-3