Hans Christian Andersen (film)
|Hans Christian Andersen|
Theatrical release poster
|Directed by||Charles Vidor|
|Produced by||Samuel Goldwyn|
|Written by||Moss Hart|
|Story by||Myles Connolly|
|Music by||Frank Loesser|
|Edited by||Daniel Mandell|
|Distributed by||RKO Radio Pictures|
|Box office||$6 million (US)|
Hans Christian Andersen is a 1952 Hollywood musical film directed by Charles Vidor, with lyrics and music by Frank Loesser. The story was by Myles Connolly, the screenplay was written by Moss Hart and Ben Hecht (uncredited), and Samuel Goldwyn Productions were the producers. It stars Danny Kaye.
The film was inspired by the life of 19th-century Danish poet and scholar Hans Christian Andersen, who wrote many world-famous fairy tales. But the story is romantic fiction, not a biography. The introduction describes it as "not the story of his life, but a fairy tale about this great spinner of fairy tales." Kaye, in the title role, portrays Andersen as a small-town cobbler with a childlike heart and a vivid imagination.
A large part of the narrative is told through song and ballet and includes many of the real Andersen's most famous stories, such as The Ugly Duckling, Thumbelina, The Emperor's New Clothes and The Little Mermaid. The film was an international success at the time of its release.
This article's plot summary may be too long or excessively detailed. (March 2017) (Learn how and when to remove this template message)
In the 1830s, in the small Danish town of Odense, cobbler Hans Christian Andersen spends his day spinning fairy tales for the village children, teaching them lessons about pride, humility, love and growing up through his fanciful characters. One day, the stern schoolmaster, who believes Hans is wasting his pupils' precious time, implores the Burgomaster and councilmen to curtail the cobbler's habit of distracting the students with his storytelling, but even the adult citizens easily become a rapt audience for Hans' fables. Hans finally agrees to stop distracting the children and returns to his shop, where his teenage assistant, the orphan Peter, begs him to stop causing trouble. However, later that day Hans is drawn back to the schoolhouse to see the children. As he hears the schoolchildren drone mathematical phrases, he compares an inchworm's myopic measuring of beautiful blossoms to the schoolmaster's blindness to beauty and creativity. On yet another day, when the children do not arrive at the sound of the school bell, the schoolmaster deduces that Hans is again distracting his pupils. When the schoolmaster then demands that the Burgomaster and the councilmen choose between him and the cobbler, they decide that Hans must leave Odense. Peter, who has witnessed the verdict, returns to the shop and secretly tries to save his friend from the shame of being exiled by eagerly suggesting Hans travel to Copenhagen. After much prodding, Peter succeeds in convincing Hans to leave that afternoon by reminding him that he will be the envy of the town for having been the first to visit the famous city. Soon after Hans begins his journey, Peter joins him on the trail, bringing all the shop's tools to start their business anew.
After a sea voyage, the pair arrive at the city's harbor and find their way to the Great Square of Copenhagen, which is filled with vendors selling flowers, pots and pans and fresh foods. When Hans sets up shop and introduces himself to the crowd while standing on a statue of the king, police arrest him for defaming the image of their leader. Peter, who has sought refuge from the police by hiding near the back entrance of the Royal Theatre, overhears choreographer Niels demand that a company producer send for a cobbler and asks them to free his friend, a cobbler, from jail. Meanwhile, Hans sees a lonely young girl outside his jail cell window and offers to introduce her to his companion. By drawing on his thumb, Hans creates a puppet he calls "Thumbelina" and brings a smile to the girl's face. Soon after, Hans is bailed out of jail by the theater company and taken to the theater where he becomes entranced by the beauty and talent of a Royal Danish Ballet dress rehearsal. When Niels ridicules lead ballerina Doro's performance, she in turn complains that her shoes need adjusting. Doro gives the slippers to Hans, who is immediately smitten with the ballerina. After Hans leaves, Peter learns that Niels and Doro are a happily married couple, despite their theatrical quarrels. When Hans returns, Niels is equating his wife's performance with an "elephant in the snow drift," prompting Doro to break into tears. After learning that the couple is married, Hans fantasizes that he can save Doro from her horrible fate with "the cruel" Niels.
Later, when Peter explains that the couple is actually in love, Hans resists the idea and writes a love letter to Doro in the form of a fable called "The Little Mermaid," in which he tells her that she has chosen the wrong man. That night while Peter surreptitiously reads the letter, a gust of wind whisks it from his hands and carries it into the theater through an open window, where a stage doorman finds it and delivers it to Doro. The next morning, Peter tells Hans that Doro has the letter, but Hans is unconcerned, believing that Doro's possession of the letter is a good omen. The next day, the entire ballet company sets off on their annual tour, leaving Hans bereft, but he soon finds comfort entertaining a new group of children with his stories. One day, Lars, a sad boy with a shaved head, remains behind after the other children tease him. Hans tells him the story of an ugly duckling who is ostracized by his peers until the ice melts at winter's end, and he sees his reflection in the lake and finds he has become a handsome swan. When not with the children, Hans counts the days by making pair after pair of brightly colored satin slippers for his absent ballerina and dreaming of her love. One day, Hans receives an invitation from the Gazette newspaper office, where Lars's father, the publisher, thanks Hans for helping his son overcome his difficulties and offers to publish "The Ugly Duckling" in the newspaper. Overjoyed by the news, Hans asks that his credit be changed from "Hans, the cobbler" to "Hans Christian Andersen" and runs down the street singing his full name with pride.
