Glorifying the American Girl

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Glorifying the American Girl
Directed by John W. Harkrider
Millard Webb
Produced by Florenz Ziegfeld
Written by J.P. McEvoy (story)
Millard Webb
Starring Mary Eaton
Dan Healy
Music by Irving Berlin
Walter Donaldson
Rudolf Friml
James E. Hanley
Cinematography George J. Folsey (Technicolor)
Distributed by Paramount Pictures
Release dates
December 7, 1929
Running time
96 minutes
Country United States
Language English

Glorifying the American Girl is a 1929 Pre-code musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film (which was filmed in early Technicolor) is basically a Follies production, with cameo appearances by Rudy Vallee, Helen Morgan, and Eddie Cantor.

Rex Beach was paid $35,000 for the original story.[1][2] The script for the film was written by J.P. McEvoy and Millard Webb and directed by John W. Harkrider and Millard Webb. The songs were written by Irving Berlin, Walter Donaldson, Rudolf Friml, James E. Hanley, Larry Spier and Dave Stamper. The film is in the public domain, and many prints exhibited on television are in black-and-white only, and do not include pre-Code material, such as nudity.


Johnny Weissmuller with an unidentified actress

The plot involves a young woman (Mary Eaton) who wants to be in the Follies, but in the meantime is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend (Edward Crandall), who is in love with her, despite her single-minded interest in her career. When a vaudeville performer (Dan Healy) asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.


  • Mary Eaton as Gloria Hughes
  • Dan Healy as Danny Miller
  • Kaye Renard as Mooney
  • Edward Crandall as Buddy Moore
  • Gloria Shea as Barbara
  • Sarah Edwards as Mrs. Hughes

Cameo appearances[edit]


  • This Pre-Code movie is notable for being the first talkie to use the word "damn" (that credit usually goes to either Pygmalion or Gone with the Wind). The word is used on at least one occasion by Sarah Edwards as well as multiple times in the skit involving Eddie Cantor, Louis Sorin and Lew Hearn. (The word was also used twice in the movie Coquette, released in April of the same year.)
  • The revue sequence contains virtual nudity and revealing costumes.
  • Both Paramount and EMKA failed to renew the copyright and the film is now in the public domain.[citation needed] EMKA's successor, Universal Studios, continues to hold the original film elements; though technically the EMKA library is part of NBC Universal Television, successor to Universal Television and MCA Television (EMKA was a subsidiary of MCA).


Poster for the film.

The black-and-white prints currently shown on television, with a cut-down running time of 87 minutes, were made in the 1950s and have a number of sequences cut due to their Pre-Code content, i.e. nudity, etc. The film was restored, to the length of 96 minutes, with the original Technicolor sequences, by the UCLA Film and Television Archive.[3]


See also[edit]


  1. ^ Beach, Rex (1940). Personal Exposures. New York: Harper & Brothers. pp. 303. p. 205. 
  2. ^ H., J. (January 7, 1950). "Miner and Novelist". The Age. Retrieved August 1, 2015. 
  3. ^ Feature films preserved by UCLA (1977-2012)

External links[edit]