Haitian Voodoo is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Yoruba, and Kongo traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The Loa, or spirits with whom Vodouisants work and practice, are not gods but servants of the Supreme Creator Bondye (pronounced Bon Dieu). In keeping with the French-Catholic influence of the faith, voodoosaints are for the most part monotheists, believing that the Loa are great and powerful forces in the world with whom humans interact and vice versa, resulting in a symbiotic relationship intended to bring both humans and the Loa back to Bondye. "Voodoo is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers."
Asagwe - Haitian Vodou dancing used to honor the Loa.
Avalou - ("supplication") Haitian Vodou dance.
Coco macaque - Haitian Vodou implement. It is a stick, which is supposed to be able to walk on its own. The owner of a coco macaque can send it on errands. If it is used to hit an enemy, the enemy will die before the dawn.
Gangan, Houngan - Haitian priests. They lead the peoples in dancing, drumming, and singing to invoke the Loa.
Ghede - family of spirits related to death and fertility.
Guinee - Haitian afterlife. It is also where life began and the home of their spirits.