Early life and education
Guy Orlando Rose was born March 3, 1867, in San Gabriel, California. He was the seventh child of Leonard John Rose and Amanda Jones Rose. His father was a prominent California senator. He and his wife raised their large family on an expansive Southern California ranch and vineyard – the San Gabriel Valley town of Rosemead bears the family name.
In 1876, Guy Rose was accidentally shot in the face during a hunting trip with his brothers, he was only nine years old. While recuperating he began to sketch and use watercolors and oil paints. He graduated from Los Angeles High School in 1884. After graduation he moved to San Francisco where he studied art between 1885 and 1888 at the San Francisco Art Association's California School of Design with Virgil Williams, Warren E. Rollins, and the Danish-born artist Emil Carlsen. In 1886, he received honorable mentions in both drawing and oil painting; a year later he was given the school's coveted Avery Gold Medal in oil painting and contributed a still life with “excellent tone” to the Winter Annual of the San Francisco Art Association.
On September 12, 1888, Rose enrolled at the Académie Julian in Paris and studied with Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens while in Paris. In 1888–89, he won a scholarship at the Académie Delacluse and contributed religious and figural studies as well as landscapes to the Paris Salons in 1890, 1891, 1894, 1900, and 1909. He met fellow students brothers Frank Vincent DuMond and Frederick Melville DuMond at the Académie Julian – Frank Vincent DuMond and Guy Rose were to remain lifelong friends.
Rose lived in New York City, New York in the 1890s and illustrated for Harper's, Scribners, and Century. Choosing to return to France in 1899, he and his wife Ethel Rose bought a cottage at Giverny. In 1900 he resided in Paris and spent the winter in Briska, Algeria where he painted three known paintings. From 1904 to 1912 husband and wife lived in Giverny and his works from this period show the influence of "the master" Claude Monet, who became his friend and mentor.
Suffering on and off again from the effects of lead poisoning, Rose and his wife moved permanently to Los Angeles, California in 1914.
Between 1918 and 1920 the Roses not only painted in Carmel-by-the-Sea, California as summer residents, they became exhibiting members of the local art colony. In 1919 they leased the Carmel cottage of artist Alice Comins. Guy's oils appeared at the Thirteenth and Fourteenth Annual Exhibitions of the Carmel Arts and Crafts Club in 1919 and 1920. At the latter he displayed The Beach and The Point. In the fall of 1921 his two Carmel paintings at the Hotel Del Monte Art Gallery in Monterey were said to “possess the charm of the subject . . . rendered with much feeling.”
In 1921 he suffered a debilitating stroke that left him paralyzed. Guy Rose died in Pasadena, California on November 17, 1925. In 1926 the Stendahl Gallery held a memorial exhibition of his works.
Marguerite, ca. 1900
The Blue Kimono, 1909
On the River, ca. 1910
The Green Parasol, 1911
The Green Mirror, 1911
The Model, 1919
In the oak grove, 1919
The Old Bridge, France, 1910
Blossoms and Wallflowers, ca. 1910
Notre Dame de Grâce at Honfleur, ca. 1910
La Grosse Pierre, Giverny, 1910
The Oak, 1916
La Jolla Cove
Lifting Fog, Irvine Museum
Mist over Point Lobos, 1918, Fleischer Museum
Path along the Shore, private collection
- "Guy Rose Biography". Artnet.com. Retrieved 2020-04-04.
- "Guy Orlando Rose - First Southern Californian to Achieve International Fame". Los Angeles Almanac. Retrieved 2020-04-04.
- Daily Alta California (San Francisco): 11 December 1886, p.1; 10 December 1887, p.8; 7 December 1888, p.1.
- Edwards, Robert W. (2012). Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, Vol. 1. Oakland, Calif.: East Bay Heritage Project. pp. 181, 186–188, 259, 605–607, 690. ISBN 9781467545679. An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website ("Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, vol. One, East Bay Heritage Project, Oakland, 2012; by Robert W. Edwards". Archived from the original on 2016-04-29. Retrieved 2016-06-07.).
- Carmel Pine Cone: 1 August 1918, p.1; 24 July 1919, p.1; 10 June 1920, p.1; 7 October 1920, p.1.
- Carmel Pine Cone, 9 September 1920, p.3.
- The Oakland Tribune, 9 October 1921, p. S-8.
- Reitzell, Richard W. (Fall 2011). "Jean Mannheim (1861-1945): Cultivating Colour and Versatility in California" (PDF). California Art Club Newsletter. California Art Club. Retrieved 2020-04-01.
- Literature: Plein Air Painters of the Southland, by Ruth Lily Westphal, 1996;
- Literature: Guy Rose American Impressionist, by Will South, 1995