Golden Harvest (book)

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A photograph which was reprinted in 2008 in an article titled Gorączka złota w Treblince (Gold rush in Treblinka) by Marcin Kowalski and Piotr Głuchowski, journalists of Gazeta Wyborcza. This photograph served as an inspiration for Gross's Golden Harvest and was reprinted on English language cover. However, according to research by Paweł Majewski and Michał Reszka and others, the photograph shows local citizens sent in to clean up the grounds.[1]

Golden Harvest (Polish: Złote żniwa) is a 2011 book about the Holocaust in Poland. It was written by historians Jan T. Gross and Irena Grudzińska-Gross. It was first published in Polish in March 2011, with an English translation following in 2012.

The book is named after the phenomenon, documented around the Treblinka extermination camp, of villagers digging up mass graves of Jewish victims in order to retrieve the golden tooth fillings of the deceased.[2][3] The book was praised for tackling a difficult topic; however the extent of the phenomenon in question was disputed, with some critics arguing that Gross exaggerated what was otherwise a marginal phenomenon. The factuality of the photo at the heart of the book, supposedly depicting grave robbers, was also questioned.[1][3]


Gross begins the book with a subject statement: “The collusion of the Polish population in the pillaging and killing of Jews at the periphery of the Holocaust."[4] He claims that the interpretation of the Polish role in pillaging and killing Jews as a "deviant" behavior of "scum" during wartime is wrong;[4] indeed, he sees the murder of Jews and plunder of Jewish property throughout Europe as a collective "effort", headed by the Nazi regime but openly and visibly benefiting many others.[5]

According to Gross, the Polish "obsession" with Jewish property as "the key to understanding the brutality and persistence of Polish antisemitism".[5]


Critics in Poland have alleged that Gross dwelt too much on wartime pathologies, drawing "unfair generalizations".[3]

Christopher Browning notes that Polish readers will find Gross's descriptions of Polish participation in the killing of their Jewish neighbors as challenging. According to Browning, contemporary research shows that Jews hiding in rural Poland were exposed by local village elites and officials and were often subjected to torture, rape, and public humiliation in an attempt to force them to reveal their presumed "hidden wealth". Locals resented those who hid Jews, as they were seen as engaging in "unjustified enrichment" at the expense of the rest of the community who did not receive their "fair share" of Jewish property. Per Browning, an examination of such episodes reveals the shared values and norms of a society. Browning concludes by writing that the book indicates that enormous strides have been taken in the study of the Holocaust in Poland, and in Polish-Jewish relations.[4] As a caveat, Browning notes that it's not actually clear if the photograph that motivated Gross to write the book actually documents a "golden harvest".[4]

Zoe Waxman writes that Gross has at times been accused of anti-Polish bias, and admits that at times he shows a lack of sympathy to the dilemmas faced by ordinary Poles; however this lack of sympathy is understandable given the nature of subjects of his research - people who capitalized on, and even rejoiced in, their neighbors' murder. Waxman too states her doubts about the book's cover photo's nature, and criticizes Gross for his over-reliance on eyewitness testimony. However, she sees Golden Harvest as a "powerful and haunting work" that "demands to be read".[5]

The head of Znak, the book's publisher, stated: "It does not purport to provide a comprehensive overview of Polish rural communities' actions... The authors focus on the most horrid events, on robberies and killings. Those who say the book is anti-Polish make no sense."[6]

Marek Jan Chodakiewicz has argued that Golden Harvest is based on a one-sided interpretation of its sources, the vast majority of which are secondary. Chodakiewicz takes issue with what he considers a grossly unfair portrayal of treating marginal wartime social pathologies as an all-national Polish norm. Chodakiewicz describes his interpretation of Polish history as "neo-Stalinist", due to its resemblance to postwar Stalinist propaganda that alleged mass Polish collaboration and collusion with Nazi Germany, a claim used to justify the Soviet occupation of Poland.[7]

