Grapheme–color synaesthesia or colored grapheme synesthesia is a form of synesthesia in which an individual's perception of numerals and letters is associated with the experience of colors. Like all forms of synesthesia, grapheme–color synesthesia is involuntary, consistent and memorable.[failed verification] Grapheme–color synesthesia is one of the most common forms of synesthesia and, because of the extensive knowledge of the visual system, one of the most studied.
While it is extremely unlikely that any two synesthetes will report the same colors for all letters and numbers, studies of large numbers of synesthetes find that there are some commonalities across letters (e.g., "A" is likely to be red). Early studies argued that grapheme–color synesthesia was not due to associative learning, such as from playing with colored refrigerator magnets. However, one recent study has documented a case of synesthesia in which synesthetic associations could be traced back to colored refrigerator magnets. Despite the existence of this individual case, the majority of synesthetic associations do not seem to be driven by learning of this sort. Rather, it seems that more frequent letters are paired with more frequent colors, and some meaning-based rules, such as ‘b’ being blue, drive most synesthetic associations.
There has been a lot more research as to why and how synesthesia occurs with more recent technology and as synesthesia has become more well known. It has been found that grapheme–color synesthetes have more grey matter in their brain. There is evidence of an increased grey matter volume in the left caudal intraparietal sulcus (IPS). There was also found to be an increased grey matter volume in the right fusiform gyrus. These results are consistent with another study on the brain functioning of grapheme–color synesthetes. Grapheme–color synesthetes tend to have an increased thickness, volume and surface area of the fusiform gyrus. Furthermore, the area of the brain where word, letter and color processing are located, V4a, is where the most significant difference in make-up was found. Though not certain, these differences are thought to be part of the reasoning for the presence of grapheme–color synesthesia.
Experiences and reports
Synesthetes often report that they were unaware their experiences were unusual until they realized other people did not have them, while others report feeling as if they had been keeping a secret their entire lives. Many synesthetes can vividly remember when they first noticed their synesthetic experiences, or when they first learned that such experiences were unusual. Writer and synesthete Patricia Lynne Duffy remembers one early experience:
"'One day,' I said to my father, 'I realized that to make an 'R' all I had to do was first write a 'P' and then draw a line down from its loop. And I was so surprised that I could turn a yellow letter into an orange letter just by adding a line.'"
As does filmmaker Stephanie Morgenstern:
"A few years ago, I mentioned to a friend that I remembered phone numbers by their colour. He said "So you're a synesthete!" I hadn't heard of synesthesia (which means something close to 'sense-fusion') – I only knew that numbers seemed naturally to have colours: five is blue, two is green, three is red… And music has colours too: the key of C# minor is a sharp, tangy yellow, F major is a warm brown..."
As reported by poet and screenwriter Stephen Bishop 3rd:
"For me, numbers were always colors, for example, six is blue. But colors aren't numbers; it's a one way synesthesia for me. As a youth I was just crazy about the number six and the color blue. Whenever possible I would use the number six in relation to blue. I did grow out of this to some degree and it's more of an intellectual curiosity now. In general I find my mind is highly associative, it's a creative tool that allows me to dream up complex stories with interesting juxtapositions and analogies."
When I see equations, I see the letters in colors – I don't know why. As I'm talking, I see vague pictures of Bessel functions from Jahnke and Emde's book, with light-tan j's, slightly violet-bluish n's, and dark brown x's flying around. And I wonder what the hell it must look like to the students."
While synesthetes sometimes report seeing colors projected in space, they do not confuse their synesthetic colors with real colors in the external world. Rather, they report that they are simultaneously aware of the external color and also the internal, synesthetic color:
As C relates ... "It is difficult to explain...I see what you see. I know the numbers are in black...but as soon as I recognise the form of a 7 it has to be yellow."
Finally, synesthetes are quite precise in the color mappings that they experience, which can lead them to make quite detailed comparisons of their colors:
I came back from college on a semester break, and was sitting with my family around the dinner table, and – I don't know why I said it – but I said, "The number five is yellow." There was a pause, and my father said, "No, it's yellow-ochre." And my mother and my brother looked at us like, 'this is a new game, would you share the rules with us?'"
And I was dumbfounded. So I thought, "Well." At that time in my life I was having trouble deciding whether the number two was green and the number six blue, or just the other way around. And I said to my father, "Is the number two green?" and he said, "Yes, definitely. It's green." And then he took a long look at my mother and my brother and became very quiet.
Thirty years after that, he came to my loft in Manhattan and he said, "you know, the number four *is* red, and the number zero is white. And," he said, "the number nine is green." I said, "Well, I agree with you about the four and the zero, but nine is definitely not green!"
Individuals with grapheme–color synesthesia rarely claim that their sensations are problematic or unwanted. In some cases, individuals report useful effects, such as aid in memory or spelling of difficult words.
