|Similar creatures||Hippogriff, simurgh, sphinx|
|Mythology||Ancient Egyptian, Persian, Renaissance|
|Other name(s)||griffon, gryphon|
The griffin, griffon, or gryphon (Greek: γρύφων, grýphōn, or γρύπων, grýpōn, early form γρύψ, grýps; Latin: gryphus) is a legendary creature with the body, tail, and back legs of a lion; the head and wings of an eagle; and sometimes an eagle's talons as its front feet. Because the lion was traditionally considered the king of the beasts and the eagle the king of birds by the Middle Ages the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, Griffins were known for guarding treasure and priceless possessions.
In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. Indeed, as Pliny the Elder wrote, "griffins were said to lay eggs in burrows on the ground and these nests contained gold nuggets."
- 1 Etymology
- 2 Form
- 3 History
- 4 Influenced by dinosaurs?
- 5 Ancient parallels
- 6 Medieval lore
- 7 Heraldic significance
- 8 In architecture
- 9 In literature
- 10 Modern uses
- 11 Use for real animals
- 12 Origin
- 13 See also
- 14 Notes and references
- 15 Further reading
- 16 External links
The derivation of this word remains uncertain. It could be related to the Greek word γρυπός (grypos), meaning 'curved', or 'hooked'. Also, this could have been an Anatolian loan word, compare Akkadian karūbu (winged creature), and similar to Cherub. A related Hebrew word is כרוב (kerúv).
Most statuary representations of griffins depict them with bird-like talons, although in some older illustrations griffins have a lion's forelimbs; they generally have a lion's hindquarters. Its eagle's head is conventionally given prominent ears; these are sometimes described as the lion's ears, but are often elongated (more like a horse's), and are sometimes feathered.
Infrequently, a griffin is portrayed without wings, or a wingless eagle-headed lion is identified as a griffin. In 15th-century and later heraldry, such a beast may be called an alce or a keythong.
In heraldry, a griffin always has forelegs like an eagle's hind-legs. A type of griffin with the four legs of a lion was distinguished by perhaps only one English herald of later heraldry as the Opinicus, which also had a camel-like neck and a short tail that almost resembles a camel's tail.
There is evidence of representations of griffins in Ancient Iranian and Ancient Egyptian art dating back to before 3000 BC. In Egypt, a griffin can be seen in a cosmetic palette from Hierakonpolis, known as the "Two Dog Palette", which is dated to ca. 3300-3100 BC.
In Iranian mythology, griffin is called Shirdal means: Lion-Eagle. Shirdal have used in ancient art of Iran since late second millennium BC. Shirdals appeared on cylinder seals from Susa as early as 3000 BC. Shirdals also are common motifs in the art of Luristan, North and North West region of Iran in Iron Age, and Achaemenid art.
Griffin depictions appear in the Levant, Syria, and Anatolia in the Middle Bronze Age, dated at about 1950-1550 BC. Early depictions of griffins in Ancient Greek art are found in the 15th century BC frescoes in the Throne Room of the Bronze Age Palace of Knossos, as restored by Sir Arthur Evans. It continued being a favored decorative theme in Archaic and Classical Greek art.
In Central Asia, the griffin appears about a thousand years after Bronze Age Crete, in the 5th–4th centuries BC, probably originating from the Achaemenid Persian Empire. The Achaemenids considered the griffin "a protector from evil, witchcraft and secret slander". The modern generalist calls it the lion-griffin, as for example, Robin Lane Fox, in Alexander the Great, 1973:31 and notes p. 506, who remarks a lion-griffin attacking a stag in a pebble mosaic  at Pella, perhaps as an emblem of the kingdom of Macedon or a personal one of Alexander's successor Antipater.
The Pisa Griffin is a large bronze sculpture that has been in Pisa in Italy since the Middle Ages, though it is of Islamic origin. It is the largest bronze medieval Islamic sculpture known, at over three feet tall (42.5 inches, or 1.08 m.), and was probably created in the 11th century in Al-Andaluz (Islamic Spain). From about 1100 it was placed on a column on the roof of Pisa Cathedral until replaced by a replica in 1832; the original is now in the Museo dell' Opera del Duomo (Cathedral Museum), Pisa.
Influenced by dinosaurs?
