|Education||California Institute of the Arts|
|Couple in The Cage: Two Undiscovered Amerindians Visit the West|
(m. 1988; div. 1989)
|Awards||John D. and Catherine T. MacArthur Fellowship |
1991 Writer and Interdisciplinary Artist – MacArthur Fellows Program
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Guillermo Gómez-Peña is a Chicano performance artist, writer, activist, and educator. Gómez-Peña has created work in multiple media, including performance art, experimental radio, video, photography and installation art. His ten books include essays, experimental poetry, performance scripts and chronicles in both English, Spanish and Spanglish. He is a founding member of the art collective Border Arts Workshop/Taller de Arte Fronterizo and director of the performance art troupe La Pocha Nostra.
Gómez-Peña has contributed to cultural debates for nearly 30 years staging seminal performance art pieces including Couple in The Cage: Two Undiscovered Amerindians Visit the West (with Coco Fusco, 1992–93), The Crucifiction Project (with Roberto Sifuentes, 1994), Temple of Confessions (1995), The Mexterminator Project (1997–99),The Living Museum of Fetishized Identities, (1999-2002), the Mapa/Corpo series (2004-2009), Corpo Ilicito (2010-2011) and most recently Corpo Insurrecto (2012-2013). His performance work mixes experimental aesthetics, activist politics, Spanglish humor and audience participation to create a "total experience" for the audience member/reader/viewer.
Guillermo Gómez-Peña was born in Mexico City in 1955. He studied Linguistics and Latin American Literature at National Autonomous University of Mexico (UNAM) from 1974–1978. He moved to the US in 1978 and studied at California Institute of the Arts, earning a B.A. in 1981 and an M.A. in 1983.
From 1983 until 1990, Gómez-Peña lived in the San Diego/Tijuana border region. Most of his artistic and intellectual work concerns the interface between North and South (Mexico and the U.S.), border culture and the politics of the brown body. His original interdisciplinary arts projects and books explore borders, physical, cultural and otherwise, between his two countries and between the mainstream U.S. and the various Latino cultures: the U.S.-Mexico border itself, immigration, cross-cultural and hybrid identities, and the confrontation and misunderstandings between cultures, languages and races. Gómez-Peña was a founding member of Border Arts Workshop/Taller de Arte Fronterizo, an international arts collective based at the Centro Cultural de la Raza in San Diego.
His artwork and literature also explore the politics of language, the side effects of globalization, "extreme culture," the culture of violence and new technologies from a Latino perspective. He is a patron of the London-based Live Art Development Agency and a Senior Fellow of the Hemispheric Institute of Performance and Politics (NYU).
La Pocha Nostra
Gómez-Peña is the artistic director of the international performance troupe La Pocha Nostra. La Pocha Nostra is a trans-disciplinary arts organization that provides a support network and forum for artists of various disciplines, generations and ethnic backgrounds. La Pocha is devoted to erasing the borders between art and politics, art practice and theory, artist and spectator. La Pocha Nostra has intensely focused on the notion of collaboration across national borders, race, gender and generations as an act of radical citizen diplomacy and as a means to create temporary communities of rebel artists. Every year, La Pocha conducts a summer and a winter performance art school in which Pocha's radical pedagogy (a performance methodology that has been developed during the last 10 years) is shared with an international group of rebel artists.
Gómez-Peña's work with La Pocha Nostra has been presented across the US, Canada, Mexico, Latin America, Europe, Russia, Australia and South Africa. In recent years, the troupe has presented work at Tate Modern (London), Arnolfini (Bristol), the Guggenheim Museum (New York), LACMA (Los Angeles), the House of World Cultures and the Volksbuhne (Berlin), MACBA (Barcelona), El Museo de la Ciudad (Mexico City) and the Encuentros Hemisféricos in Lima, Rio de Janeiro, Belo Horizonte, Buenos Aires and São Paulo. Gomez-Peña and La Pocha Nostra have participated in the following Biennales: Havana,The Withney, Sydney, Liverpool, Thessaloniki and Mercosur. The troupe's photo performances are now in the permanent collection of Daros Foundation (Zurich) and Galeria Artificios (Gran Canaria).
