Portrait of Grant Allen, by Elliott & Fry
|Born||Charles Grant Blairfindie Allen
24 February 1848
Kingston, Canada West
|Died||25 October 1899
Hindhead, Haslemere, England
|Notable works||The Woman Who Did
The Evolution of the Idea of God
The British Barbarians
|Children||Jerrard Grant Allen|
Allen was born near Kingston, Canada West (now incorporated into Ontario), the second son of Catharine Ann Grant and the Rev. Joseph Antisell Allen, a Protestant minister from Dublin, Ireland. His mother was a daughter of the fifth Baron of Longueuil. He was educated at home until, at age 13, he and his parents moved to the United States, then France and finally the United Kingdom. He was educated at King Edward's School in Birmingham and Merton College in Oxford, both in the United Kingdom. After graduation, Allen studied in France, taught at Brighton College in 1870–71 and in his mid-twenties became a professor at Queen's College, a black college in Jamaica.
Despite his religious father, Allen became an agnostic and a socialist. After leaving his professorship, in 1876 he returned to England, where he turned his talents to writing, gaining a reputation for his essays on science and for literary works. One of his early articles, 'Note-Deafness' (a description of what is now called amusia, published in 1878 in the learned journal Mind) is cited with approval in a recent book by Oliver Sacks.
His first books were on scientific subjects, and include Physiological Æsthetics (1877) and Flowers and Their Pedigrees (1886). He was first influenced by associationist psychology as it was expounded by Alexander Bain and Herbert Spencer, the latter often considered the most important individual in the transition from associationist psychology to Darwinian functionalism. In Allen's many articles on flowers and perception in insects, Darwinian arguments replaced the old Spencerian terms. On a personal level, a long friendship that started when Allen met Spencer on his return from Jamaica, also grew uneasy over the years. Allen wrote a critical and revealing biographical article on Spencer that was published after Spencer was dead.
After assisting Sir W. W. Hunter in his Gazeteer of India in the early 1880s, Allen turned his attention to fiction, and between 1884 and 1899 produced about 30 novels. In 1895, his scandalous book titled The Woman Who Did, promulgating certain startling views on marriage and kindred questions, became a bestseller. The book told the story of an independent woman who has a child out of wedlock.
In his career, Allen wrote two novels under female pseudonyms. One of these was the short novel The Type-writer Girl, which he wrote under the name Olive Pratt Rayner.
Another work, The Evolution of the Idea of God (1897), propounding a theory of religion on heterodox lines, has the disadvantage of endeavoring to explain everything by one theory. This "ghost theory" was often seen as a derivative of Herbert Spencer's theory. However, it was well known and brief references to it can be found in a review by Marcel Mauss, Durkheim's nephew, in the articles of William James and in the works of Sigmund Freud. The young G. K. Chesterton wrote on what he considered the flawed premise of the idea, arguing that the idea of God preceded human mythologies, rather than developing from them. Chesterton said of Grant Allen's book on the evolution of the idea of God "it would be much more interesting if God wrote a book on the evolution of the idea of [Grant] Allen".
He was also a pioneer in science fiction, with the 1895 novel The British Barbarians. This book, published about the same time as H. G. Wells's The Time Machine, which includes a mention of Allen, also described time travel, although the plot is quite different. His short story The Thames Valley Catastrophe (published 1901 in The Strand Magazine) describes the destruction of London by a sudden and massive volcanic eruption.
Many histories of detective fiction also mention Allen as an innovator. His gentleman rogue, the illustrious Colonel Clay, is seen as a forerunner to later characters. In fact, Allen's character bears strong resemblance to Maurice Leblanc's French works about Arsène Lupin, published many years later; and both Miss Cayley's Adventures and Hilda Wade feature early female detectives.
Allen was married twice and had one son, Jerrard Grant Allen (1878-1946), a theatrical agent/manager who in 1913 married the actress and singer Violet Englefield. They had a son, Reginald "Reggie" Grant Allen (1910-1985).
Grant Allen died of liver cancer at his home on Hindhead, Haslemere, Surrey, England on October 25, 1899. He died before finishing Hilda Wade. The novel's final episode, which he dictated to his friend, doctor and neighbor Sir Arthur Conan Doyle from his bed appeared under the appropriate title, The Episode of the Dead Man Who Spoke in the Strand Magazine in 1900.
