Green (R.E.M. album)
Cover to the standard release of Green
|Studio album by R.E.M.|
|Released||November 7, 1988|
|Recorded||May–June and July–September 1988|
|Studio||Ardent Studios, Memphis (first sessions) and Bearsville Studios, Woodstock, NY (latter sessions)|
|Producer||Scott Litt and R.E.M.|
|Singles from Green|
|Green promo cover|
Promotional copies of Green came in a cloth case with a debossed cover. The dark colors and texture were meant to go with the album's message of environmentalism.
Green is the sixth studio album by American alternative rock band R.E.M. and their first release for Warner Bros. Records. Co-produced between the band and Scott Litt, and released in November 1988, the album continued to explore political issues both in its lyrics and packaging. R.E.M. experimented on the album, writing major key rock songs and incorporating new instruments into their sound, including the mandolin, as well as switching their original instruments on other songs.
Upon its release, Green was a critical and commercial success. To promote Green, the band embarked on an 11-month world tour and released four singles: "Orange Crush", "Stand", "Pop Song 89", and "Get Up". For its 25th anniversary in 2013, a special edition was released.
Background and recording
With the release of Document in 1987, R.E.M. fulfilled its contract with I.R.S. Records. Frustrated that its records did not see satisfactory overseas distribution, in early 1988 the band told I.R.S. head Jay Boberg that it was leaving the label. Guitarist Peter Buck also explained that his group felt it was being pressured to sell well by I.R.S., yet felt I.R.S.'s distributor MCA Records did not consider the ensemble a priority. R.E.M.'s management then approached any record companies that expressed interest in the band. Though other labels offered more money, R.E.M. ultimately signed a deal with Warner Bros. Records—reportedly between $6 million and $12 million—due to the company's assurance of total creative freedom. In light of its move to a major label, the band became defensive in interviews about accusations from some fans who claimed it was selling out.
R.E.M. began the album process by recording demos at Robbie Collins' Underground Sound Recording Studio in Athens, Georgia in February 1988. Bill Berry, Peter Buck and Mike Mills recorded the basic tracks in two configurations: (1) drums, guitar, and bass, and (2) percussion, mandolin, and accordion. The demos were mixed by Robbie Collins, Buren Fowler (guitar tech for Peter Buck and later member of Drivin N Cryin), and David LaBruyere (later bassist for Vic Varney, Michelle Malone, and John Mayer) and presented to R.E.M. management. Michael Stipe used these recordings for his vocal arrangements. Some of these demos, including "Title," "Great Big," "Larry Graham" and "The Last R.E.M. Song," have never been commercially released. The demo "Larry Graham" was named for Sly and the Family Stone bassist Larry Graham, who was famous for his slap-bass style. "Larry Graham" has many similarities musically with Out Of Time opener "Radio Song." "Title" was an older song which had been demoed for Document the prior year and performed often on the Work Tour. "Title" is the only unreleased song from these demo sessions known to have recorded vocals.
Just one month after signing with Warner Bros., the band recorded the basic tracks for Green at Ardent Studios Studio A in Memphis, Tennessee from May 24 through July 5, 1988, with Scott Litt producing. Recording and mixing resumed later that month at Bearsville Sound Studios in Bearsville, New York. Three unreleased songs were recorded in Bearsville, including "Carnival" and two untitled songs. "The Wrong Child" was recorded and mixed under the working title "Mozart." The Bearsville sessions continued until September 3, 1988—barely two months before Green's release.
In a 1988 interview, Peter Buck described Green as an album that didn't feature any typical R.E.M. songs. Describing the band's standard output as "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things", the guitarist noted that for Green, "We wrote major key rock songs and switched instruments." Singer Michael Stipe had reportedly told his bandmates to "not write any more R.E.M.-type songs". Bassist Mike Mills argued that Green was an experimental record, resulting in an album that was "haphazard, a little scattershot". Band biographer David Buckley wrote, "[S]onically, Green is all over the place, the result being a fascinatingly eclectic album rather than a unified artistic move forward".
