Godzilla vs. Megalon

From Wikipedia, the free encyclopedia
  (Redirected from Godzilla vs Megalon)
Jump to: navigation, search
Godzilla vs. Megalon
GodzillavMegalon Ja.jpg
Theatrical release poster
Directed by Jun Fukuda
Produced by Tomoyuki Tanaka
Screenplay by Jun Fukuda[1]
Story by Shinichi Sekizawa[1]
Starring Katsuhiko Sasaki
Hiroyuki Kawase
Yutaka Hayashi
Robert Dunham
Kotaro Tomita
Wolf Ohtsuki
Gentaro Nakajima
Music by Riichiro Manabe
Cinematography Yuzuru Aizawa
Production
company
Distributed by Toho
Release date
  • March 17, 1973 (1973-03-17)
Running time
81 minutes
Language Japanese

Godzilla vs. Megalon (ゴジラ対メガロ, Gojira tai Megaro) is a 1973 Japanese science fiction kaiju film featuring Godzilla, produced and distributed by Toho. The film is directed and co-written by Jun Fukuda with special effects by Teruyoshi Nakano and stars Katsuhiko Sasaki, Hiroyuki Kawase, Yutaka Hayashi, and Robert Dunham, with Shinji Takagi as Godzilla, Hideto Date as Megalon, Tsugutoshi Komada as Jet Jaguar, and Kenpachiro Satsuma as Gigan. It is the 13th film in the Godzilla franchise and Shōwa series.

The film was released in Japan on March 17, 1973 and theatrically in the United States in the summer of 1976 by Cinema Shares.

Plot[edit]

In the year 1973, the most recent underground nuclear test, set off near the Aleutians, sends shockwaves as far south as Monster Island, disturbing the monsters, causing Anguirus to fall into a fault opened up by the consequential earthquakes and Rodan to fly off, while Godzilla decides to stay put.

For years, Seatopia, an undersea civilization, has been heavily affected by this nuclear testing conducted by the surface nations of the world. Upset by these tests, the Seatopians plan to unleash their civilization's beetle-like cyborg god, Megalon, to destroy the surface world out of vengeance.

On the surface, an inventor named Goro Ibuki, his nephew Rokuro, and Goro's lover Hiroshi Jinkawa are off on an outing near a lake when Seatopia makes itself known to the Earth by drying up the lake the trio was relaxing nearby and using it as a base of operation. As they return home they are ambushed by agents of Seatopia who are trying to steal Jet Jaguar, a humanoid robot under construction by the trio of inventors. However the agents' first attempt is botched and they are forced to flee to safety.

Some time later, Jet Jaguar is completed but the trio of inventors are knocked unconscious by the returning Seatopian agents. The agents' plan is to use Jet Jaguar to guide and direct Megalon to destroy whatever city Seatopia commands it to do. Goro and Rokuro are sent to be killed, while Hiroshi is taken hostage. Megalon is finally released to the surface while Jet Jaguar is put under the control of the Seatopians and is used to guide Megalon to attack Tokyo with the Japan Self Defense Forces failing to defeat the monster. Eventually, the trio of heroes manage to escape their situation with the Seatopians and reunite to devise a plan to send Jet Jaguar to get Godzilla's help using Jet Jaguar's secondary control system.

After uniting with Japan's Defense Force, Goro manages to regain control of Jet Jaguar and sends the robot to Monster Island to bring Godzilla to fight Megalon. Without a guide to control its actions, Megalon flails around relentlessly and aimlessly fighting with the Defense Force and destroying the outskirts of Tokyo. The Seatopians learn of Jet Jaguar's turn and thus send out a distress call to the Space Hunter Nebula M aliens (from the previous film) to send Gigan to assist them.

As Godzilla journeys to fight Megalon, Jet Jaguar programs into a safeguard mode and grows to gigantic proportions to face Megalon itself until Godzilla arrives. The battle is roughly at a standstill between robot and cyborg, until Gigan arrives and both Megalon and Gigan double team against Jet Jaguar. Godzilla finally arrives to assist Jet Jaguar and the odds become even. After a long and brutal fight, Gigan and Megalon both retreat and Godzilla and Jet Jaguar shake hands on a job well done. Godzilla returns to Monster Island, and Jet Jaguar returns to its previous human-sized state and reunites with its inventors.