An annual festival celebrating Canadian mystery fiction is held annually on Wolfe Island, near Kingston, Allen's birthplace.
- (1877). Physiological Æsthetics.
- (1879). The Colour-Sense: Its Origin and Development
- (1881). Evolutionist at Large.
- (1881). Vignettes from Nature.
- (1882). The Colours of Flowers.
- (1883). Colin Clout's Calendar.
- (1883). Flowers and Their Pedigrees.
- (1884). Philistia. Allen's FIRST NOVEL.
- (1884). Strange Stories. Short Stories.
- (1885). Babylon. A novel in 3 volumes.
- (1886). For Mamie's Sake.
- (1886). In All Shades.
- (1887). "The Beckoning Hand and Other Stories". Short Stories
- (1888). This Mortal Coil: A Novel.
- (1888). Force and Energy.
- (1888). The Devil's Die.
- (1888). The White Man's Foot.
- (1889). Falling in Love.
- (1889). The Tents of Shem.
- (1890). Wednesday the Tenth.
- (1890). The Great Taboo.
- (1891). Dumaresq's Daughter.
- (1891). What's Bred in the Bone.
- (1892). The Duchess of Powysland.
- (1893). The Scallywag.
- (1893). Michael's Crag.
- (1894). The Lower Slopes.
- (1894). Post-Prandial Philosophy.
- (1895). The British Barbarians.
- (1895). At Market Value.
- (1895). The Story of the Plants.
- (1895). The Desire of the Eyes.
- (1895). The Woman Who Did.
- (1896). The Jaws of Death.
- (1896). A Bride from the Desert.
- (1896). Under Sealed Orders.
- (1896). Moorland Idylls.
- (1897). An African Millionaire. Colonel Clay's novel.
- (1897). The Evolution of the Idea of God.
- (1897). Paris.
- (1897). The Type-writer Girl. (as Olive Pratt Rayner)
- (1897). Tom, Unlimited. (as Martin Leach Warborough)
- (1898). Flashlights on Nature.
- (1898). The Incidental Bishop.
- (1898). Venice.
- (1899). The European Tour.
- (1899). A Splendid Sin.
- (1899). Miss Cayley's Adventures. Detective novel.
- (1899). Twelve Tales: With a Headpiece, a Tailpiece, and an Intermezzo.
- (1900). Hilda Wade. Detective novel finished by Arthur Conan Doyle.
- (1900). Linnet.
- (1901). The Backslider.
- (1908). Evolution in Italian Art.
- (1909). The Hand of God.
- (1909). The Plants.
- (1878). "Hellas and Civilization," Gentleman's Magazine, Vol. CCXLIII, pp. 156–170.
- (1878). "Nation-making: A Theory of National Characters," Gentleman's Magazine, Vol. CCXLIII, pp. 580–591.
- (1880). "Why Keep India?," The Contemporary Review, Vol. XXXVIII, pp. 544–556.
- (1880). "The Growth of Sculpture," The Cornhill Magazine, Vol. XLII, pp. 273–293.
- (1880). "The English Chronicle," Gentleman's Magazine, Vol. CCXLVI, pp. 543–559.
- (1880). "The Venerable Bede," Gentleman's Magazine, Vol. CCXLIX, pp. 84–100.
- (1880). "The Dog's Universe," Gentleman's Magazine, Vol. CCXLIX, pp. 287–301.
- (1880). "Evolution and Geological Time," Gentleman's Magazine, Vol. CCXLIX, pp. 563–579.
- (1881). "The Story of Wulfgeat," Gentleman's Magazine, Vol. CCLI, pp. 551–561.
- (1882). "An English Shire," Gentleman's Magazine, Vol. CCLII, pp. 49–70.
- (1882). "The Welsh in the West Country," Gentleman's Magazine, Vol. CCLIII, pp. 179–197.
- (1882). "The Colours of Flowers," The Cornhill Magazine, Vol. XLV, pp. 19–34.
- (1882). "An English Weed," The Cornhill Magazine, Vol. XLV, pp. 542–554.
- (1883). "Honeysuckle," Gentleman's Magazine, Vol. CCLV, pp. 313–322.
- (1884). "The Garden Snail," Gentleman's Magazine, Vol. CCLVI, pp. 25–34.
