Interior of the prison
|Capacity||248–252 (see notes)|
|Population||251 (as of 2015)|
|Opened||April 8, 2010|
|Managed by||Norwegian Correctional Services|
Halden Prison (Norwegian: Halden fengsel) is a maximum-security prison in Halden, Norway. Established in 2010, it was created with a focus on rehabilitation that is reflected in its design. Its design is projected to help inmates reintegrate into society easily by simulating life outside the prison. With the same purpose, there are several activities available to the prisoners that vary from sports to music. Also, they are stimulated to interact with the non-armed staff to create a sense of community. Praised for its humane conditions, design and architecture, it has also received criticism from the Norwegian right-wing Progress Party.
Located in Halden, Østfold, Norway, Halden Prison was built with 1.5 billion Norwegian kroner (US$177 million/£114 million) and was constructed over 10 years. The prison received its first inmates on March 1, 2010 but was officially opened on April 8 by the Norwegian King Harald V. With a capacity of 248–252 prisoners[note 1] and a site of 75 acres (30 ha), it is the second largest prison in Norway.
A maximum-security prison, it hosts dangerous and high dangerous criminals, which includes rapists, murderers and pedophiles. They compose half of the population, while a third of the residents were arrested for their involvement with drugs. Sex offenders, and prisoners who require close psychiatric or medical supervision are located at Unit A, a restrictive and separated area. The most inmates, though, live in Units B and C, more free and mixed cell blocks. It also receives both national and international criminals; and as only around three-fifths of the prisoners are Norwegians, information is transmitted in both Norwegian and English, and there are English teachers.
There are no conventional security devices like barbed tape, electric fence, towers or snipers. However, there are safety glass, a 6 meter × 1.5 kilometer (6.5 yd × 1 mi) concrete and steel wall, and a system of underground tunnels which guards use to walk through the prison. Although there are surveillance cameras on the prison grounds, they are not present in the cells, the cell hallways, the common rooms, the classrooms, and most of the workshops.
The prison was projected by the Danish group Erik Møller Architects and the British HLM Architects. The group of architets first met the place in 2002 for the competition held by the Department of Justice and the Norwegian Directorate of Public Construction and Property to select the designers of the building.
With a focus on rehabilitation, it was designed to simulate a village so that the prisoners can consider themselves part of society. This was done because the government considers "the smaller the difference between life inside and outside the prison, the easier the transition from prison to freedom." Interiors are painted and designed to differentiate the building's areas to demarcate the differences between home, school, and workplace, for example. Also, in designing its interiors, the architects tried to separate the internal buildings to have prisoners walking, to strengthen their bond with the outside world. The hallways are tiled with Moroccan tiles or have large-scale photographs that vary from daffodils to Parisian streets.
Exteriors are composed of bricks, galvanized steel and larch wood, instead of concrete. The black and red kiln-fired bricks were inspired by the trees, mosses and bedrock of the surroundings. The steel, a "hard" material, symbolises detention, while the larch, a "soft" material, stands for rehabilitation and growth. The yard walls and toilet doors are decorated by a graffiti paint by the Norwegian artist Dolk, which was ordered by the prison from its 6 million kroner ($1 million/£640,000) budget for art. The natural life was also explored to help on rehabilitation, and there are several blueberry trees.
All aspects of the interior and exterior design aimed to avoid psychological pressures, conflicts and interpersonal friction. Despite this, the prison's wall was designed to meet the Correctional Service other responsibility—detention. As the wall can be seen everywhere it was projected to be a "symbol and an instrument" of "[their] punishment, taking away their freedom".
The prison's cells are 10 square metres (110 sq ft) and have a flat-screen television, a toilet, a shower, a mini-fridge, and unbarred vertical windows that let in more light. Prisoners share kitchens and living rooms every 10–12 cells, and while the prison provides the food the prisoners can also buy ingredients and make their own meal. The direction encourages the inmates to take as much time as possible out of their cells. Prisoners have an incentive of 53 kroner (£5.60) to leave the cells; Are Høidal, the prison's governor, stated that it is because the less activities the prisoners have, the more aggressive they become. There is an "Activities House", and from the period of 8 a.m. to 8 p.m, there are practices on jogging trails and in a soccer field, and woodshop, cooking and music classes offered. At the mixing studio, the inmates also have the opportunity to record music and a monthly program broadcast by the local radio station. A library with books, magazines, CDs, and DVDs, and a gym with a rock-climbing wall are also available. Prisoners also receive questionnaires that ask how their prison experience can be improved.
Prisoners are allowed to privately receive their families, partners or friends twice per week for two hours. Individual rooms containing a sofa, sink and cupboard with sheets, towels and condoms are available for single-person visits. For those with families, a larger room with toys and baby changing facilities is ready to use. After visits, inmates are checked and if found in possession of illegal belongings can lose their right to a private visit. This right is beforehand denied to criminals of high risk and visitors with a history of drugs offence. There is also a separated chalet-style house where prisoners can receive visits from family members and stay with them for 24 hours. The house has a small kitchen, two bedrooms, a bathroom, a living room with a dining table, a sofa and a television, as well as an outside play area with toys. Foreigners are not allowed and inmates have to complete a child development education program to have 24-hour-long visits. During this period of time, staff make regular visits to the prisoners and their families.
As of 2012, Halden had 340 staff members, including teachers, healthcare workers, personal trainers, and guards. The safety are granted by what they call "dynamic security", a philosophy that aims the staff and the inmates to develop interpersonal relationships to prevent potential aggressiveness. Guards eat meals and play sports with the inmates, and are typically unarmed because guns "[create] unnecessary intimidation and social distance." The interaction between prisoners and the staff is stimulated "to create a sense of family," and because the staff can be "natural role models" to "motivate the inmates to develop daily routines and rhythms reminiscent of day-to-day life outside of prison walls." Half the guards are women as Høidal thinks it minimizes aggression. The guard stations were also designed to be tiny and cramped, to encourage officers to interact more with the inmates.
Halden city's inhabitants view the prison as a chance to find employment rather than a bad thing. Nina Margareta Høie of The Nordic Page stated that the prison is "known for having the most humanly conditions in Europe," while William Lee James of Time and Amelia Gentleman from The Guardian called it the world's "most humane prison." BBC reported that HMP Grampian, a Scottish prison, "is designed and constructed for the 21st century, with a rehabilitation focus rather than punishment, closer to the model demonstrated by Halden prison in Norway."
In 2010, its interior design earned the prison the Arnstein Arneberg Award. In 2014, Michael Madsen directed a short film, exploring how its design and architecture influencens the re-socialization process, as part of Wim Wenders' 3D documentary series Cathedrals of Culture. That same year, another film whose subject is Halden prison was produced: The Norden, a television film produced by Finnish Broadcasting Company, explored the reactions of James Conway, a former superintendent at New York's Attica Correctional Facility, in a tour through the prsion.
Criticism has come from the conservative, right-wing populist Progress Party. There was an increase of foreign people in Norway's prison from 8.6 percent in 2000 to 34.2 percent in 2014. Per Sandberg, deputy lead of the party, attributes this to "Halden's high standard", and affirmed that Halden's facilities should only be for Norwegian citizens. The party also criticized it because they considered that the quality of life in the prison was "better than in many nursing and retirement homes."
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- Official site (Norwegian)