Gog (film)

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Directed by Herbert L. Strock
Produced by Ivan Tors
Written by Tom Taggart (screenplay)
Ivan Tors (story)
Richard G. Taylor (dialogue)
Starring Richard Egan
Constance Dowling
Herbert Marshall
Music by Harry Sukman
Cinematography Lothrop B. Worth
Edited by Herbert L. Strock
Ivan Tors Productions
Distributed by United Artists
Peter Rodgers Organization
Release dates
  • June 5, 1954 (1954-06-05) (United States)
Running time
85 minutes
Country United States
Language English
Budget $250,000 (estimated)

Gog is a 1954 independently made American color science fiction film, produced by Ivan Tors, directed by Herbert L. Strock, and starring Richard Egan, Constance Dowling, and Herbert Marshall. Gog was released by United Artists and is notable for having been photographed in 3D color and widescreen.

Gog is the third and final feature film in Ivan Tors' "Office of Scientific Investigation" (OSI) trilogy, following The Magnetic Monster (1953) and Riders to the Stars (1954).[citation needed]


Unaccountable, deadly malfunctions begin occurring at a top-secret government facility under the New Mexico desert where a space station is being constructed. Agents from the Office of Scientific Investigation (OSI) in Washington, D.C. are called in to investigate.

Laboratory supervisor Dr. Van Ness calls in Dr. David Sheppard, an OSI security agent, to find the cause of the mysterious deaths. Working with Joanna Merritt, another OSI agent already at the facility, Sheppard determines that the deaths among the laboratory's 150 top scientists are due to deliberate sabotage of NOVAC (Nuclear Operative Variable Automatic Computer), a central computer that controls all equipment in the underground facility.

However, it is harder to determine how the sabotage is being done. The unseen enemy strikes again and again, snuffing out the lives of five scientists and two human test subjects in quick succession, as well as Major Howard, the complex's Chief of Security. In addition, both Madame Elzevir (solar engineering scientist) and Dr. Peter Burden (chief atomic engineer) are attacked, but manage to survive, although they are both injured.

Eventually, Sheppard determines that a powerful radio transmitter and receiver were secretly built into NOVAC during its construction. An enemy robot plane, whose fiberglass body does not register on radar, has been flying overhead, beaming precisely focused, ultra-high frequency radio signals, thereby controlling NOVAC's every function. The computer, in turn, controls Gog and Magog, two mobile robots with multiple arms, powerful gripping tools, and other implements.

Magog is finally directed to go to the complex's nuclear reactor room and pull the safety rod out of the atomic pile, starting a chain reaction that will soon build to a nuclear explosion, which will destroy the entire facility. Sheppard arrives in time to push the safety rod back into the pile, stopping the chain reaction. He then attacks the robot with a flame thrower and disables it, but Gog soon follows its twin to the reactor room to finish the job. Sheppard's flame thrower runs out of fuel as the robot advances on him. Dr. Van Ness arrives with another flame thrower, but the control valve sticks, and Gog now turns on him. Sheppard desperately begins using the nozzle of his flame thrower as a bludgeon, trying to smash the robot's electronic tubes. The now-crippled robot begins spinning back and forth, its arms thrashing about wildly. At that point, Gog suddenly comes to a halt, its metal arms falling limply to its sides. American F-86 and F-94 jet fighters have found and destroyed the enemy plane, ending NOVAC's reign of destruction. Van Ness then realizes that Sheppard and Merritt have been exposed to an overdose of radiation from the reactor, and Sheppard takes Merritt into his arms and they head for the complex hospital, where it is determined that their exposure, while causing their film badges to turn red, is not serious, and that they will soon recover.

A few days later, Dr. Van Ness explains the situation to the Secretary of Defense, and informs him that a working model of the space station is about to be launched into orbit. The new station will be equipped with telescopes and television cameras that will spot any further attempts to sabotage the complex in this fashion. The Secretary observes with satisfaction, "Nothing will take us by surprise again!" The film concludes with the successful launch of the rocket containing the working model from the complex.



Gog was filmed on just two sets at Hal Roach Studios, with the exteriors shot at the former military outpost George Air Force Base, near Victorville, California; it took just 15 days to shoot all footage.[citation needed] Gog's final cost was estimated at $250,000 dollars.[citation needed]

Shortly after the filming of Gog was completed, Constance Dowling married Ivan Tors and retired from acting. Another star of the film , William Schallert, made his debut in the science fiction genre with this low budget feature; he later appeared in other films genres, ranging from comedies to dramas and back again to science fiction. He also appeared in TV episodes, including the popular Patty Duke series.[citation needed]

Although shot in the 3D process, Gog was released at the tail-end of the first 3D fad (1953–1954). As a result, it was often just projected "flat" in its widescreen aspect ratio of 1.85:1, made standard by Hollywood the year before, despite prints being available in the stereoscopic format.[citation needed]


The film was previewed in 3D for the press at a United Artists' screening room. Initial critical response to the film ranged from "good" to "very good".[1]

Critical response was generally positive, with many critics noting the story's basis in science fact, rather than science fiction; this was a staple of Tors' science fiction films.[citation needed] His 1955 television series Science Fiction Theatre had the same period verisimilitude, and often lifted props and some situations from Gog and the other two OSI films.[citation needed]

Motion Picture Herald’s William R. Weaver said of Gog, "The production moves steadily forward, keeping interest growing at a steady pace, and exciting the imagination without overstraining credulity".[1]


  1. ^ a b William R. Weaver: "Review (Gog)", Motion Picture Herald, Product Digest Section, June 12, 1954, Page 26

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