That evening, when the ballet company returns, Doro tells Hans that they have created a ballet based on his story "The Little Mermaid," which Hans believes is a sign of her love for him. The next evening, Peter tells Hans about the councilmen's verdict and warns Hans that Doro will humiliate him as well. Disappointed by his friend's attitude, Hans suggests that they part ways and leaves for the opening of the new ballet. When Hans tries to deliver Doro's slippers backstage, Niels locks the insistent writer in a closet to prevent him from disrupting the performers. While Hans listens to the music and dreams of his story, the performance opens on stage. In the ballet, mermaids float in the ocean, while a ship carrying a handsome prince sinks to the mermaids' garden at the bottom of the sea. The littlest mermaid helps the unconscious man to the surface, saving his life. Having fallen in love with the prince, she seeks the help of the sea witches, who transform the mermaid into a woman, so she might find the prince on land. She arrives at the palace during a masquerade ball and dances with the prince, but his attentions are for another. Heartbroken, the mermaid returns to the sea.
The morning after the ballet, Doro sends for Hans and discovers that he is in love with her and has misunderstood her relationship with Niels. Niels inadvertently interrupts their conversation and insults Hans by offering to pay him for "The Little Mermaid." To save face, Hans refuses Niels's offer and claims that his writing was a fluke. Doro knowingly accepts the slippers Hans made for her and graciously allows him to leave. On the road to Odense, Hans meets Peter and renews their friendship. Upon reaching town, Hans is greeted as a celebrity and regales the citizens, including the schoolmaster, with his now famous moral tales.
- Danny Kaye - Hans Christian Andersen
- Farley Granger - Niels
- Zizi Jeanmaire - Doro
- Joseph Walsh - Peter
- Philip Tonge - Otto
- Erik Bruhn - The Hussar in "Ice Skating Ballet"
- Roland Petit - The Prince in "The Little Mermaid" Ballet
- John Brown - Schoolmaster
- John Qualen - Burgomaster
- Jeanne Lafayette - Celine
- Robert Malcolm - Stage Doorman
- George Chandler - Gerta's Father
- Fred Kelsey - First Gendarme
- Gil Perkins - Second Gendarme
- Peter Votrian - Lars (as Peter Votrian)
- Barrie Chase - Ballerina in "The Little Mermaid" Ballet
- Sylvia Lewis - Ballerina in "The Little Mermaid" Ballet
Producer Samuel Goldwyn conceived the idea for the film in 1936 and employed numerous writers to work on early drafts of the screenplay over the years. In 1941 he was reportedly in discussions with Walt Disney Studios to produce the film, but the deal fell through.
Hans Christian Andersen was eventually produced in the spring of 1952, premiered in New York on November 25, 1952, and went on general release in both the United States and United Kingdom on December 19, 1952.
- "The King's New Clothes"
- "The Inch Worm"
- "I'm Hans Christian Andersen"
- "Wonderful Copenhagen"
- "The Ugly Duckling"
- "Anywhere I Wander"
- "No Two People"
(All songs have words and music by Frank Loesser).
A studio cast recording of the film's songs was released by Decca, with Danny Kaye, Jane Wyman, and a backup chorus singing the songs. The album also included two Sylvia Fine originals made specifically for the album, "Uncle Pockets" and "There's a Hole at the Bottom of the Sea", and Danny Kaye's narration of two Tubby the Tuba stories by Paul Tripp. There was originally a version without the extra songs available as a 78 rpm album, a 45 rpm album, and a 10" LP.
Awards and honors
This film was nominated for six Academy Awards: Best Color Cinematography, Best Art Direction and Set Decoration (Color), Best Costume Design (Color), Best Scoring of a Musical Picture (Walter Scharf), Best Song (Thumbelina), and Best Sound Recording.
The film is recognized by American Film Institute in these lists:
- 2004: AFI's 100 Years...100 Songs:
- 2006: AFI's Greatest Movie Musicals – Nominated
The film was first telecast by ABC-TV in 1966. In an odd reversal of the situation for the early CBS telecasts of The Wizard of Oz, this time a host was needed because the film was too long for a two-hour time slot, rather than too short. It runs exactly two hours without commercials, and ABC did not wish to cut it, so they presented it as a family special with Victor Borge as host, and padded the telecast out to two-and-a-half hours. Borge was selected because, like the real Hans Christian Andersen, he was Danish.
- "Hans Christian Andersen: Detail View". American Film Institute. Retrieved May 31, 2014.
- 'The Top Box Office Hits of 1953', Variety, January 13, 1954
- Notice in the Times, 17 December 1952, page 3: "The film goes into the programme at the Carlton Cinema on Friday." - found 2013-08-11 via The Times Digital Archive
- Decca A-919 cataloged at http://78discography.com/Dec28000.htm
- Decca 9-364 cataloged at http://castalbums.org/labels/?label=Decca
- Decca DL 5433 cataloged at http://lccn.loc.gov/99569726
- "The 25th Academy Awards (1953) Nominees and Winners". oscars.org. Retrieved 2011-08-20.
- "NY Times: Hans Christian Andersen". NY Times. Retrieved 2008-12-21.
- "AFI's 100 Years...100 Songs Nominees" (PDF). Retrieved 2016-08-13.
- "AFI's Greatest Movie Musicals Nominees" (PDF). Retrieved 2016-08-13.
- IMDb: Hans Christian Andersen - Trivia Linked 2013-08-11