- (1884). "Our Debt to Insects," Gentleman's Magazine, Vol. CCLVI, pp. 452–469.
- (1886). "A Thinking Machine," Gentleman's Magazine, Vol. CCLX, pp. 30–41.
- (1889). "From Africa," Gentleman's Magazine, Vol. CCLXVII, pp. 547–557.
- (1890). "The Girl of the Future," Universal Review, Vol. VII, p. 57.
- (1891). "Democracy and Diamonds," The Contemporary Review, Vol. LIX, pp. 669–677.
- "Grant Allen Biography". http://www.online-literature.com. Retrieved September 26, 2013.
- Rand, Theodore H. (1900). Treasury of Canadian Verse. New York: Dutton. p. 387.
- John Robert Colombo, ed. (1979). "Grant Allen – The Child of the Phalanstery". Other Canadas An Anthology of Science Fiction and Fantasy. McGraw-Hill Ryerson. p. 30. ISBN 0-07-082953-5.
- Head, Dominic (2006). The Cambridge Guide to Literature in English. Cambridge University Press. p. 19. ISBN 0-521-83179-2.
- Sacks, Oliver (2008). Musicophilia. Picador. pp. 113–14. ISBN 0-330-41838-6.
- Cameron, Brooke (2008). "Grant Allen’s The Woman Who Did: Spencerian Individualism and Teaching New Women to Be Mothers," English Literature in Transition, 1880-1920, Vol. 51, No. 3, pp. 281-301.
- Chesterton (1926). The Everlasting Man. London: Hodder and Stoughton, p. 20.
- Chapter V of the Heinemann text and Chapter VII of the Holt text
- Cotton, J.S.; Van Arsdel, Rosemary T. (October 2005). "Allen, (Charles) Grant Blairfindie (1848–1899)" (Online edition). Oxford Dictionary of National Biography. Oxford University Press. doi:10.1093/ref:odnb/373. Retrieved 9 August 2015.
- This article incorporates text from a publication now in the public domain: Cousin, John William (1910). A Short Biographical Dictionary of English Literature. London: J. M. Dent & Sons. Wikisource
- Cotton, James Sutherland (1901). "Allen, Grant". In Sidney Lee. Dictionary of National Biography, 1901 supplement. London: Smith, Elder & Co.
- Allen, Grant (1894). "Physiological Aesthetics' and 'Philistia'." In: My First Book. With an Introduction by Jerome K. Jerome. London: Chatto & Windus.
- Bleiler, Everett (1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers, p. 104.
- Chislett, William (1967). "Grant Allen, Naturalist and Novelist." In: Moderns and Near-moderns. Freeport, N.Y.: Books for Libraries Press, pp. 198–211.
- Clodd, Edward (1900). Grant Allen: A Memoir. London: Grant Richards.
- Jackson, Holbrook (1913). The Eighteen Nineties. London: Grant Richards Ltd.
- Le Gallienne, Richard (1910). "Grant Allen." In: Attitudes and Avowals. New York: John Lane Company.
- Melchiori, Barbara Arnett (2000). Grant Allen: The Downward Path which Leads to Fiction. Rome: Bulzoni Editore ISBN 88-8319-526-4
- Morton, Peter (2005). "The Busiest Man in England": Grant Allen and the Writing Trade, 1875–1900. London: Palgrave.
- Tompkins, Herbert W. (1904). "Grant Allen," The Gentleman's Magazine, Vol. CCXCVIII, pp. 134–149.
|Wikisource has original works written by or about:
Charles Grant Blairfindie Allen
|Wikimedia Commons has media related to Grant Allen.|
- The Grant Allen Website
- Grant Allen: Evolutionist at Large
- 'Scene of the Crime' Festival Honoring Grant Allen
- Works by Grant Allen at Project Gutenberg
- Works by or about Grant Allen at Internet Archive
- Works by Grant Allen at LibriVox (public domain audiobooks)
- Works by Grant Allen at Project Gutenberg Australia
- Works by Grant Allen at Hathi Trust
- Works by Grant Allen at Unz.org
- Grant Allen is included in the paperback Pocket Guide to Victorian Writers and Poets by Russell James, published August 2010. See Pocket Guide to Victorian Writers and Poets