Hadji Murat (novel)
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The house of Prince Semyon Vorontsov, illustration by Eugene Lanceray
|Original title||Хаджи-Мурат (Khadzhi-Murat)|
|Translator||Kyril Zinovieff and Jenny Hughes (2011)|
|Pages||212 pp (paperback)|
Hadji Murat (or alternatively Hadji Murad, although the first spelling better captures the original title in Russian: Хаджи-Мурат [Khadzhi-Murat]) is a short novel written by Leo Tolstoy from 1896 to 1904 and published posthumously in 1912 (though not in full until 1917). It is Tolstoy’s final work. The protagonist is Hadji Murat, an Avar rebel commander who, for reasons of personal revenge, forges an uneasy alliance with the Russians he had been fighting.
Tolstoy seems to have first heard of the historical Hadji Murad while he was serving in the Caucasus, according to letters he wrote to his brother Sergei. The thistle described at the opening of the story was actually encountered by Tolstoy near his country estate and led him to remember the character and create a story about him.
The theme of struggle while remaining faithful resonated with Tolstoy even though he was in ailing health; later letters suggest this work gave him a brief, final moment of vigor. Just as the author was struggling with his near death, his extended meditation on the concept of the individual refusing to give in to the demands of the world helped him to complete the book, although he himself had no inclination to publish it and was only concerned with its completion. In addition to the theme of resistance, there are many other ideas that can be found in the novel, such as determinism; this echoes Tolstoy's major work War and Peace. An even clearer theme is the struggle between a Christian Russia and Muslim Chechnya, the classic West vs. East theme found in Russian history and many different stories and novels (and which is once again pertinent in light of First and Second Chechen Wars in Chechnya and Russia).
The work is very similar to Alexander Pushkin's work The Captain's Daughter in that it is a realist work based on actual people and events and has a similar direction, though the main character in this novel does not meet the same end. Tolstoy used material in Russian archives, including Hadji Murad's own account of his life.
Tolstoy created this story in reference to the Caucasus Mountains during the mid-nineteenth century in Russia. During this time period, an imperial conquest ensued between the Chechen and the Russian military. The Russian military had expectations to expand upon their empire. The book, Hadji Murat is based on fact that he saw while he was in the military. This is even confirmed in a letter that he wrote to his brother in 1851, “If you wish to show off with news… you may recount that a certain Hadji Murad surrendered a few days ago to the Russian Government. He was the leading dare-devil and ‘brave’ of all Chechnya, but has been led into committing a mean action.”
In the book he described the experiences of the Caucasian and Russian struggle that both he and Hadji Murad were caught up in. Although it was written about fifty years after the events of the story actually happened Tolstoy paints a picture of actual Russian civilization at the time. He portrays the differences between the bureaucratic decay and the healthy passionate life of mountaineer.
The narrator prefaces the story with his comments on a crushed, but still living thistle he finds in a field (a symbol for the main character), after which he begins to tell the story of Hadji Murat, a successful and famed separatist guerrilla who falls out with his own commander and eventually sides with the Russians in hope of saving his family. Hadji Murat’s family is being contained and controlled by the Chechen leader who abducted his mother, two wives, and five children. Aside from the fact that Murat wants to save his family, he additionally wants to avenge the deaths of other family members. The story opens with Murat and two of his followers fleeing from Shamil, the commander of the Caucasian separatists, who is at war with the Russians. They find refuge at the house of Sado, a loyal supporter of Murat. The local people learn of his presence and chase him out of the village.
His lieutenant succeeds in making contact with the Russians, who promise to meet Murat. He eventually arrives at the fortress of Vozdvizhenskaya to join the Russian forces, in hopes of drawing their support in order to overthrow Shamil and save his family. Before his arrival, a small skirmish occurs with some Chechens outside the fortress, and Petrukha Avdeyev, a young Russian soldier bleeds out in a local military hospital after being shot. Tolstoy makes a chapter-length aside about Petrukha: childless, he volunteered as a conscript in place of his brother who had a family of his own. Petrukha's father regrets this because he was a dutiful worker compared to his complacent brother.
While at Vozdvizhenskaya, Murat befriends Prince Semyon Vorontsov, the Viceroy's son, his wife Maria and his son, and wins over the good will of the soldiers stationed there. They are at once in awe of his physique and reputation, and enjoy his company and find him honest and upright. The Vorontsovs give him a present of a watch which fascinates him. On the fifth day of Murat's stay, the governor-general's adjutant, Mikhail Loris-Melikov arrives with orders to write down Murat's story, and the reader learns some of his history: he was born in the village of Tselmes and early on became close to the local khans due to his mother being the royal family's wetnurse. When he was fifteen some followers of Muridism came into his village calling for a holy war (ghazavat) against Russia. Murat declines at first but after a learned man is sent to explain how it will be run, he tentatively agrees. However, in their first confrontation, Shamil—then a lieutenant for the Muslims hostile to the Russians—embarrasses Murat when he goes to speak with the leader Gamzat. Gamzat eventually launches an attack on the capital of Khunzakh and kills the pro-Russian khans, taking control of this part of Dagestan. The slaughter of the khans throws Hadji and his brother against Gamzat, and they eventually succeed in tricking and killing him, causing his followers to flee. Unfortunately, Murat's brother is killed in the attempt and Shamil replaces Gazmat as leader. He calls on Murat to join his struggle, but Murat refuses because the blood of his brother and the khans are on Shamil.