Adrienne Mayor, a classical folklorist and historian of science, proposes that the ancient Greek idea and image of the griffin in classical art and literature beginning in the seventh century BC was influenced in part by the fossilized remains of beaked dinosaurs such as Protoceratops observed on the way to gold deposits by nomadic prospectors of ancient Scythia (Central Asia), This hypothesis is necessarily speculative, based on a number of Greek and Latin literary sources and related artworks, beginning with the first written ancient descriptions of griffins in a lost work by Aristeas of Proconnessus (a Greek who traveled to the Altai region between Mongolia and NW China) in the seventh century BC), cited by Aeschylus and Herodotus (ca 450 BC) and ending with Aelian (third century AD). Mayor's suggestion has been contested in a blog claiming that it ignores pre-Mycenaean accounts and bird-lion composites in earlier art that goes far earlier than 7th century BCE..
A multitude of imaginary composite creatures combining features of birds, reptiles, and mammals can be found in ancient Mediterranean and Near Eastern art, including mammals with bird heads in Minoan, Mycenaean,and Egyptian art, but there are no pre-Mycenaean written accounts about Griffins; and as Mayor has explained, in fact no written accounts earlier than Herodotus in the fifth century BC survive to tell us anything about imaginary hybrid bird-lion imagery in earlier cultures. Mayor's suggestion is necessarily speculative, intended to account for the profusion of Greco-Latin literary accounts of the "gryps" (Griffin) as a real animal of the East and the accompanying popularity of artistic representations that arose in Greece after travelers like Aristeas brought back tales of "Griffins" from Central Asia.
Sumerian and Akkadian mythology feature the demon Anzu, half man and half bird, associated with the chief sky god Enlil. This was a divine storm-bird linked with the southern wind and the thunder clouds.
Jewish mythology speaks of the Ziz, which resembles Anzu, as well as the ancient Greek Phoenix. The Bible mentions the Ziz in Psalms 50:11. This is also similar to Cherub. The cherub, or sphinx, was very popular in Phoenician iconography.
In medieval legend, griffins not only mated for life, but if either partner died, then the other would continue the rest of its life alone, never to search for a new mate. The griffin was thus made an emblem of the Church's opposition to remarriage.[dubious ] Being a union of an aerial bird and a terrestrial beast, it was seen in Christendom to be a symbol of Jesus, who was both human and divine. As such it can be found sculpted on some churches.
According to Stephen Friar's New Dictionary of Heraldry, a griffin's claw was believed to have medicinal properties and one of its feathers could restore sight to the blind. Goblets fashioned from griffin claws (actually antelope horns) and griffin eggs (actually ostrich eggs) were highly prized in medieval European courts.
When Genoa emerged as a major seafaring power in the Middle Ages and Renaissance, griffins commenced to be depicted as part of the republic's coat of arms, rearing at the sides of the shield bearing the Cross of St. George.
By the 12th century, the appearance of the griffin was substantially fixed: "All its bodily members are like a lion's, but its wings and mask are like an eagle's." It is not yet clear if its forelimbs are those of an eagle or of a lion. Although the description implies the latter, the accompanying illustration is ambiguous. It was left to the heralds to clarify that.
A hippogriff is a legendary creature, supposedly the offspring of a griffin and a mare.
In heraldry, the griffin's amalgamation of lion and eagle gains in courage and boldness, and it is always drawn to powerful fierce monsters. It is used to denote strength and military courage and leadership. Griffins are portrayed with the rear body of a lion, an eagle's head with erect ears, a feathered breast, and the forelegs of an eagle, including claws. These features indicate a combination of intelligence and strength.
In British heraldry, a male griffin is shown without wings, its body covered in tufts of formidable spikes, with a short tusk emerging from the forehead, as for a unicorn. The female griffin with wings is more commonly used.
The statues that mark the entrance to the City of London are sometimes mistaken for griffins, but are in fact (Tudor) dragons, the supporters of the city's arms. They are most easily distinguished from griffins by their membranous, rather than feathered, wings.
- For fictional characters named Griffin, see Griffin (surname)
Flavius Philostratus mentioned them in The Life of Apollonius of Tyana:
As to the gold which the griffins dig up, there are rocks which are spotted with drops of gold as with sparks, which this creature can quarry because of the strength of its beak. “For these animals do exist in India” he said, “and are held in veneration as being sacred to the Sun ; and the Indian artists, when they represent the Sun, yoke four of them abreast to draw the images ; and in size and strength they resemble lions, but having this advantage over them that they have wings, they will attack them, and they get the better of elephants and of dragons. But they have no great power of flying, not more than have birds of short flight; for they are not winged as is proper with birds, but the palms of their feet are webbed with red membranes, such that they are able to revolve them, and make a flight and fight in the air; and the tiger alone is beyond their powers of attack, because in swiftness it rivals the winds.