Yad Vashem historian Witold Mędykowski reviewed Golden Harvest. Mędykowski wrote that since there are no exact statistics, it's impossible to state the extent of the phenomenon, but that Gross generalizes much less than his critics claim. Medykowski also writes that Gross approaches his subect very generally and does not address how the relevant property changed ownership. Medykowski also refers to the photograph which inspired Gross, saying that actually it was taken by an "unknown photographer at an unknown time in an unknown place and depicts unknown figures". According to Medykowski the "treasure hunt" in Treblinka is only the starting point for a wider discussion of robbery, looting, and appropriation of Jewish property. According to Medykowski Polish society is not well informed of the past, but rather is informed on myths of the past. Medykowski sees the book as a "shock therapy" destroying myths about Polish rescue of Jews.[8]

Ingo Loose reviewed Golden Harvest, alongside Jan Grabowski's Hunt for the Jews, and Barbara Engelking's It Was Such a Beautiful Sunny Day. Loose wrote that all three works relate to the open wound of Polish-Jewish relations during the Holocaust, a very sensitive point in Polish historical memory. Loose writes that Gross makes it clear that a well-informed reader will find nothing new in the book, and in this manner, the book is perhaps disappointing to a professional reader, though worth reading as it has a social "therapeutic" dimension rather than opening a new page in the state of research. Loose notes that there has been a public debate regarding the photograph at the front page of the book, and that neither Gross nor Gross's critiques probably know exactly what the portrays. Loose also criticizes the work for lack of archival research and for jumping to conclusions, and states that the methodology "leaves much to be desired."[9]


  • 2011, Złote żniwa. Rzecz o tym, co się działo na obrzeżach zagłady Żydów, Znak, Kraków, ISBN 978-83-240-1522-1
  • 2012 Golden Harvest. — New York: Oxford University Press, 2012. - 160 p. ISBN 978-0-19-973167-1.


  1. ^ a b "Kolejne wątpliwości co do rzetelności Grossa. Czy z ludzi porządkujących groby ofiar zrobił haniebnych "kopaczy"?". Retrieved 2018-06-13.
  2. ^ Jeevan Vasagar; Julian Borger (7 Apr 2011). "A Jewish renaissance in Poland". The Guardian. Retrieved 13 June 2011.
  3. ^ a b c Horne, Cynthia M.; Stan, Lavinia (2018-02-22). Transitional Justice and the Former Soviet Union. Cambridge University Press. pp. 68–69. ISBN 9781107198135.
  4. ^ a b c d "Review: Golden Harvest: Events at the Periphery of the Holocaust, Jan Tomasz Gross with Irena Grudzińska Gross (New York: Oxford University Press, 2012)," Holocaust and Genocide Studies, Browning, Christopher R., 2013, Volume 27, Issue 3, 1 December 2013, Pages 498–500
  5. ^ a b c Waxman, Zoe. "Golden Harvest: Events at the Periphery of the Holocaust. By Jan Tomas Gross with Irena Grudzińska Gross." Jewish History 28.2 (2014): 245-247.
  6. ^ Wojciech Zurawski (8 February 2011). "Book on Polish Jews' WWII ordeal touches raw nerve". Reuters. Retrieved 13 June 2011.
  7. ^ Marek Jan Chodakiewicz, Golden Harvest or Hearts of Gold? Studies on the Fate of Wartime Poles and Jews (Washington, DC: Leopolis Press, 2012); ISBN 0-9824888-1-5
  8. ^ Probleme der Interpretation der 'Shoah am Rande', Sehepunkte, Witold Mędykowski, issue 11 (2011) Nr. 7/8
  9. ^ Judenmord im nationalsozialistisch besetzten Polen. Neue Forschungen zu den Beziehungen zwischen Polen und Juden im Generalgouvernement 1939-1945, Sehepunkte, Ingo Loose, issue 11 (2011) Nr. 7/8