Green was reputedly envisioned as an album where one side would feature electric songs and the other, acoustic material, with the plan failing to come to fruition due to a lack of acoustic songs deemed fit for release. David Buckley highlighted three main musical strands on Green: "ironic pop songs" like "Stand" and "Pop Song 89", harder-hitting tracks such as "Orange Crush" and "Turn You Inside-Out", and "pastoral acoustic numbers" that had Peter Buck playing mandolin, with "The Eleventh Untitled Song" singled out as an anomaly. Buck had become fond of playing acoustic music with his friends in that period, and thus purchased an "oddly-shaped Italian mandolin-cum-lyre" in 1987; he would play the instrument on three of the tracks on Green. From this period onward, R.E.M. would swap instruments among members, and on Green the group also incorporated accordion, cello, and lap steel guitar.
Artwork and packaging
The cover art was painted by New York City minimalist line painter Jon McCafferty. Promotional copies of the album were housed in a mauve, cloth-covered Digipack, with the title and artist debossed and a number "4" embossed over both of the "R"s. The color and texture are made to imitate tree bark.
The original pressings of the album and cassette tape covers had the number 4 spot varnished over the R in both "Green" and "R.E.M." In return, "R. Stand" appears instead of "4. Stand" on the track list on the back cover. Allegedly, this was a product of an early typing mistake: due to "4" being a number very close to "R" on the keyboard, "Green" was once misspelled "G4een", and the mistake was adopted this way. The album was the first by the band to feature printed lyrics, although only the lyrics to "World Leader Pretend" appeared.
Green is the first R.E.M. album to also be released in a special edition version, though it was only released as a promotional CD. R.E.M. would go on to create a special edition version of each subsequent album they released, with the exception of their final studio album—2011's Collapse into Now.
Although the title of the album is Green, the cover artwork to the LP is orange in color (this was changed to a lighter shade of yellow for some versions of the CD and cassette tape.) The reason for this is that, staring at the orange image for several seconds and then closing one's eyes causes a green negative image to appear. When viewed in this manner, the cover art appears to depict green grass.
Release and reception
|Los Angeles Times|||
|The Rolling Stone Album Guide|||
|The Village Voice||B+|
Green was released on November 7, 1988, in the United Kingdom, and the following day in the United States. R.E.M. chose the American release date to coincide with the 1988 presidential election, and used its increased profile during the period to criticize Republican candidate George H. W. Bush while praising Democratic candidate Michael Dukakis. With warm critical reaction and the conversion of many new fans, Green ultimately went double-platinum in the US, reaching number 12, and peaked at number 27 in the UK. It was R.E.M.'s first gold album in the UK, making it the quartet's European breakthrough. "What I love about it is the immensely unlikely lyrics," remarked Neil Hannon, frontman of The Divine Comedy, "and, in the mandolin on 'You Are The Everything' and 'The Wrong Child', it's got a bit of what comes later but in a much purer way. It's so small and intense, it's amazing."
Some advance promo cassettes of the album, dating from September 1988, contained alternate mixes of "World Leader Pretend" (with different intro), "Turn You Inside-Out" (with different ending), and the eleventh untitled song (different drum mix). All of these mixes are otherwise unreleased.
R.E.M. supported the album with its biggest and most visually developed tour to date, featuring back-projections and art films playing on the stage. The tour was much larger in scope than the "Work" tour that supported the previous album. This was especially true in venues outside of the United States due to Warner Bros. Records ability to market the band overseas. On the final night of the 11-month trek to support Green, at the Fox Theater, in Atlanta, GA, the band performed their first full-length album, Murmur, in order, from start to finish, followed by Green, in order, from start to finish. The night was concluded by an encore set performed by Microwave & the Melons—the road crew led by guitar tech Mark "Microwave" Mytrowitz. It marked the only live performance of "The Wrong Child," and one of the few live performances of "Hairshirt." After the Green tour, the band members unofficially decided to take the following year off, the first extended break in the group's career.