Collaboration with Coco Fusco
Gómez-Peña traveled internationally for two years with fellow artist Coco Fusco performing The Year of the White Bear and Two Undiscovered Amerindians Visit the West (1992–1994), a satirical performance piece in which the two artists were exhibited in a cage in museums and at arts festivals as "authentic" Amerindians from a previously undiscovered island off the Mexican coast. The pair dressed up in a hodgepodge of ethnic drag and bits of Americana such as a baseball cap and grass skirt in the case of Fusco, and face paint and a leopard-skin wrestling mask for Gómez-Peña. Coco Fusco described the piece as "a satirical commentary both on the Quincentenary celebrations and on the history of this practice of exhibiting human beings from Africa, Asia, and Latin America in Europe and the United States in zoos, theaters, and museums." During its run, the critically acclaimed piece was performed at major museums and arts festivals in New York, Washington, DC, Los Angeles, Chicago and Madrid, Spain, amongst others.
The Year of the White Bear was sometimes accompanied by a performance piece entitled New World (B)Order, which Chicago Reader art critic Carmela Rago called "the denouement of the performance installation at the Field Museum; using irony and humor Gomez-Pena and Fusco allowed us to contemplate the next step--being part of a world border culture, reclaiming our humanity and our hearts." The artists also worked with filmmaker Paula Heredia to create The Couple in the Cage: Guatianaui Odyssey, a documentary that records several performances for The Year of the White Bear as well as viewer reactions to the work.
Besides working in an ongoing basis with La Pocha Nostra (Emma Tramposch, Roberto Sifuentes, Michele Ceballos, Violeta Luna, Dani d'Emilia, Saul Garcia Lopez, Erica Mott and Daniel Brittany Chavez). Gómez-Peña was a member of the San Diego-based Border Arts Workshop/Taller de Arte Fronterizo (BAW/TAF) art collective which also included artist Emily Hicks, Bertha Jottar, Richard Lou, Victor Ochoa, Robert Sanchez, Michael Schnorr and Rocío Weiss. Gómez-Peña has done collaborative art projects and with James Luna, Reverend Billy, Tania Bruguera, Richard Montoya and Sara Shelton Mann.
Awards and honors
- United States Artists Fellow award, 2012
- The Free Culture Award, 2012
- Cineaste Lifetime Achievement Award, 2000
- The American Book Award for New World Border, 1997
- Viva Los Artistas Award, 1993
- John D. and Catherine T. MacArthur Fellowship, 1991. Gómez-Peña was the first Chicano artist to receive this award.
- Prix de la Parole, 1989
- The Bessie Award, 1989
- The Fleishhacker Foundation Eureka Fellowship, 2016
- Warrior for Gringostroika (book, Graywolf Press, 1993, ISBN 1-55597-199-7)
- The New World Border: Prophecies, Poems & Loqueras for the End of the world (book, City Lights, 1996) ISBN 978-0-87286-313-2
- Temple of Confessions: Mexican Beasts and Living Santos (book, powerHouse Books, 1997, ISBN 978-1576870044)
- Dangerous Border Crossers (book, Routledge, 2000)
- Codex Espangliensis (book, City Lights, 2000) ISBN 978-0-87286-367-5
- "Ethno-Techno: Writings on Performance, Activism and Pedagogy (book, Routledge, 2005, ISBN 978-0415362481)
- El Mexterminator (book, Oceano, 2005) Spanish.
- Bitacora del Cruce (book, Fondo de Cultura Economica, 2006) Spanish and Spanglish.
- Conversations Across Borders (book, Seagull Books, 2011) Laura Levin ed.
