Grimanesa Amoros Uros Island, Venice Biennial 2011
1962 (age 53–54)
|Known for||Light art|
|Notable work||Uros House (2011), Uros Island (2011) "Golden Waters" (2015) "Pink Lotus" (2015)|
|Awards||National Endowment for the Arts Visual Artists Fellowship Grant and the Art in Embassies Program|
Grimanesa Amorós (born in Lima, lives and works in New York City and Peru) is a multidisciplinary artist with diverse interests in the fields of social history, scientific research and critical theory, which have greatly influenced her work. Her process remains organic and instinctive. The intuitive relationship to technology is a distinctive feature of Amorós’ practice. Amorós researches the locations, histories and communities of the installation sites. Her works incorporates elements from sculpture, video, lighting, and technology to create site-specific installations to engage architecture and create community.
Grimanesa Amorós has often drawn upon important Peruvian cultural legacies for inspiration for her large-scale light-based installations, which she has presented around the globe from Mexico, Tel Aviv and Beijing to New York’s Times Square. She continues to be inspired from Peru’s history for her art but she does not hold an essentialist or nostalgic view of her subject. It feels somewhere in the art of Grimanesa Amorós, the past is meeting the future. She often gives talks at museums and universities where her lectures not only attract future artists but students and faculty engaged with science and technology. She was one of the speakers in TEDGlobal 2014, talking about ancient culture, landscapes and 21st-century technology. Amorós has exhibited in the United States, Europe, Asia and Latin America.
- 1 Early life and career
- 2 Public Work
- 3 Light Sculptures
- 3.1 Huanchaco Series
- 3.2 Uros Series
- 4 Collaborations
- 5 Exhibitions
- 6 Film festivals, lectures, and art fairs
- 7 Awards and Grants
- 8 Bibliography
- 9 References
- 10 External links
Early life and career
Her artistic ambitions began when she was obsessed with drawing maps at a very young age. Her mother saw talent in her and enrolled Amorós in art classes at the age of eleven. When she was in her teens, she studied Psychology and Art simultaneously. She attended the Miguel Gayo Art Atelier in Lima, Peru. When she was eighteen, she exhibited a sold-out show featuring her paintings.
Concerned about her early success, Amorós moved to New York City to try to make it on her own as an artist. Once there, she won a scholarship to study painting and printmaking at the Art Students League of New York. She started mainly as a painter, but - thinking about paint in sculptural terms - eventually moved on to creating three-dimensional artworks.
|“||Grimanesa Amoro’s art plays deftly with the notion that painting and sculpture might come into being through the process of shedding, as apposed to accumulation, the more physical aspects of form, so that the condition in which her subjects are presented does not function as a ‘final’ state at all, but more like one of several possible chosen moments within which the process of coming-into-being has been captured.||”|
Amorós' interests in three-dimensional artworks lead to her exploration of paper-making processes. She brought this sensibility into her work with pieces such as La Incubadora at the Roger Smith Lab Gallery.
After years of showing in gallery spaces, public art had an accessibility and openness that always intrigued her. Amorós' earliest public pieces were Frente Feroz in Harlem, New York City, an installation that incorporated silhouettes made from paper and light, and La Incubadora, at the Roger Smith Lab Gallery in New York City, an installation incorporating paper-made sculpture and atmospheric lighting. These lighting installations led her to the bubble sculptures she would later be known for. She developed her idea by using LEDs, Lexan and silkscreens to create translucent spheres inspired by the natural elegance of sea foam and totora reeds.
Now she is the first time out in a German museum: The Ludwig Museum in Koblenz shows three great works of her two large-scale installations and a video with the Spanish title "ocupante" - what occupiers or owners may be called. This title has chosen the Museum of the whole exhibition. For the artist whose work literally taken possession of the museum and its surroundings. At first glance it all looks very technical and abstract, what Grimanesa Amorós has since built up in the Ludwig Museum: An entire floor full of light tubes that are intertwined and wrapped around each other. At the ends of the space they are held by metal frames, but otherwise seem to hover in the shadows. Periodically light pulses and starts through the tubes, sometimes flashing the lights in light on, then they are dimmed again. There is a rhythm like breathing in and out, the viewer perceives him sometime down automatically.
"Pink Lotus" (2015)
In keeping with the initiative’s “pink” theme, Amorós has used LED lights to create a pink lotus flower that highlights The Peninsula New York’s landmark Beaux-Arts façade. By placing the installation on the main façade, Amorós is supporting Breast Cancer Awareness Month by drawing attention to both the Roman Goddesses, who represent the power of women worldwide and to the lotus flower’s symbolic associations with creation, enlightenment and rebirth. PINK LOTUS creates a dialogue with the existing architecture and the history of the site, with a dramatic 11-minute light sequence that provides the public with a unique visual experience created by the LED lighting.
