Glenn McDonald (data engineer)
Glenn McDonald | |
|---|---|
_(cropped).jpg) McDonald in 2015 | |
| Occupation | "Data alchemist" |
| Employer | Spotify (2013-2023) |
| Known for | Every Noise at Once |
| Website | furia |
Glenn McDonald is a former employee of Spotify who was responsible for grouping and naming genres at the company. Often described by media as a "data alchemist", he created the music discovery website Every Noise at Once, and is in part responsible for the naming of the hyperpop musical movement.
Biography
[edit]McDonald worked for a time at the music intelligence firm The Echo Nest. This company was acquired by Spotify in 2013, and the genre mapping data created by McDonald was built into various Spotify features, including its "Daily Mix" and "Fans also like" recommendation functions. He created the Every Noise at Once website that year.[1] Under Spotify, he continued to work as part of a team to categorize tracks from about one million artists into 6,291 named genres, including 56 kinds of reggae, 202 kinds of folk and 230 kinds of hip hop.[2][3] He developed an algorithm for the company which evaluated music based on what he called "subjective psychoacoustic attributes", including "tempo," "duration," "color," "modernity," and "femininity." He then named what he called "emerging genres" himself, including the Spotify genre Escape Room, so named because of its sonic connection to trap music.[4] In 2018, McDonald input the genre name "hyperpop" into this metadata, which was later used to name Spotify's hyperpop playlist and thus the musical movement itself.[5]
On December 4, 2023,[2] McDonald was one of the 1,500 employees, or 17% of its workforce, laid off by Spotify.[6][1] As a result, he lost access to the data needed to maintain and update his website's database, as well as the ability to fix any errors caused by possible changes on Spotify's end.[1] A spokesperson for Spotify stated that the current status of Every Noise was likely to remain for the foreseeable future.[2]
In 2024, McDonald's book You Have Not Yet Heard Your Favourite Song, about the increasing reliance of the music industry upon streaming, was published. In the book, he describes Spotify as "surveillance capitalism" that makes use of name, age, gender, location and existing tastes, but is limited in its knowledge.[3] Upon the release of the 2024 edition of Spotify Wrapped, he criticised its rollout, stating that "the goal of Wrapped, in particular, is brand virality," and that "there’s not much in the way this year of data storytelling."[7]
References
[edit]- ^ a b c Weatherbed, Jess (February 13, 2024). "Spotify's layoffs doomed its best (unofficial) music discovery resource". The Verge. Retrieved July 30, 2024.
- ^ a b c Teplitsky, Ariel. "Spotify's Former Data Alchemist Gives Every Song a Genre | Billboard Canada". Billboard Canada. Retrieved July 30, 2024.
- ^ a b Platt, Poppie (June 4, 2024). "How Spotify is insidiously changing your taste in music". The Daily Telegraph. ISSN 0307-1235. Retrieved July 31, 2024.
- ^ Rodgers, Katherine (December 3, 2020). "Why There Are So Many Weird Spotify Wrapped Genres - PAPER Magazine". Paper. Retrieved December 10, 2024.
- ^ Dandridge-Lemco, Ben (November 10, 2020). "How Hyperpop, a Small Spotify Playlist, Grew Into a Big Deal". The New York Times. Archived from the original on April 14, 2021. Retrieved November 16, 2020.
- ^ Silberling, Amanda (February 12, 2024). "Spotify's layoffs put an end to a musical encyclopedia, and fans are pissed". TechCrunch. Retrieved August 1, 2024.
- ^ Cunningham, Kyndall (December 5, 2024). "Spotify Wrapped misses the mark with this one joyless feature". Vox. Retrieved December 10, 2024.