Once Murat has joined the Russians, who are aware of his position and bargaining ability, they find him the perfect tool for getting to Shamil. However, Vorontsov's plans are ruined by the War Minister, Chernyshov, a rival prince who is jealous of him, and Murat has to remain in the fortress because the Tsar is told he is possibly a spy. The story digresses into a depiction of the Tsar Nicholas I of Russia, which reveals his lethargic and bitter nature and his egotistical complacency, as well as his contempt towards women, his brother-in-law Frederick William IV of Prussia, and Russian students.
The Tsar orders an attack on the Chechens and Murat remains in the fortress. Meanwhile, Murat's mother, wife and eldest son Yusuf, whom Shamil hold captive, are moved to a more defensible location. Realizing his position (neither trusted by the Russians to lead an army against Shamil, nor able to return to Shamil because he will be killed), Hadji Murat decides to flee the fortress to gather men to save his family.
At this point the narrative jumps forward in time, to the arrival of a group of soldiers at the fortress bearing Murat's severed head. Maria Dimitriyevna—the companion of one of the officers and a friend of Murat—comments on the cruelty of men during times of war, calling them 'butchers'. The soldiers then tell the story of Murat's death. He had escaped the fortress and shook off his usual Russian escort with the help of his five lieutenants. After they escape they come upon a marsh that they are unable to cross, and hide amongst some bushes until the morning. An old man gives away their position and Karganov, the commander of the fortress, the soldiers, and some Cossacks surround the area. Hadji Murat and his men fortify themselves and begin to fire upon the troops, dying valiantly. Hadji himself runs into fire after his men are killed, despite being wounded and plugging up his fatal wounds in his body with cloth. As he fires his last bullet his life flashes before him and the soldiers think he’s dead; he gets up for one final struggle and falls to his death. Victorious, the Russian soldiers fall upon and decapitate him. The nightingales, which stopped singing during the battle, begin again and the narrator ends by recalling the thistle once more.
- Hadji Murad
The story is about Hadji wrestling with joining the Russians against their Caucasian adversaries to defeat a foe Shamil who captured his mother, wives, and children. He is a Turkish Caucasian warrior who was formerly as Russian-appointed governor of Avaria and currently Shamil’s chief representative there. Hadji has a very distinct appearance: black eyes, shaved head, sun burned hands, skinny yet muscular arms, and most importantly a limp. Hadji received this limp while he was escaping from Akhmet Khan. He has many different personality traits that range from very intimidating to very kind.
Shamil is the leader of the Caucasian Turks who is determined to clash with the Russians. He is very tall, powerful and charismatic. He holds Hadji Mrad’s family and loved ones captives and threatens them so he can draw Hadji to where he is so that he can kill him.
- Prince Mikhail Semenovich Vorontsov
This prince is one of the major commanders of the Russians. His wealth and connections enable him to be a great leader and to get people to follow him. He is vital to the plot because he is the only Russian commander that Hadji Murad will submit and listen to. Although Vorontsov does not give Hadji Murad everything that he wants like trading POW’s for his family that is being held captive. However, Vorontsov does let Hadji Murad move freely about Russia in search of his family.
- Petrukha Avdeyev
He is a young Russian soldier that bleeds out in a local military hospital after being shot in a small skirmish outside the fortress. An entire chapter is dedicated to explaining his life. He has no children and volunteered as a conscript in place of his brother who had a family of his own.
- Nicholas I
A very lethargic and bitter Tsar of Russia. He is very egotistical and treats women and those that are close to him poorly. This includes Frederick William IV of Prussia and his Russian students.
- Maria Dimitriyevna
She is a friend of Murat who becomes troubled by the cruelty of men during times of war when she sees his severed head. She expresses her feelings towards some soldiers who then told her the story of his death.
Hadji Murat is very different than the other works he produced around the same time. In The Devil (1889), The Kreuzer Sonata (1890), Father Sergius (1898), Resurrection (1899), Master and Man (1895), and The Forged Coupon (1905) the emphasis is on man's moral duties which is not the case in Hadji Murat. Tolstoy usually has the protagonists go through a process of purification. where they learn something about an ethical ideal. Hadji Murat is a unique story by Tolstoy because this does not occur. Instead in Tolstoy's old age he returned to writing about memories from his youth. Hadji Murat is a story that consists of negative themes which is unusual for Tolstoy. He portrays the negative side of man doubting that there is goodness in any man at all.
The narrator encounters two thistles in the beginning of the story. The first thistle is crimson colored and very prickly so he has to go around and avoid it. He desperately wants it for his bouquet but while he is trying to uproot it he accidentally destroys it. Shortly after he finds the second thistle, which has been run over and stands half-broken, though it still looks resilient. After the events unfold Hadji Murat becomes the thistle that grew on Russian soil but is ignored or destroyed.
- Wheeler, Edward Jewitt, and Frank Crane. Current Opinion. Vol. LII. New York: Current Literature, 1912. Print.
- Woodward, James B.. “Tolstoy's "hadji Murat": The Evolution of Its Theme and Structure”. The Modern Language Review 68.4 (1973): 870–882. Web…
- HEIER, EDMUND. “Hadji Murat in the Light of Tolstoy's Moral and Aesthetic Theories”.Canadian Slavonic Papers 21.3 (1979): 324–335. Web...
- Dart, Ron. "Hadji Murad: A Tale for Our Time by Ron Dart." 'Clarion: Journal of Spirituality and Justice' N.p., n.d. Web. 08 Mar. 2016.