Cast[edit]

  • Katsuhiko Sasaki as Inventor Goro Ibuki
  • Hiroyuki Kawase as Rokuro 'Roku-chan' Ibuki
  • Yutaka Hayashi as Hiroshi Jinkawa
  • Robert Dunham as Emperor Antonio of Seatopia
  • Kotaro Tomita as Lead Seatopian Agent
  • Wolf Ohtsuki as Seatopian Agent
  • Gentaro Nakajima as Truck Driver
  • Sakyo Mikami as Truck Driver's Assistant
  • Shinji Takagi as Godzilla
  • Hideto Date as Megalon
  • Tsugutoshi Komada as Jet Jaguar
  • Kenpachiro Satsuma as Gigan

Production[edit]

Shinji Takagi (Godzilla), Kenpachiro Satsuma (Gigan), Tsugutoshi Komada (Jet Jaguar) and Hideto Date (Megalon) rehearse their fight scenes in a school's gymnasium.

In 1972, an afternoon kids show hosted a monster design contest, with the winner being a child's robot called "Red Arone" which was to be turned into a monster suit but when the child was revealed the monster suit, he became upset because the suit did not resemble his original design. The boy's original design was white but the costume was colored red, blue, and yellow. Red Arone was used for publicity but Toho had renamed the character as Jet Jaguar and had special effects director Teruyoshi Nakano redesign the character, only keeping the colors from the Red Arone suit. The Red Arone suit had a different head and wings.[2][3]

The film had three early treatments, each written by Shinichi Sekizawa, one was titled Godzilla vs. The Megalon Brothers: The Undersea Kingdom's Annihilation Strategy which was completed in September 1972. The second was titled Insect Monster Megalon vs. Godzilla: Undersea Kingdom's Annihilation Strategy, which was turned in on September 5, 1972, and the third draft was submitted in September 7, 1972.[2]

Teruyoshi Nakano recalls how the film was rushed and that it took three weeks to shoot, stating, "It went into productions without enough preparation. There was no time to ask Mr. Sekizawa to write the script, so Mr. Sekizawa kind of thought up the general story and director Fukuda wrote the screenplay. The screenplay was completed right before crank-in".[4]

The Megalon suit was one of the heaviest suits produced since the 1954 Godzilla suit, which made it even more difficult to raise the Megalon suit via wires in certain scenes up to the point where Nakano almost decided to scrap those scenes all together. Since the film was shot in the winter, Katsuhiko Sasaki stated that director Jun Fukuda gave him and Yutaka Hayashi a shot of whiskey to warm them up.[2]

Like previous Godzilla films, Godzilla vs. Megalon heavily employs stock footage from previous Godzilla films such as Ghidorah, the Three-Headed Monster, Invasion of Astro-Monster, and Godzilla vs. Gigan.[4]

English versions[edit]

Cinema Shares theatrical poster for the 1976 U.S release of Godzilla vs. Megalon. The poster (which spoofs the theatrical poster for King Kong) incorrectly places the monsters in a World Trade Center-based battle.

In 1976, Cinema Shares gave Godzilla vs. Megalon a wide theatrical release in the United States and launched a massive marketing campaign for the film, along with the poster, buttons with one of the four monsters' faces on them were released. Given away at theatrical showings was a comic that told a simplified version of the film, which incorrectly named Jet Jaguar as "Robotman" and Gigan as "Borodan". These incorrect names were also featured in the U.S. trailer.[2][4]

Initially, Cinema Shares screened Toho's international English version but to ensure a G-rating, several cuts were made, which resulted in the film running three minutes shorter than the original version.[4]

Godzilla vs. Megalon is the first Godzilla film to receive an American prime time network television premiere, where it was broadcast nationwide at 9pm on NBC on March 15, 1977. However, to accommodate commercials, the film was only shown in a one hour time slot, which resulted in the film to be cut down to 48 minutes. John Belushi hosted the broadcast where he did some skits, all in a Godzilla suit.[2]

Mel Maron (who was president of Cinema Shares at the time) chose to release Godzilla vs. Megalon because he saw Godzilla as a heroic figure by that point and felt the timing was right to show children a hero who was a friendly monster and not Superman.[2]

The U.S. rights for the film eventually fell into public domain in the late 1980's, which resulted in companies releasing poorly cropped, fullscreen VHS tapes mastered from Pan and scan sources.[5] This also lead to the film being featured in Mystery Science Theater 3000.

