Guise dancing (sometimes known as goose or geese dancing) is a folk practice celebrated between Christmas Day and Twelfth Night (traditionally also Plough Monday, and some parish feasts) in Cornwall, England, UK. The principal activities associated with guise dancing are the performance of 'traditional' Christmas plays such as Duffy and the Bucca or St George and the Turkish Knight and traditional Cornish dance, music and song. The performers were dressed in a disguise to hide their identity allowing them to perform in an outlandish or mischievous manner in the hope of receiving payment of food or money.
Guise dancing was observed in the late 19th century by Cornish antiquarian M. A. Courtney who reported that the practice had been largely eliminated by 1890 in Penzance due to a decline in the traditional nature of the celebrations and a rise in anti-social behaviour, the practice however could be found in St Ives, Newlyn and Mousehole St Ives finally ceasing in the 1970s. Mummer's Day in Padstow is considered by many to be the last form of traditional Guise dancing left, but is distinguished by the use of different music and the lack of masks, which are replaced by blackened faces.
William Bottrell in his book Traditions and Hearthside Stories of West Cornwall (1870–80) describes in detail the guise dancers in Penzance, including their traditional costume.
|“||During the early part of the last century the costume of the guise dancers often consisted of such antique finery as would now raise envy in the heart of a collector. The chief glory of the men lay in their cocked hats which were surmounted with plumes and decked with streamers and ribbons. The girls were no less magnificently attired with steeple crowned hats, stiff bodied gowns, bag skirts or trains and ruffles hanging from their elbows.||”|
Modern Guise dancing
There has been a rise of interest in Guise Dancing in Cornwall in recent years with new groups adopting the practice throughout Cornwall. The most notable being the Turkey Rhubarb band in Penzance, The St Ives Guisers and Pyba. The Turkey Rhubarb band and Pyba both regularly appear with 'Obby 'Osses, Penglaz and Pengyn respectively, both of which are the "Skull and pole" variety. Penglaz of course being most famous for its appearances at the Golowan festival in late June accompanied by the Golowan band.
Modern guise dancing can be divided into roughly three types of activities, firstly, large processional "carnival" parades which hundreds or even thousands take part, secondly smaller more intimate performances in public houses and the like and thirdly, bands of Christmas players who perform the Christmas plays described above. Many of the tunes now performed as part of Guise dancing are taken from the canon of Cornish traditional tunes and dances collected in the 1970s and 1980s by Merv and Alison Davy and others.
Most modern Guisers dress in "mock posh" costume or hand me downs decorated with ribbons and tatters. Masks of all types with the exclusion of modern fancy dress masks and the like are common.
Guise dancing is practised as part of the St Ives feast celebrations and forms the main part of the Montol Festival in Penzance.
It is believed that in 1936, the BBC made a recording of the plays and music associated with Guise dancing however this recording has subsequently been lost. Performances associated with this practice include 'St George and the Turkish Knight' and 'Duffy and Devil.' Each performance allegedly ended with the 'Turkey Rhubarb' dance, the origins of the name of this dance are not known but may relate to the herb of the same name.
Furthermore, there is considerable similarity between guise dancing and the Hal an Tow celebrated in Helston during the Furry Dance some believing that it was actually part of the Guise dance tradition or a later import from "English May Games".
- Mummers play
- Montol Festival
- Tom Bawcock's Eve
- Furry Dance
- West Cornwall May Day celebrations
- Semmens, Jason, "Guising, Ritual and Revival: The Hobby Horse in Cornwall." Old Cornwall 13, No. 6 (2005) pp. 39–46
- Edmondes, Richard :from the Transcripts of the Penzance Natural History and Antiquarian Society 1851
- Reed, Simon "The Cornish Traditional Year." Troy Books 2009