And the griffins of the Indians and the ants of the Ethiopians, though they are dissimilar in form, yet, from what we hear, play similar parts; for in each country they are, according to the tales of poets, the guardians of gold, and devoted to the gold reefs of the two countries.
In Dante Alighieri's Divine Comedy, after Dante and Virgil's journey through Hell and Purgatory has concluded, Dante meets a chariot dragged by a griffin in Earthly Paradise. Immediately afterwards, Dante is reunited with Beatrice. Dante and Beatrice then start their journey through Paradise.
Sir John Mandeville wrote about them in his 14th century book of travels:
In that country be many griffins, more plenty than in any other country. Some men say that they have the body upward as an eagle and beneath as a lion; and truly they say sooth, that they be of that shape. But one griffin hath the body more great and is more strong than eight lions, of such lions as be on this half, and more great and stronger than an hundred eagles such as we have amongst us. For one griffin there will bear, flying to his nest, a great horse, if he may find him at the point, or two oxen yoked together as they go at the plough. For he hath his talons so long and so large and great upon his feet, as though they were horns of great oxen or of bugles or of kine, so that men make cups of them to drink of. And of their ribs and of the pens of their wings, men make bows, full strong, to shoot with arrows and quarrels.
As when a Gryfon through the Wilderness
With winged course ore Hill or moarie Dale,
Pursues the ARIMASPIAN, who by stelth
Had from his wakeful custody purloind
The guarded Gold [...]
Pomponius Mela- "In Europe, constantly falling snow makes those places contiguous with the Riphean Mountains so impassable that, in addition, they prevent those who deliberately travel here from seeing anything. After that comes a region of very rich soil but quite uninhabitable because griffins, a savage and tenacious breed of wild beasts, love- to an amazing degree- the gold that is mined from deep within the earth there, and because they guard it with an amazing hostility to those who set foot there." (Romer, 1998.)
Isidore of Seville – "The Gryphes are so called because they are winged quadrupeds. This kind of wild beast is found in the Hyperborean Mountains. In every part of their body they are lions, and in wings and heads are like eagles, and they are fierce enemies of horses. Moreover they tear men to pieces." (Brehaut, 1912) 
The griffin is the symbol of the Philadelphia Museum of Art; bronze castings of them perch on each corner of the museum's roof, protecting its collection. Similarly, prior to the mid-1990s a griffin formed part of the logo of Midland Bank (now HSBC).
The griffin is the logo of United Paper Mills, Vauxhall Motors, and of Scania and its former group partners SAAB-Aircraft and Saab Automobile. The latest fighter produced by the SAAB-Aircraft company bears the name of "Gripen" (Griffin), but as a result of public competition. During World War II, the Heinkel firm named its heavy bomber design for the Luftwaffe after the legendary animal, as the Heinkel He 177 Greif, the German form of "griffin". General Atomics has used the term "Griffin Eye" for its intelligence surveillance platform based on a Hawker Beechcraft King Air 35ER civilian aircraft
The "Griff" statue by Veres Kalman 2007 in the forecourt of the Farkashegyi cemetery in Budapest, Hungary.
Griffins, like many other fictional creatures, frequently appear within works under the fantasy genre. Examples of fantasy-oriented franchises that feature griffins include Warhammer Fantasy Battle, Warcraft, Heroes of Might and Magic, the Griffon in Dungeons & Dragons, Ragnarok Online, Harry Potter, The Spiderwick Chronicles, My Little Pony: Friendship is Magic, and The Battle for Wesnoth.
The red griffin rampant was the coat of arms of the dukes of Pomerania and survives today as the armorial of West Pomeranian Voivodeship (historically, Farther Pomerania) in Poland. It is also part of the coat of arms of the german State of Mecklenburg-Vorpommern, representing the historical region Vorpommern (Hither Pommerania).