Release[edit]

Box office[edit]

In Japan, Godzilla vs. Megalon sold approximately 980,000 tickets. It was the first Godzilla film to sell less than one million admissions.[6] The film was a success in American theaters, earning $383,744 in its first three days in Texas and Louisiana alone.[7]

Critical reception[edit]

Godzilla vs. Megalon was released theatrically in America on May 9, 1976, though the San Francisco Chronicle indicates that it opened there in June, and The New York Times indicates that it opened in New York City on July 11. New York Times film critic Vincent Canby, who a decade before had given a negative review to Ghidorah, the Three-Headed Monster, gave Godzilla vs. Megalon a generally positive review. In his review on July 12, 1976, Canby said, "Godzilla vs. Megalon completes the canonization of Godzilla...It's been a remarkable transformation of character - the dragon has become St. George...It's wildly preposterous, imaginative and funny (often intentionally). It demonstrates the rewards of friendship, between humans as well as monsters, and it is gentle."[citation needed]

Godzilla vs. Megalon has attracted the ire of many Godzilla fans in the decades since its original release. The film contributed to the reputation of Godzilla films in the United States as cheap children's entertainment that should not be taken seriously.[8][9] It's been described as "incredibly, undeniably, mind-numbingly bad"[10] and one of the "poorer moments" in the history of kaiju films.[9]

In particular, the special effects of the film have been heavily criticized. One review described the Godzilla costume as appearing to be "crossed with Kermit the Frog"[9] and another sneeringly compared it to Godzilla vs. Gigan, stating that it did "everything wrong that Gigan did, and then some." However, most of the criticism is of the lack of actual special effects work, as most of it consists of stock footage from previous films, including Godzilla vs. Gigan and Ghidorah, the Three-Headed Monster, and a few pieces of effects work has garnered praise, specifically a scene where Megalon breaks through a dam and the draining of the lake.[8]

The other aspects of the film have been similarly skewered. The acting is usually described as flat and generally poor, and as not improving, or sometimes, worsening, the already weak script.[8] One part of the film, on the other hand, has garnered almost universal praise: Godzilla's final attack on Megalon, a flying kick. It has been called the saving grace of the film,[10] and was made famous by the mock exclamations of shock and awe displayed on Godzilla vs. Megalon's appearance on Mystery Science Theater 3000. Through the end of season three to the middle of season five, that clip would be shown at the opening of each show.

Despite all this, the film is also one of the most widely seen Godzilla films in the United States — it was popular in its initial theatrical release, largely due to an aggressive marketing campaign, including elaborate posters of the two title monsters battling atop New York City's World Trade Center towers, presumably to capitalize on the hype surrounding the Dino De Laurentiis remake of King Kong, which used a similar image for its own poster.[8]

Home media[edit]

The film was released numerous times in the VHS format, mostly as videos from bargain basement studios that featured the edited TV version (which was wrongly assumed to be in the public domain for many years). Media Blasters acquired the DVD rights to Godzilla vs. Megalon and Destroy All Monsters. Both films were released under one of the company's divisions, Tokyo Shock. Media Blasters originally planned to release Godzilla vs. Megalon on DVD and Blu-ray on December 20, 2011; however, due to technical difficulties with the dubbing and Toho having yet to give its approval for the release, the DVD/Blu-ray release was delayed.[11] Media Blasters finally released the film on August 14, 2012, but only on a bare-bones DVD and Blu-ray. Also, a manufacturing error led to several copies of the originally planned version featuring bonus content to be released by accident.[12] These special features versions are incredibly rare and are not labelled differently from the standard version, making them nearly impossible to find.[13]

References[edit]

Bibliography
  • Ryfle, Steve (1998). Japan’s Favorite Mon-Star: The Unauthorized Biography of the Big G. ECW Press. ISBN 1550223488. 
  • Canby, Vincent. (July 22, 1976). Another 'Godzilla' Movie; Monster Is Now a Good Guy (film review) at The New York Times.
  • Stanley, John. "Godzilla - The Asian Beast Who Refuses to Die". San Francisco Chronicle (Sunday Datebook), June 20, 1976. (Review of Godzilla vs. Megalon - actually a history of the Godzilla films to date, mentions Megalon currently playing at 3 theaters & a drive-in, in passing.)

External links[edit]