- Exercises for Rebel Artists (book, Routledge, 2011)
- Doc/Undoc (book, City Lights, 2017, ISBN 9780872867208; with Felicia Rice)
|2008||Border Clasicos||An anthology of all his video works, 1988-2008, Video Data Bank|
|2008||Homo Fronterizus||A collection of his collaborations with filmmaker Gustavo Vazquez, 2008, Onbound store, Live Art Development Agency, London|
|2005||Ethno-techno: Los video grafitis||A collaboration with Daniel Salazar, Gustavo Vazquez, and Jethro Rothe-Kushel, 1990–2005|
Selected performances and events
|Year||Name of performance or event||Location(s)||Notes|
|1988||The International Theatre is in the Festival of the Americas||Montreal, Canada||[better source needed]|
|1989||Border Axes, with Border Arts Workshop/Taller de Arte Fronterizo (BAW/TAF) art collective||Capp Street Project, San Francisco, California|||
|1989||The Demons of Los Angeles||France, Spain, and Sweden|||
|1989||Bienal de la Habana||Havana, Cuba|||
|1990||The Decade Show||New York City, New York|||
|1990||Time Festival||Ghent, Belgium|||
|1990||EDGE '90||Newcastle, England|||
|1990||The Los Angeles Festival||Los Angeles, California|||
|1991||The Next Wave Festival||Brooklyn Academy of Music, Brooklyn, New York|||
|1991||The Festival of the Worlds||Finland|||
|1992||EDGE '92||Madrid, Spain and London, England|||
|1992||The Sydney Biennial||Sydney, Australia|||
|1993||The Los Angeles Festival||Los Angeles, California|||
|1993||Whitney Biennial||New York City, New York|||
|1993||Fundación Banco Patricios||Buenos Aires, Argentina|||
|1993||The Hamburg Theatre Festival||Hamburg, Germany|||
|1994||Banff Centre, Canada|||
|1994||3er Festival de Performance||Mexico City, Mexico|||
|1994||Ante-América||Colombia, Dominican Republic, Mexico and the United States|||
|1995||Helsinki Act||Helsinki, Finland|||
|1995||X-Teresa Museum||Mexico City, Mexico|||
|1996||Corcoran Gallery of Art, Washington, D.C.|||
|1996||Polverigi Theatre Festival||Italy|||
|1996||Szene Festival, Salzburg||Austria|||
|1997||Neutral Ground Artist Centre, Regina, Canada|
|1997||ARS Electronica||Lintz, Austria|||
|1997||Root/less Festival||Hull, England|||
|1998||Inroads||Arts International, Miami, Florida|||
|1999||Caribe 2000||San Juan, Puerto Rico|||
|1999||Le Lieu International Performance Festival||Quebec, Canada|
|1999||Sonart||Barcelona Museum of Contemporary Art, Barcelona, Spain|
|2000||Encontro Hemisferico||Rio de Janeiro, Brazil|
|2001||International Theater Festival||Havana, Cuba|||
|2001||Experiències: Barcelona Art Report||La Capella, Barcelona, Spain|||
|2001||Ayuntamiento de la Gran Canaria||Canary Islands|||
|2001||Performance Space, Sydney, Australia|||
|2001||Espacio C. Santander, Spain|||
|2002||Encuentro Hemisférico||Lima, Peru|||
|2002||House of World Cultures||Berlin, Germany|||
|2002||Liverpool Biennale||Liverpool, England|
|2003||Tate Modern, London, England|
|2003||Performance Space, Sydney, Australia|
|2003||Performance/Installation - in Collaboration with Participants from The Summer Shift 2003||Center for Performance Research, Aberystwyth, Wales|||
|2004||Guggenheim Museum, New York City, New York|
|2004||Cervantino Festival||Guanajuato, Jalisco, Mexico|
|2005||Panetnica: A pavilion of X-treme Identities||Los Angeles County Museum of Art (LACMA), Los Angeles, California||A collaboration between Gómez-Peña and La Pocha Nostra - Colombian dancer, Michelle Cebal, and Mexico City performance artist, Violeta Luna.|
|2005||Bienal del Mercosur||Porto Alegre, Brazil|
|2005||Galeria Artificios||Gran Canaria, Canary Islands|
|2006||Center for Performance Research, Aberystwyth, Wales|
|2006||PSI#12 (Performance Studies International), Performing Rights||London, England||Discussion contributors on June 15, 2006 included Ali Zaidi, Miriam Quindani, Guillermo Gómez-Peña and Gabriela Salgado.|
|2006||Chicano Now: American Expressions||de Young Museum, San Francisco||Part of a larger exhibition at the de Young museum titled, Chicano, the interactive multi-media exhibition Chicano Now: American Expressions is featuring Culture Clash, Guillermo Gómez-Peña, Lourdes Portillo, and Gustavo Vazquez.|
|2007||Festival "Escrita na Paisagem"||Evora, Portugal|
|2007||Centro Cultural La Recoleta, Buenos Aires, Argentina|
|2008||The "Prognoses" Festival||HAU Theater, Berlin, Germany|
