Go Your Own Way
|"Go Your Own Way"|
|Single by Fleetwood Mac|
|from the album Rumours|
|Fleetwood Mac singles chronology|
|Rumours track listing|
"Go Your Own Way" is a song by the British-American rock band Fleetwood Mac, released as a single in December 1976. Recorded in three separate studios, the track took several months to complete. Written and sung by Lindsey Buckingham, it was the first single from the group's 1977 album Rumours, as well the band's first top ten hit in the United States. The album spawned three additional top ten hits, including the band's sole number one hit, "Dreams". Rumours would go on to sell over 40 million units worldwide, including 20 million copies in the US alone.
In between legs of their 1976 Fleetwood Mac Tour, the band retreated to a house in Florida to prepare new material. By this point, Christine McVie and John McVie had divorced, while Stevie Nicks and Lindsey Buckingham's romantic relationship had come to an end. Mick Fleetwood, the band's drummer, recalls how the house's eerie atmosphere contributed to the group's low morale:
It was hardly a vacation. Aside from the obvious unstated tension, I remember the house having a distinctly bad vibe to it, as if it were haunted, which did nothing to help matters…and that's where Lindsey played some of his stuff for the album. It was rough but it was great, though the setting didn't do it justice..."
The band didn't hear any of these early recordings until they returned to Sausalito.
Inspired by the drum feel of "Street Fighting Man" by the Rolling Stones, Buckingham sought to incorporate a variation of that groove in 'Go Your Own Way'. Fleetwood Mac's producer, Ken Caillat, took notice of Buckingham's enthusiasm as he demonstrated the drum part he envisioned to Fleetwood. "I remember watching him guide Mick (Fleetwood) as to what he wanted – he'd be so animated, like a little kid, playing these air tom fills with his curly hair flying. Mick wasn't so sure he could do what Lindsey wanted, but he did a great job, and the song took off."
The band had a difficult time assembling a suitable guitar solo, so Caillat, who was away in Lake Tahoe for Christmas vacation, was called to return to Criteria Studios to finish off the track. Caillat built the solo by piecing together six different lead guitar takes. He accomplished this by pulling up individual guitar solos through faders and muting them before bringing up the next fader, repeating the process until the solo was complete. "It was a completely comp'd solo, and on the 24-track it's still in its original form, with all the separate guitars, and you still have to mix that way." 
Like most tracks on Rumours, "Go Your Own Way"'s lyrical content documents personal relationships between other band members. Buckingham had written this as a response to his breakup with fellow Fleetwood Mac vocalist Stevie Nicks.
Nicks asked Buckingham to remove the lyrics "Packing up, shacking up is all you wanna do", but Buckingham refused. "I very much resented him telling the world that 'packing up, shacking up' with different men was all I wanted to do," she told Rolling Stone. "He knew it wasn't true. It was just an angry thing that he said. Every time those words would come onstage, I wanted to go over and kill him. He knew it, so he really pushed my buttons through that. It was like, 'I'll make you suffer for leaving me.' And I did."
"I've known Stevie since I was sixteen years old," Buckingham noted. "I was completely devastated when she took off. And yet I had to make hits for her. I had to do a lot of things for her that I really didn't want to do. And yet I did them. So on one level I was a complete professional in rising above that, but there was a lot of pent-up frustration and anger towards Stevie in me for many years."
Release and initial response
Although the release date for Rumours was set for February 1977, Fleetwood Mac wanted a single out by Christmas; "Go Your Own Way", which had just been mastered, was chosen to fulfill that role. This marketing move proved to be a boon to album sales: Pre-orders had reached 800,000 copies, which at the time was the largest advance sale in Warner Brothers' history.
B. Mitchel Reed, a popular DJ in LA in the 70s, was underwhelmed when he first played the single on his program. After the song had finished, he said dismissively to millions of listeners: "I don't know about that one". Afterwards, Buckingham contacted Reed, demanding to know what the problem was. Reed told Buckingham that he could not find the beat. Both Fleetwood and Buckingham took the blame for this issue. Buckingham attributed the problem to the acoustic guitar track that he added late into production. While he maintained that the acoustic guitar glued the whole piece together, its unusual entrance created confusion over the location of beat one.
As soon as I came up with the acoustic part, the whole song came to life for me because it acted as a foil for the vocals and a rhythmic counterpoint…so when it comes in, you don't have a reference point for where the "one" is, or where the beat is at all. It's only after the first chorus comes in that you can realize where you are – and that's what that deejay was confused about.
Fleetwood on the other hand blamed his drumming:
"Go Your Own Way"s rhythm was a tom-tom structure that Lindsey demoed by hitting Kleenex boxes or something...I never quite got to grips with what he wanted, so the end result was my mutated interpretation. It became a major part of the song, a completely back-to-front approach that came, I'm ashamed to say, from capitalizing on my own ineptness.