Flag of the Utti Jaeger Regiment of the Finnish Army
School emblems and mascots
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Three gryphons form the crest of Trinity College, Oxford (founded 1555), originating from the family crest of founder Sir Thomas Pope. The college's debating society is known as The Gryphon, and the notes of its master emeritus show it to be one of the oldest debating institutions in the country, significantly older than the more famous Oxford Union Society. Griffins are also mascots for VU University Amsterdam, Reed College, Sarah Lawrence College, the University of Guelph, and Canisius College.
The official seal of Purdue University was adopted during the University's centennial in 1969. The seal, approved by the Board of Trustees, was designed by Prof. Al Gowan, formerly at Purdue. It replaced an unofficial one that had been in use for 73 years.
The emblem of the Greek 15th Infantry Division features an axe-wielding griffin on its unit patch.
The mascot of St Mary's College, one of the sixteen colleges in Durham University.
The mascot of Glenview Senior Public School in Toronto is the Gryphon, and the name is incorporated into its sporting teams.
The mascot of the L&N STEM Academy in Knoxville, Tennessee, a public science, technology, engineering and math high school serving grades 9-12, is the Gryphon. The school opening in August 2011. The Gryphon is also incorporated into the school's robotics team.
The mascot of Charles G. Fraser Junior Public School in Toronto is the Griffin, and an illustration of a griffin forms the school's logo.
The mascot of Glebe Collegiate Institute in Ottawa is the Gryphon, and the team name is the Glebe Gryphons.
The griffin is the official mascot of Chestnut Hill College and Gwynedd Mercy College, both in Pennsylvania.
Also Griffin is the Official mascot of Maria Clara High School, known as the Blue Griffins in PobCaRan cluster of Caloocan City Philippines, which excels in Cheerleading.
The mascot of Leadership High School in San Francisco, CA was chosen by the student body by popular vote to be the Griffin after the Golden Gate University Griffins, where they operated out of from 1997 to 2000.
Public organizations (non-educational)
In professional sports
Busch Gardens Williamsburg's highlight attraction is a dive coaster called "Griffon", which opened in 2007. In 2013, Cedar Point Amusement Park in Sandusky, Ohio opened the "GateKeeper" steel roller coaster which features a griffin as its mascot.
In film and television
Film and television company Merv Griffin Entertainment uses a griffin for its production company. Merv Griffin Entertainment was founded by entrepreneur Merv Griffin and is based in Beverly Hills, California. His former company Merv Griffin Enterprises also used a griffin for its logo.
Griffins appear in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, and The Chronicles of Narnia: Prince Caspian.
Saab Automobile previously used the griffin in their logo.
Information security firm Halock uses a griffin to represent protecting data and systems.
Use for real animals
Some large species of Old World vultures are called griffines, including the griffon vulture (Gyps fulvus). The scientific name for the Andean condor is Vultur gryphus, Latin for "griffin-vulture". The Catholic Douay-Rheims version of the Bible uses griffon for a creature referred to as vulture or ossifrage in other English translations (Leviticus 11:13).
A theory, postulated by Adrienne Mayor, is that the griffin of classical Greek literature and art was influenced by observations and accounts brought back to the Mediterranean region by traders and travelers along the Silk Road from the Turfan Basin and western reaches of the Gobi Desert where fully articulated white fossils of Protoceratops beaked dinosaurs continually weather out against reddish ground. Such fossils, seen by ancient observers, may have been interpreted as evidence of a half-bird-half-mammal creature . Over repeated retelling and drawing recopying its bony neck frill (which is rather fragile and may have been frequently broken or entirely weathered away) may become large mammal-type external ears, and its beak may be treated as evidence of part-bird nature and lead to bird-type wings being added.
Paleontologist Mark Witton has contested this hypothesis, believing that it relies on ignorance of pre-Greek griffin accounts and art, which have occurred considerably before the Central Asian trade scenario. But no "pre-Greek griffin written accounts" exist to tell us what was believed about imaginary hybrid bird-mammal and other composite figures from the pre-classical time period. Mayor's hypothesis suggests that unfamiliar fossils exhibiting bird and mammal features--beaks, four legs, and eggs in nests-- can help explain the belief recorded in numerous Greek and Roman sources from Herodotus and Aeschylus to Pliny, Pausanias, and Aelian that Griffins were real animals observed in the deserts along the Silk Route and might also help account for the proliferation of reports and illustrations of Griffins that began after the seventh century BC.