|2008||Mapa/Corpo 3: Interactive Rituals for New Millenium||Detroit Institute of Arts (DIA) museum, Detroit, Michigan||Performed for two nights in September 2008, featuring Violeta Luna and Roberto Sifuentes.|
|2009||La Habana Biennial||Havana, Cuba|
|2009||The Maison Folie, Mons, Belgium|
|2009||Thessaloniki Biennal||Thessaloniki, Greece|
|2010||Gala Theater, Washington, DC|
|2010||The Mattress Factory, Pittsburgh, Pennsylvania|
|2010||Instituto Buena Bista, Curacao, Netherlands|
|2010||Smithsonian Museum of American History, Washington, DC|
|2010||Danube Festival||Vienna, Austria|
|2010||National Review of Live Arts||Glasgow, Scotland|
|2010||Gordon Institute for Performing Arts, Cape Town South Africa|
|2011||Museo de Las Americas, Denver, Colorado|
|2011||Hammer Museum, Los Angeles|
|2012||FIT||São José do Rio Preto, Brazil|
|2012||KIASMA, Helsinki, Finland|
|2012||Centro Atlántico de Arte Moderno (CAAM), Gran Canaria, Spain|
|2012||Steirischer Herbst, Graz, Austria|
|2013||Brooklyn International Performance Art Festival||Brooklyn, New York|
|2013||San Francisco Museum of Modern Art (SFMOMA), San Francisco, California|
|2013||Federal University of Rio Grande do Sul, Porto Alegre, Brazil|
|2013||Academia, part of PSI #19 (Performance Studies International)||Pigott Theater, Stanford University, Stanford, California|||
|2013||REDCAT, Los Angeles, California|
|2014||University of British Columbia, Vancouver, Canada|
|2014||The Fort Mason Center, San Francisco, California|
|2014||Venice Performance Art Week||Venice, Italy|
|2014||University of California, Santa Cruz, Santa Cruz, California|
|2015||Barcelona Museum of Contemporary Art, Barcelona, Spain|
|2017||Denison University, Glenville, Ohio||Solo performance featuring "Balitronica Gómez".|
- "TAPS presents Guillermo Gómez-Peña". Stanford University, Theater and Performance Studies. Retrieved May 8, 2013.
- "Guillermo Gómez-Peña". Video Data Bank. Retrieved May 8, 2013.
- Allatson, Paul. "Guillermo Gómez-Peña." The Greenwood Encyclopedia of Multiethnic American Literature. Ed. Emmanuel S. Nelson. Westport, Connecticut: Greenwood Press, 2005. Vol. 2: pp. 858-59
- "Biographical Sketch: Guillermo Gómez-Peña". A World of Art. Retrieved May 8, 2013.
- "Mission Statement". Border Art Workshop. Retrieved May 8, 2013.
- Fox, Claire F. The Fence and The River: Culture and Politics at the U.S.-Mexico Border. Minneapolis: University of Minnesota Press, 1999.
- "Archived copy". Archived from the original on 2011-10-03. Retrieved 2016-02-09.CS1 maint: Archived copy as title (link)
- University, Denison. "Performance Artist Guillermo Gómez-Peña". denison.edu. Retrieved 2018-05-31.
- Johnson, Anna (Winter 1993). "Coco Fusco and Guillermo Gómez-Peña". BOMB Magazine. Retrieved May 14, 2013.
- Rago, Carmela (January 28, 1993). "Specimens From the New World". Chicago Reader. Retrieved May 14, 2013.
- "The Couple in the Cage: Guatianaui Odyssey". Video Data Bank. Retrieved May 15, 2013.
- "Border Lines: The Border Arts Workshop Goes High Tech". Robert Atkins. Village Voice News. 1989-09-26. Retrieved 2016-02-05.
- United States Artists Official Website
- "Guillermo Gómez-Peña". Retrieved 2006-12-06.
- "Provocative Performance for Aberystwyth - News and latest information on Theatre Dance and Performance in Wales - news, reviews, commentary, features and discussion". www.theatre-wales.co.uk. Retrieved 2018-05-31.
- "» Guillermo Gómez-Peña at LACMA". art-for-a-change.com. Retrieved 2018-05-31.
- "PSI#12 Performing Rights: London, 2006 - Projects - Live Art Development Agency". Live Art Development Agency. Retrieved 2018-05-31.
- "Cheech Marin's Vision and Personal Chicano Art Collection Debuts at the de Young Museum in the Herbst Exhibition Galleries". FAMSF. 2010-01-30. Retrieved 2018-05-31.
- Apel, Dora (2012-10-19). War Culture and the Contest of Images. Rutgers University Press. ISBN 9780813553962.
- Fabio Salvatti (2013-07-03), Academia by Guillermo Gomez-Peña at PSi 19, retrieved 2018-05-31
- Biographical note on the site of Graywolf Press
- Guillermo Gómez-Peña at Video Data Bank; this includes detailed descriptions of his videos.
- Interview on Art Practical
- Guillermo Gómez-Peña & La Pocha Nostra on the Hemispheric Institute Digital Video Library (HIDVL)