I sometimes use my synaesthesia to help me remember difficult proper names. Here's a Thai chef who wrote a terrific vegetarian cookbook [these letters appear in a distinct pattern for Cassidy]:
- Vatcharin Bhumichitr
Unfortunately, this method can backfire too, because I confuse similarly colored names easily [the following names appear very similarly colored to Cassidy]:
This is especially problematic at parties.— Cassidy Curtis, "Letter-Color Synaesthesia"
These experiences have led to the development of technologies intended to improve the retention and memory of graphemes by individuals without synesthesia. Computers, for instance, could use "artificial synesthesia" to color words and numbers to improve usability. A somewhat related example of "computer-aided synesthesia" is using letter coloring in a web browser to prevent IDN homograph attacks. (Someone with synesthesia can sometimes distinguish between barely different looking characters in a similar way.)
Evidence indicates that grapheme color synesthesia may be actually a case of ideasthesia. In other words, the vivid concurrent experiences of color may be induced by the concepts of graphemes and not by their sensory representations.
References and notes
- Grossenbacher, P.G.; Lovelace, C.T. (2001). "Mechanism of synesthesia: Cognitive and physiological constraints". Trends in Cognitive Sciences. 5 (1): 36–41. doi:10.1016/S1364-6613(00)01571-0. PMID 11164734. S2CID 15092606.
- Jäncke, Lutz; Beeli, Gian; Eulig, Cornelia; Hänggi, Jürgen (March 2009). "The neuroanatomy of grapheme–color synesthesia". European Journal of Neuroscience. 29 (6): 1287–1293. doi:10.1111/j.1460-9568.2009.06673.x. PMID 19302164.
- Day, S.A. (2005), "Some Demographic and Socio-cultural Aspects of Synesthesia" in L. Robertson & N. Sagiv, ed., Synesthesia: Perspectives from Cognitive Neuroscience, Oxford: Oxford University Press, ISBN 0-19-516623-X, pp. 11–33
- Simner, J.; Ward, J.; Lanz, M.; Jansari, A.; Noonan, K.; Glover, L.; Oakley, D.A. (2005). "Non-random associations of graphemes to colours in synaesthetic and non-synaesthetic populations". Cognitive Neuropsychology. 22 (8): 1069–85. doi:10.1080/02643290500200122. PMID 21038290. S2CID 670571.
- Ramachandran, V.S.; Hubbard, E.M. (2001). "Synaesthesia — A window into perception, thought and language". Journal of Consciousness Studies. 8 (12): 3–34.
- Witthoft, N.; Winawer, N. (2006). "Synesthetic colors determined by having colored refrigerator magnets in childhood". Cortex. 42 (2): 175–183. doi:10.1016/S0010-9452(08)70342-3. PMID 16683491. S2CID 4484975.
- Rich, A.N.; Bradshaw, J.L.; Mattingley, J.B. (2005). "A systematic, large scale study of synaesthesia: Implications for the role of early experience in lexical-colour associations". Cognition. 98 (1): 53–84. doi:10.1016/j.cognition.2004.11.003. PMID 16297676. S2CID 2269596.
- Weiss, Peter H.; Fink, Gereon R. (January 2009). "Grapheme-colour synaesthetes show increased grey matter volumes of parietal and fusiform cortex". Brain. 132 (1): 65–70. doi:10.1093/brain/awn304. PMID 19028762.
- Duffy, Patricia. "Quote from Blue Cats and Chartreuse Kittens (W. H. Freeman; 2001)". Retrieved 2007-03-15.
- Raskin, Richard (March 2003). "An interview with Stephanie Morgenstern and Mark Ellis on Remembrance" (PDF). P.o.v., A Danish Journal of Film Studies (15): 170–184.
- Feynman, Richard (1988). What Do You Care What Other People Think?. Norton. p. 59.
- Dixon, M.J., Smilek, D., Wagar, B. & Merikle, P.M. (2004). Alphanumeric-Colour Synaesthesia: When 7 is Yellow and C is Red. in Gemma A. Calvert, Charles Spence and Barry E. Stein (Eds.) Handbook of Multisensory Processes. Cambridge, MA: MIT Press. ISBN 0-262-03321-6
- Steen, Carol. "Quote from Carol Steen Artist and founding member of the American Synesthesia Association in an interview at the Massachusetts Institute of Technology". Retrieved 2007-03-15.
- Curtis, Cassidy. "Letter-Color Synaesthesia". Retrieved 2006-12-22.
- Plouznikoff, N.; Plouznikoff, A.; Robert, J.-M. (2005). "Artificial Grapheme-Color Synesthesia for Wearable Task Support" (PDF). Ninth IEEE International Symposium on Wearable Computers. pp. 108–113. doi:10.1109/ISWC.2005.11. ISBN 0-7695-2419-2. S2CID 8221450. Archived from the original (PDF) on 2007-03-29.