- Anzû (older reading: Zû), Mesopotamian monster
- Chimera, Greek mythological hybrid monster
- Duck billed platypus, an egg-producing mammal with a beak
- Hippogriff, legendary horse-eagle hybrid
- Hybrid creatures in mythology
- Lamassu, Assyrian deity, bull/lion-eagle-human hybrid
- List of hybrid creatures in mythology
- Nue, Japanese legendary creature
- Pegasus, winged stallion in Greek mythology
- Pixiu or Pi Yao, Chinese mythical creature
- Sharabha, Hindu mythology: lion-bird hybrid
- Simurgh, Iranian mythical flying creature
- Snow Lion, Tibetan mythological celestial animal
- Sphinx, mythical creature with lion's body and human head
- Yali, Hindu mythological lion-elephant-horse hybrid
- Ziz, giant griffin-like bird in Jewish mythology
Notes and references
- Friar, Stephen (1987). A New Dictionary of Heraldry. London: Alphabooks/A & C Black. p. 173. ISBN 978-0-906670-44-6.
- Mayor, A. and Heaney, M. (1993). "Griffins and Arimaspeans". Folklore. 104 (1–2): 40. doi:10.1080/0015587X.1993.9715853.CS1 maint: Multiple names: authors list (link)
- von Volborth, Carl-Alexander (1981). Heraldry: Customs, Rules and Styles. Poole: New Orchard Editions. pp. 44–45. ISBN 978-1-85079-037-2.
- William H. C. Propp,Exodus 19–40, volume 2A of The Anchor Bible, New York: Doubleday, 2006, ISBN 0-385-24693-5, Notes to Exodus 15:18, page 386, referencing: Julius Wellhausen, Prolegomena to the History of Israel, Edinburgh: Black, 1885, page 304. Also see: Robert S. P. Beekes, Etymological Dictionary of Greek, volume 1, Leiden and Boston: Brill, 2010 ISBN 978-90-04-17420-7, page 289, entry for γρυπος, "From the archaeological perspective, origin in Asia Minor (and the Near East: Elam) is very probable."
- Illustrated Dictionary of Egyptian Mythology. Buffaloah.com. Retrieved on 2 January 2012.
- The Gryphon Lore. www.myth-and-fantasy.com. Retrieved on 24 May 2014.
- Strange (Fantastic) Animals of Ancient Egypt. Touregypt.net. Retrieved on 2 January 2012.
- Patch, Diana (29 May 2012). Dawn of Egyptian Art. Metropolitan Museum of Art. pp. 139–140. ISBN 978-0300179521. Retrieved 24 May 2014.
- Taheri, Sadreddin (2017). "The Semiotics of Archetypes, in the Art of Ancient Iran and its Adjacent Cultures". Tehran: Shour Afarin Publications.
- Image of Persian griffin from The Granger Collection. www.granger.com. Retrieved on 26 May 2014.
- Taheri, Sadreddin (2013). "Gopat and Shirdal in the Ancient Middle East". نشریه هنرهای زیبا- هنرهای تجسمی. 17 (4): 13–22. doi:10.22059/jfava.2013.30063.
- Teissier, Beatrice (31 December 1996). Egyptian Iconography on Syro-Palestinian Cylinder Seals of the Middle Bronze Age. Vandenhoeck & Ruprecht. pp. 88–90. ISBN 978-3525538920. Retrieved 24 May 2014.
- Aruz, Joan; Benzel, Kim; Evans, Jean M. (2008). Beyond Babylon: Art, Trade, and Diplomacy in the Second Millennium B.C. Metropolitan Museum of Art and Yale University Press. p. 137. ISBN 978-1588392954. Retrieved 24 May 2014.
- Teissier, Beatrice (31 December 1996). Egyptian Iconography on Syro-Palestinian Cylinder Seals of the Middle Bronze Age. Vandenhoeck & Ruprecht. pp. 5–6. ISBN 978-3525538920. Retrieved 24 May 2014.
- Neva, Elena. "Central Asian Jewelry and their Symbols in Ancient Time Archived 25 July 2014 at the Wayback Machine" Artwis; citing Pugachenkova, G. (1959) "Grifon v drevnem iskusstve central’noi Azii." Sovetskya Arheologia, 2 pp. 70, 83
- Dartmouth College expedition
- Quantara; Hoffman, 318
- Adrienne Mayor, Archaeology Magazine, November–December 1994, pp. 53–59; Mayor, The First Fossil Hunters, 2000.