Some songs from Green—such as "Pop Song 89" and "Orange Crush"—had appeared occasionally on the "Work" tour in 1987. Though the lyrics were embryonic, the melodies and arrangements were similar to those that appeared on the finished record. Similarly, the band began playing versions of "Low" and "Belong" in the later part of the Green Tour, both of which would appear on their next album Out of Time.
Portions of the tour would be filmed for the band's first live video album Tourfilm.
The album was remastered in 2013 for its 25th anniversary, adding the bonus live album Live in Greensboro 1989 by Rhino Records; was released on May 14. Additionally, the EP Live in Greensboro EP was released on April 20 as a promotion for Record Store Day.
Kurt Cobain listed it in his top fifty albums of all time. In 1989, Sounds ranked the album at number 62 in its list of "The Top 80 Albums from the '80s." In 1993, The Times ranked the album at number 70 in their list of "The 100 Best Albums of All Time." In 2013, NME ranked it at number 274 in its list of the "500 Greatest Albums of All Time".
Side one – "Air side"
- "Pop Song 89" – 3:04
- "Get Up" – 2:39
- "You Are the Everything" – 3:41
- "Stand" – 3:10
- "World Leader Pretend" – 4:17
- "The Wrong Child" – 3:36
Side two – "Metal side"
- "Orange Crush" – 3:51
- "Turn You Inside-Out" – 4:16
- "Hairshirt" – 3:55
- "I Remember California" – 4:59
- "Untitled" – 3:10
25th anniversary disc two – Live in Greensboro, 1989
- "Stand" – 3:01
- "The One I Love" – 3:18
- "So. Central Rain (I'm Sorry)" (digital download bonus track) – 3:39
- "Turn You Inside Out" – 4:09
- "Belong" – 4:09
- "Exhuming McCarthy" – 3:14
- "Good Advices" – 3:11
- "Orange Crush" – 3:41
- "Feeling Gravitys [sic] Pull" (digital download bonus track) – 6:18
- "Cuyahoga" – 4:11
- "These Days" – 3:36
- "World Leader Pretend" – 4:13
- "I Believe" – 4:14
- "I Remember California" (digital download bonus track) – 5:23
- "Get Up" – 2:34
- "Life and How to Live It" – 4:23
- "It's the End of the World as We Know It (And I Feel Fine)" – 4:32
- "Pop Song 89" – 3:10
- "Fall On Me" – 2:56
- "You Are the Everything" – 4:29
- "Begin the Begin" – 3:38
- "King of Birds" (digital download bonus track) – 5:09
- "Strange" (digital download bonus track) – 2:44
- "Low" – 5:19
- "Finest Worksong" – 3:43
- "Perfect Circle" - 4:08
Record Store Day 2013 Exclusive – Live in Greensboro EP
- "So. Central Rain (I'm Sorry)" – 3:39
- "Feeling Gravitys [sic] Pull" – 6:18
- "Strange" – 2:44
- "King of Birds" – 5:09
- "I Remember California" – 5:23
- The iTunes, Amazon MP3, Google Play and HDtracks versions of the 25th anniversary edition include all tracks from the Greensboro concert. The five additional songs are inserted in the track list as performed in the original concert.
- On the vinyl release, R.E.M. labeled side one (tracks 1–6) as the "Air side" and side two (tracks 7–11) as the "Metal side."
- Track 4 ("Stand") is listed on the album as track "R".
- Track 11, unlisted on the back cover and unnamed on the disc, is copyrighted under the title, "11". It is listed on the iTunes Store as simply "Untitled". An extended instrumental version released as a B-side on certain copies of "Stand" is titled "(The Eleventh Untitled Song)".