"Golden Waters" (2015)
Inspired by the natural elegance of the Arizona canal, which were modeled after the 13th-century waterways dug by the Hohokam tribe, Golden Waters is mounted on a secure structure attached to the Soleri bridge, designed by artist, architect and philosopher Paolo Soleri. The hovering light sculpture extends parallel to the canal channel eighty feet west of the bridge. Golden Waters’ LED tubing system appears to rise from the canal waters below, celebrating theunion of light and water. The horizontal and vertical lines of Golden Waters are a metaphor for the dynamic balance between urban and natural forces that can be experienced simultaneously.
"Breathless Maiden Lane" (2014)
Breathless Maiden Lane explores and reveals the atrium's architecture of 125 Maiden Lane, a glass, marble and granite space in New York's Financial District. This is Amorós' sculpture from her newest body of work utilizing LED lights in combination with diffusive material and her signature "bubble" sculptures. The bubbles recall the man-made islands floating on the surface of Lake Titicaca and the long lines of LED tubing allude to distinctive reeds that grow in northern Peru. The light installation is a part of VIP The Armory Show (art fair) event.
"The Mirror Connection" (2013)
The Mirror Connection is a light sculpture installation which was opened June 2, 2013 and running through June 22nd, 2013. The exposed circuitry and unpredictable light patterns were both mesmerizing and surprising.
Fortuna was a temporary site-specific light installation located at Tabacalera in Madrid, Spain. Commissioned by Ministry of Education and Culture in Spain, Fortuna was named after from the Tobacco brand name that was made there in the former Tobacco factory, La Fragua.
In her lighting sculptures, Amorós has continuously returned to the theme of the "Uros Islands," which are a series of floating islands in Lake Titicaca bordering Peru and Bolivia. The islands are handmade from dried totora reeds by the pre-Incan Uros people. When Amorós first visited the Uros Islands, she was struck by "the sense of weightlessness and spiritual connectivity" she experienced by walking on these floating islands.
The reeds are also used as a structural material to build everything from houses to boats in the Uros culture. Amorós has incorporated the shapes and patterns of these reeds into her lighting sculptures. Recent works include: 
Uros House in Times Square, NY
Part of The Times Square Alliance Public Arts Program in collaboration with The Armory Show (art fair)  This piece was later on being exhibited at the Paul and Lulu Hilliard University Art Museum at the University of Louisiana at Lafayette in Lafayette, Louisiana
Uros Island at the 54th Venice Biennale (2011)
Uros Island, an installation by Grimanesa Amorós that was featured at the 54th Venice Biennale's International Art Exhibition, was inspired bu Lake Titicaca's unique floating oases in a high-elevation water world. The installation combines the shifting patterns of light and colors of Venice and of the sacred Inca lake as the sun arcs across the sky. When the sun actually sets over the Venetian exhibition site, and as sparkler stars begin spreading out across the sky, the glowing hemispheric islands in the Uros piece seem to float in mid-air, creating a fascinating illusion that gravity has temporarily disappeared. The biennale show, titled ILLUMINATIONS, was the perfect forum for this computer-controlled light sculpture. The exhibition was traveled to Wereldmuseum in Rotterdam, National Taiwan Museum of Fine Arts in Taiwan and Today Art Museum in China.
"Uros" at Tibeca Issey Miyake (2011)
Though Tribeca Issey Miyake is hardly a vast, open space typical of interventionist art, in her new installation at the Japanese designer’s boutique the sculptures certainly confront new viewers and easily mixes fashion and fine art. The buoyant, effulgent bubbles create a wonderful tension with the store’s exoskeletal atmosphere designed by Frank Gehry, as well as the perfectly pleated fashions on display. The installation continues her “Uros” series, inspired by artificial landscapes created by pre-Incan people, which has appeared this year at the Venice Biennale and in a public work at Times Square in conjunction with the Armory Show.
Golden Uros as part of the 2011 APART Festival
Amorós had been gradually incorporating light into her sculptures, but her first major lighting sculpture was when she was commissioned by ICART for Royal Caribbean International to create a lighting sculpture for Allure of the Seas, the largest cruise ship in the world.
Inspired by the lighting of the natural world in her travels, Amorós sought to find a way to incorporate technology to express her own interpretation of how nature impacts her. She created Racimo based on her experiences growing up in Peru spending long afternoons in the vineyards. She became fascinated by the color and shapes of the grapes. The shapes also mirrored her fascination with the shapes and colors of ocean foam.
In 2014, Amorous collaborated with AKIKO ELIZABETH MAIE, the newest label from Nepenthes AMERICA INC., presenting ONKOCHISHIN 2014. A theme discovered new horizons by researching the past.
She collaborated with Ivri Lider of The Young Professionals, one of Israel’s best-known young pop musicians for the sound track of her video, Miranda. The video premiered with her light sculptures, Light between the Islands in 2013.