- Mark Witton, Why Protoceratops Almost Certainly Wasn't The Inspiration For Griffin Legend
- Bedingfeld, Henry; Gwynn-Jones, Peter (1993). Heraldry. Wigston: Magna Books. pp. 80–81. ISBN 978-1-85422-433-0.
- White, T. H. (1992) . The Book of Beasts: Being a Translation From a Latin Bestiary of the Twelfth Century. Stroud: Alan Sutton. pp. 22–24. ISBN 978-0-7509-0206-9.
- Stefan Oliver, Introduction to Heraldry. David & Charles, 2002. P. 44.
- Male griffin depicted in Debrett's Peerage, 1968, p. 222, sinister supporter of Earl of Carrick (Ireland)
- The City Arms, City of London Corporation, hosted by webarchive
- Flavius Philostratus, The Life of Apollonius of Tyana, translated by F. C. Conybeare, volume I, book III.XLVIII., 1921, p. 333.
- Flavius Philostratus, The Life of Apollonius of Tyana, translated by F. C. Conybeare, vol. II, book VI.I., 1921, p. 5.
- The Essential Rumi, translated from Persian by Coleman Barks, p 257
- The Travels of Sir John Mandeville, Chapter XXIX, Macmillan and Co. edition, 1900.
- "Griffin".eaudrey.com., n.p., 14 March 2013 <http://www.eaudrey.com/myth/griffin.htm>
- Philadelphia Museum of Art – Giving : Giving to the Museum : Specialty License Plates. Philamuseum.org. Retrieved on 2 January 2012.
- Glassteelandstone.com Archived 11 May 2013 at the Wayback Machine, Philadelphia Museum of Art: Benjamin Franklin Parkway, Philadelphia, Pennsylvania, United States, Glass Steel and Stone
- GA-ASI Introduces Griffin Eye Manned ISR System Archived 11 July 2011 at the Wayback Machine. GA-ASI.com (20 July 2010). Retrieved on 2 January 2012.
- Trinity.ox.ac.uk. Trinity.ox.ac.uk. Retrieved on 2 January 2012.
- VU university Amsterdam. About the griffin. Retrieved on 5 November 2013.
- Reed college#Griffin
- Sarah Lawrence Gryphons. Gogryphons.com. Retrieved on 23 October 2013.
- Traditions. Big Ten. Purdue.edu. Retrieved on 2 January 2012.
- Pantless Man-Bird To Lead William and Mary Into Battle. Deadspin.com (7 April 2010). Retrieved on 2 January 2012.
- W&M welcomes newest member of the Tribe. Wm.edu (8 April 2010). Retrieved on 2 January 2012.
- Protoceratops. Wikidino. Retrieved on 2 January 2012.
- BBC Four television program Dinosaurs, Myths and Monsters, 8.00–0.00 pm Sat 10 December 2011 and 9.55–10.55 pm Tue 13 December 2011
- Mayor 2000
- Mark Witton, Why Protoceratops Almost Certainly Wasn't The Inspiration For Griffin Legend
- Wild, F., Gryps-Greif-Gryphon (Griffon). Eine sprach-, kultur- und stoffgeschichtliche Studie (Wien, 1963) (Oesterreichische Akademie der Wissenschaften, Philologisch-historische Klasse, Sitzungberichte, 241).
- Bisi, Anna Maria, Il grifone: Storia di un motivo iconografico nell'antico Oriente mediterraneo (Rome: Università) 1965.
- Taheri, Sadreddin (2013). "Gopat (Sphinx) and Shirdal (Gryphon) in the Ancient Middle East". نشریه هنرهای زیبا- هنرهای تجسمی. 17 (4): 13–22. doi:10.22059/jfava.2013.30063.
- Joe Nigg, The Book of Gryphons: A History of the Most Majestic of All Mythical Creatures (Cambridge, Apple-wood Books, 1982).
- This article incorporates text from a publication now in the public domain: Wood, James, ed. (1907). "article name needed". The Nuttall Encyclopædia. London and New York: Frederick Warne.
Media related to Griffins at Wikimedia Commons
- The Gryphon Pages, a repository of griffin lore and information
- The Medieval Bestiary: Griffin
- Four Footed Winged Raptors Gryphons of Greece, Europe and the Near East, source texts in Greek, Hebrew, and Old English, with new English translations.