- Bill Berry – drums, percussion, backing vocals, bass guitar on "You Are the Everything", "The Wrong Child", and "Hairshirt"
- Peter Buck – guitar, mandolin, drums on "Eleventh, Untitled Song"
- Mike Mills – bass guitar, keyboards, accordion, backing vocals
- Michael Stipe – vocals
- Bucky Baxter – pedal steel guitar on "World Leader Pretend"
- Peter Holsapple – guitar and keyboards on Live in Greensboro 1989
- Keith LeBlanc – percussion on "Turn You Inside-Out"
- Jane Scarpantoni – cello on "World Leader Pretend"
- Bill Berry – production
- Peter Buck – production
- Thom Cadley – engineering (Bearsville)
- Jem Cohen – photography
- George Cowan – engineering (Bearsville)
- Jay Healy – engineering
- Tom Laune – engineering (Ardent)
- Scott Litt – production, engineering
- Bob Ludwig – mastering, at Masterdisk, New York City, New York, United States
- Jon McCafferty – packaging and photography
- Mike Mills – production
- Frank Olinsky and Manhattan Design – packaging
- Michael Stipe – production, packaging, and photography
- Michael Tighe – photography
|1988||Australian ARIA Charts||16|
|UK Albums Chart||27|
|US Billboard 200||12|
|2013||US Billboard 200||12|
|1988||"Orange Crush"||Billboard Modern Rock Tracks||1|
|"Orange Crush"||Billboard Mainstream Rock Tracks||1|
|"Pop Song 89"||Billboard Modern Rock Tracks||16|
|"Stand"||Billboard Mainstream Rock Tracks||1|
|"Stand"||Billboard Modern Rock Tracks||1|
|1989||"Pop Song 89"||Billboard Mainstream Rock Tracks||14|
|"Pop Song 89"||Billboard Hot 100||86|
|"Stand"||Billboard Hot 100||6|
|"Turn You Inside-Out"||Billboard Mainstream Rock Tracks||7|
|"Turn You Inside-Out"||Billboard Modern Rock Tracks||10|
|"Stand"||UK Singles Chart||51|
|"Orange Crush"||UK Singles Chart||28|
|"Stand" (re-release)||UK Singles Chart||48|
Certifications and sales
|RIAA – US||Gold||January 10, 1989|
|Platinum||February 14, 1989|
|Double Platinum||August 17, 1994|
|BPI – UK||Silver||February 1, 1989|
|Gold||June 28, 1989|
|Platinum||May 1, 1994|
|CRIA – CAN||Gold||January 19, 1990|
|Double Platinum||September 29, 2003|
In 2005, Warner Bros. Records issued an expanded two-disc edition of Green which includes a CD, a DVD-Audio disc containing a 5.1-channel surround sound mix by Elliot Scheiner, lyrics, and the original CD booklet with expanded liner notes.
|United Kingdom||November 7, 1988||Warner Bros.||vinyl LP||WX 234|
|United States||November 8, 1988||Warner Bros.||LP||1-25795|
|Canada||November 8, 1988||Warner Music Canada||LP||1-25795|
|Germany||November 11, 1988||Warner Music Germany||Compact Disc||7599-25795-2|
|Japan||December 10, 1988||Warner Music Japan||Compact Disc||25P2-2389|
|Argentina||1988||Warner Bros.||LP||WEA 80127|
|Israel||1988||Warner Bros.||LP||BAN 925773-1|
|Peru||1988||Warner Bros.||cassette tape||cn-wbr-0257945-4|
|South Africa||1988||Warner Bros./Tusk||LP||WBC 1654|
|Compact Disc||WBCD 1654|
|Australia||1995||Warner Bros.||Compact Disc||9257952|
|United States||2005||Warner Bros.||Compact Disc/DVD-Audio DualDisc||73948|
|United States||May 14, 2013||Warner Bros.||Compact Disc||8122796570††|
- †† 25th anniversary edition, with bonus disc
|Australia||1995||Warner Bros.||Compact Disc box set||9362460742||Packaged with Out of Time|
|Argentina||1998||Warner Bros.||Compact Disc box set||9362 47180-2||Packaged with New Adventures in Hi-Fi, entitled "Doble Dosis"|
|France||1998||WEA||Compact Disc box set||WE 872||Packaged with New Adventures in Hi-Fi|
- Buckley, p. 173–74
- Buckley, p. 176
- Buckley, p. 175
- Buckley, p. 177. Here, Jay Boberg claimed that R.E.M.'s deal with Warner Bros. was for $22 million, which Peter Buck disputed as "definitely wrong".