Amorous worked with Afro-Peruvian singer and Peru's Minister of Culture, Susana Baca, in her video Between Heaven and Earth. Baca produced an original score for the video, titled "Nacimiento de Voces" ("Birth Voices"). She also produced an interview documentary titled, La Conexion Perfecta de Susana Baca, which was used in Baca's concerts. Amorós' latest collaboration with Baca is the Baca's latest album in 2011, Afrodiaspora, where Amorós designed and used images of her artwork with photos of Susana in the CD packaging.
In her Rootless Algas video, she worked with Hilmar Orn Hilmarsson who produced an original score. The video exhibited with her installation of large multi-colored algae made by casting translucent abaca sheets.
In 2011, she did a special collaboration with fashion designer Manuel Fernandez in his "Fashion Art" show, creating a dress titled Precious Nipples.
Template:Like resume-section Most recent exhibitions and public works
GOLDEN WATERS, Soleri Bridge, Arizona, 2015; 125 Maiden Lane, NYC, 2014; Fortuna, La Fragua Tabacalera, Madrid, Spain, 2013; The Mirror Connection, CAFA Art Museum, Beijing, China, 2013; Harper’s Bazaar / Art Basel HK, Hong Kong, China, 2013; Georgian National Museum’s National Gallery, Tbilisi, Georgia, 2013; Livak Gallery, Tel Aviv, Israel, 2013; "Uros House", The Lite Center, Lafayette, Louisiana, 2013; Yuan Space, Voyager Video Retrospective, Beijing, China, 2012; La Torre De Los Vientos, The Route of Friendship Patronage, WMF, Nina Menocal Gallery, Mexico D.F. 2012; 21c Museum Hotels, Cincinnati, Ohio, 2012; PECO Building, Art in the Air, Philadelphia, PA 2012; The Flag Art Foundation, Watch Your Step, NYC, 2012; Seoul National University Museum of Art, Seoul, South Korea, 2012; 54th Biennale di Venezia, Illuminazioni – Illuminations Collateral Event Future Pass, Venice, Italy, The Wereldmuseum in Rotterdam, The Netherlands, National Taiwan Museum of Fine Arts, Taiwan, and The Today Art Museum in Beijing, China, 2011; tribeca Issey Miyake Headquarter, NYC, 2011; Times Square Alliance Public Arts Program in collaboration with The Armory Show, New York
Film festivals, lectures, and art fairs
TEDGlobal speaker (Rio de Janeiro, Brazil), Art Basel Conversation(Hong Kong), American University in Dubai(United Arab Emirates), HATCH (Bozeman, Montana), Rutgers University at Mabel Smith Douglass Library (New Brunswick, NJ), Washington University keynote speaker (St. Louis, MO), China Central Academy of Fine Arts(Beijing, China), The International Videoart Festival of Camaguey (Cuba), CASAmerica (Madrid, Spain), Sotheby's Institute of Art (NYC), INNOV8 Festival (Lafayette, Louisiana), IdeaFestival (Lexington, KY), The Armory Show (NYC), A-PART Contemporary Art Festival (Alpilles-Provence, France), Tina B (Venezia, Italy and Prague, Czech Republic, Videoholica Varna, Bulgaria), Art Basel (Basel, Switzerland), Pinta (NYC), Shanghai Art Fair (Shanghai, China), CIRCA (San Juan, Puerto Rico), Art Scope Basel, New York/Miami
Awards and Grants
The National Endowment for the Arts Visual Artist Fellowship (Washington, DC), The Travel Grant Fund for Artists, NEA Arts International, (New York, NY), The Bronx Museum for the Arts: Aim Program (Bronx, NY), The Louis Comfort Tiffany Foundation "Participant Biennial Competition" (New York NY), Awards also include the X Tumi USA Award (Miami, FL), Artist residency fellowships by Omi International Arts Center (Columbia County, NY), Rutgers University "Estelle Lebowitz Visiting Artist," (New Brunswick, NJ), Santa Fe Art Institute (Santa Fe, NM), Virginia Center for the Creative Arts(Amherst, VA), Artspace (Raleigh, NC) and Centrum Arts (Port Townsend, WA). Additionally, her works have been selected for the Art in Embassies Program of the U.S. Department of State in Ankara, Turkey (2001) and Lima, Peru (2003).
- Grimanesa Amoros: Ocupante, artist Amorós, authors Beate Reifenscheid (Hirmer Verlag, 2016) ISBN 978-37-7742-648-8
- Grimanesa Amoros: Between Heaven and Earth, Rootless Algas, artist Amorós; essay authors Marek Bartelik, Picardo Pereira (Hostos Center for The Arts and Culture/ CUNY, 2006) ISBN 978-09-654-2735-7.
- This Is Substantial, artist Amorós, authors Amorós (Everest / Four Colour Imports, 2008) ISBN 978-09-8159-970-0.
- Grimanesa Amoros: Falling Tell Me Your Story Exhibition, artist Amorós, authors Amorós (Artco Gallery, 2003) ASIN: B002KFAWWY.
- Frank, Priscilla, (July 07, 2015), "Artist Grimanesa Amoros Combines Architecture And Ecology For Spellbinding Public Work", The Huffington Post.
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