Despite this, Fleetwood has said in an interview that "Go Your Own Way" is one of his favorite songs to play. "I love playing this song. It's one of my favorites because I get to kick the hell out of my drums, and it's got that wonderfully primal part. It's a great 'let loose' stage song, in which I can revert to my old animal ways and not be quite so polite. Lindsey is a full-on rock 'n' roller on this song, and that I love." Jeff Porcaro of the band Toto and Boz Scaggs complimented Fleetwood's drumming on "Go Your Own Way". On nights when Boz Scaggs opened for Fleetwood Mac, Porcaro would watch Fleetwood from the side of the stage. Intrigued by his unorthodox playing, Porcaro approached Fleetwood after a live gig:
I've watched, I've tried to understand it. Nothing you do up there makes sense, but it sounds beautiful. What's your method? What are you doing in that last fill of "Go Your Own Way"? I can't figure it out! I've been watching every night. What do you do in the last measure on that last beat? Is the snare ahead or behind? Is the hi-hat off by two quarters or is a little more than that?
When Fleetwood confessed that his unique approach to drumming was simply a convenient accident, Porcaro was initially dubious about Fleetwood's claim. "It was only after we continued to talk that Jeff realized I wasn't kidding around. We eventually had a tremendous laugh about it, and when I later told him that I was dyslexic, it finally made sense."
"Go Your Own Way" has received critical praise upon release. Daryl Easlea of BBC called Buckingham's compositions the best tracks on Rumours, "Go Your Own Way" included. Matthew Greenwald (of AllMusic) noted the song's folky sound, reminiscent of pre-Beatles bands like The Everly Brothers. He also heavily praises the lively chord changes and bombastic choruses. "All of these factors, plus a great performance from the band (especially Buckingham's exquisite guitar solo) helped make the song one of the band's biggest and most timeless hits, ever."
It is ranked No. 120 on Rolling Stone's list of the 500 Greatest Songs of All Time and is on the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list. Rolling Stone also ranked it #1 on its list of Fleetwood Mac's 50 Greatest Songs.
Like their last two singles from the album Fleetwood Mac, "Go Your Own Way" became a hit in the US. The track made its first appearance on the Billboard Hot 100 chart dated January 8, 1977, where it entered at No. 71. Two weeks later, the single had already ascended into the top 40. On March 12, it reached its peak of No. 10, a position it held for two weeks. In the UK, the single was not as successful, only reaching No. 38. However, the song became popular in the UK over a longer period as Rumours received more radio airplay and it re-entered the singles chart as a digital download on several occasions beginning in 2009. In 2013, it was certified Silver in the UK for digital sales over 200,000 copies. In 2016, it was certified Gold for digital sales of over 400,000 copies, and in 2017 it was certified Platinum for sales of over 600,000 copies. The song also hit the top 40 in many other countries, including the Netherlands and Belgium, where it hit No. 1.
- US vinyl (Warner Brothers Records - WBS 8304)
- "Go Your Own Way" – 3:34
- "Silver Springs" – 4:33
- UK vinyl (Warner Brothers Records - K 16872)
- "Go Your Own Way" – 3:34
- "Silver Springs" – 4:33
- Lindsey Buckingham – electric guitars, acoustic guitar, lead vocals, backing vocals
- Mick Fleetwood – drums, maracas, cymbals
- Christine McVie – Hammond organ, backing vocals
- John McVie – bass guitar
- Stevie Nicks – backing vocals
Three years after its first appearance on Rumours, a live recording was included on Live. This performance was recorded in Cleveland in 1979, and featured Ray Lindsey (Buckingham's guitar tech) on rhythm guitar. "Silver Springs", previously delegated to the B-side of "Go Your Own Way", appeared alongside the latter for the 1997 live album, The Dance. Both songs would make it onto the DVD and CD of Fleetwood Mac: Live in Boston, filmed from their Say You Will Tour in 2003.
Throughout the years, "Go Your Own Way" has made its way onto numerous compilations, including Greatest Hits in 1988, 25 Years - The Chain in 1992, The Very Best of Fleetwood Mac in 2002, and "Opus Collection" in 2013.
The Cranberries included a cover of "Go Your Own Way" on their 2002 re-release of To the Faithful Departed. Canadian post-grunge band Art of Dying recorded an acoustic rendition for their 2012 compilation album, Let the Fire Burn. It has has also been covered by NOFX, The Lumineers, Vomit Launch, Seaweed, Boy George, Biffy Clyro,Jellyfish, Jennifer Brown, Wilson Phillips, Carrie Underwood, Kate Ceberano, Silverstein, Keane, Lea Michele, Lissie, Head and the Heart, Colbie Caillat, Kingswood and Rawr Vanity.
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