- Buckley, p. 178
- Halbersberg, Elianna. "Peter Buck of R.E.M.". East Coast Rocker. November 30, 1988.
- Buckley, p. 179
- Buckley, p. 179–80
- Erlewine, Stephen Thomas. "Green – R.E.M.". AllMusic. Retrieved August 31, 2015.
- Kot, Greg (March 24, 1991). "Traveling Through The Years With R.E.M.". Chicago Tribune. Retrieved November 2, 2015.
- Browne, David (March 22, 1991). "An R.E.M. discography". Entertainment Weekly. Retrieved August 30, 2015.
- Boehm, Mike (November 6, 1988). "R.E.M. Falters, Doesn't Fall". Los Angeles Times. Retrieved November 2, 2015.
- Dalton, Stephen (October 25, 2003). "R.E.M.: Green". NME: 55.
- Deusner, Stephen M. (May 14, 2013). "R.E.M.: Green: 25th Anniversary Deluxe Edition". Pitchfork Media. Retrieved August 31, 2015.
- Gill, Andy (December 1988). "Positive: Are R.E.M. the best band in the world?". Q (27): 135.
- Azerrad, Michael (January 12, 1989). "The Greening of R.E.M.". Rolling Stone (543): 63. Retrieved August 31, 2015.
- Brackett, Nathan; Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide. Simon & Schuster. pp. 685–67. ISBN 0-7432-0169-8.
- Christgau, Robert (December 27, 1988). "Christgau's Consumer Guide". The Village Voice. Retrieved January 19, 2012.
- Black, p. 155–56
- Thornton, Anthony: 'Neil Hannon's Record Collection', Q #146, November 1998, p67
- Fletcher, p. 296
- Buckley, p. 184
- Buckley, p. 198
- "R.E.M. Celebrates 25th Anniversary of Green". USA Today. Gannett Company. 2013-03-06. Retrieved 2013-03-06.
- "Top 50 by Nirvana [MIXTAPE]". Retrieved 8 May 2013.
- Acclaimed Music – Green
- 11 (Legal Title). BMI Repertoire. Retrieved on July 2, 2011.
- Scopa, Bud (March 23, 2013). "R.E.M – Green 25th Anniversary Edition – Uncut.co.uk". Uncut. IPC Media. Retrieved July 24, 2013.
- "Discography R.E.M.". australian-charts.com. Hung Medien. Retrieved September 22, 2015.
- Buckley, p. 357–58
- "R.E.M. - Awards, Allmusic". allmusic.
- R.E.M. - Green: Charts and Awards — Billboard Singles. Allmusic. Retrieved on September 3, 2011.
- RIAA Searchable Database Published by the Recording Industry Association of America. Accessed January 27, 2012 (Users must search database for "R.E.M." to find results)
- BPI Certifieds Award Search Published by the British Phonographic Industry. Accessed January 27, 2012 (Users must search database for "REM" to find results)
- Gold/Platinum Certification Search. Canadian Recording Industry Association. Retrieved on January 27, 2012.
- Black, Johnny. Reveal: The Story of R.E.M. Backbeat, 2004. ISBN 0-87930-776-5
- Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. ISBN 1-85227-927-3
- Fletcher, Tony. Remarks Remade: The Story of R.E.M. Omnibus, 2002. ISBN 0-7119-9113-8.
- Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. ISBN 0-02-864935-4