Hans Wegner

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Hans Wegner chair in the Centre Pompidou, Paris

Hans Jørgensen Wegner (April 2,1914– January 26, 2007) was a world-renowned iconic Danish furniture designer.[1] His high quality and thoughtful work, along with a concerted effort from several of his manufacturers,[2] contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen.[2] In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.[3]

Early years[edit]

Born to cobbler Peter M. Wegner in Tønder, in southern Denmark,[4] he worked as a child apprentice to master cabinetmaker H. F. Stahlberg. He soon discovered he had a feeling for wood and developed an affinity towards the material. Finishing his apprenticeship at 17 he remained in the workshop for another three years before joining the army. He went to technical college after serving in the military, and then to the Danish School of Arts and Crafts and the Architectural Academy in Copenhagen.

In Copenhagen he became acquainted with the city's Carpenters' Guild Furniture Exhibits, started in 1927. The exhibits were a laboratory for experimentation between Master Cabinetmakers such as Johannes Hansen, L. Pontoppidan, Niels Vodder, Jacob Kjær, A. J. Iversen, Moos and Rudolf Rasmussen and the best architects of the time, such as Kaare Klint, Vilhelm Lauritzen, Ole Wanscher and Mogens Voltelen.

These annual exhibits gave Wegner a first-hand experience of what the combination of workmanship and design could produce. Wegner decided to become a designer with the aim of producing and selling his furniture. Therefore, in 1936, he began studies at what is now The Danish Design School, with O. Mølgaard Nielsen as teacher.

Even his earliest objects, like an armchair with sloping armrests like relaxed wrists (a 1937 design for an exhibit at the Museum of Decorative Arts), exhibited Wegner's approach of "stripping the old chairs of their outer style and letting them appear in their pure construction."

Arne Jacobsen and Erik Møller had established a studio together to design and build Aarhus City Hall. In 1938 Wegner was employed in Aarhus, first under architects Erik Møller and Flemming Lassen and then in 1940 under Jacobsen and Møller. Wegner's task was to design the furniture for the City Hall.

Mid years[edit]

Wegner worked for some time for Arne Jacobsen, a successful Danish architect and designer. Wegner was in charge of the furniture in the Aarhus City Hall, which Jacobsen designed.[4] After some years under Jacobsen, Wegner started his own company. Along with fellow architect Børge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold - who founded an organization of Danish furniture makers that launched Danish design abroad.

Later years[edit]

In his later years Wegner became more attached to PP Møbler (which produces many pieces originally designed for Johannes Hansen) and for whom he subsequently designed several chairs. He continued to be prolific throughout his life. An example of his later work is the "Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Møbler). Wegner retired from public life only around the turn of the 21st century.


Wegner received several major design prizes, from the Lunning prize in 1951 and the Grand Prix of the Milan Triennale in the same year, to the Prince Eugen medal in Sweden and the Danish Eckersberg medal. In 1959, he was made honorary Royal designer for industry by the Royal Society of Arts in London.[5] His furniture is present in multiple international collection including the Museum of Modern Art in N.Y. and Die Neue Sammlung in Munich.

Furniture designs[edit]

Wegner's designs were manufactured by several manufacturers, including Getama, AP Stolen, Johannes Hansen, Andreas Tuck, Ry Mobler, Fredericia Stolefabrik, Carl Hansen & Sons, Fritz Hansen, PP Mobler and Erik Jorgensen.[3]

Many of Wegner's wooden chairs are characterized by traditional joinery techniques including mortise and tenons, finger joints, and sculpted elements such as armrests and seat supports. Wegner also utilized traditional construction for upholstered pieces, and often mixed materials such as solid wood, plywood, metal, upholstery, caning, and papercord.

Wegner said of his work "I have always wanted to make unexceptional things of an exceptionally high quality..."[3] The key designs featured here are known for taking traditional elements and pushing them to extreme tolerances and distillations.

  • J16 Rocking Chair, 1944
  • Chinese Chair (no.1), 1944. The China Chair series was inspired by a portrait of Danish merchants sitting in traditional Ming chairs.[2] The first, produced by Fritz Hansen, is the closest to its source material: the back splat is sculpted into the arm rail, which terminates in a decorative curved finial.
  • Chinese Chair (no.4), 1945. The 4th China chair is a cleaner distillation of the original form. It incorporates many distinctly Danish elements such as the floating seat support (on the upholstered model). Also present is the arched and planed back rail that appears on many subsequent Wegner chairs, including the Wishbone chair below.
The Peacock Chair (1947)
The Chair
  • Peacock Chair, 1947. The Peacock chair was inspired by a traditional Windsor chair. Wegner exaggerated the arched back, creating a high backed, yet airy chair. The back spindles are flattened in the approximate area of a person's shoulder blades, the visual result of which evokes a birds tail plumage.
  • "The Chair", 1949. The Chair best represents Wegner's design philosophy of "continuous purification...to cut down to the simplest possible elements of four legs, a seat, and a combined top rail and armrest"[3] The Chair was a collaboration of Wegner and furniture maker Johannes Hansen (now made by PP Mobler as models PP501/PP503). The construction features 11 pieces of wood joined by 12 mortise and tenons and two large finger joints. The finger joints orient the wood grain as the back rail wraps around the body to maximize material strength. The Chair was offered with a solid upholstered seat, or a seat of airy woven caning. It rose to prominence in the 1960 televised debate between Richard Nixon and John F. Kennedy. Both presidential candidates sat in The Chair during the debate.
  • Folding Chair, 1949. Lightweight with a cane seat, drawing on historic folding chairs. Wegner created a hook so the chair could be hung on the wall to save space.
    Wishbone Chair
  • Wishbone Chair, 1949. The Wishbone chair was the first collaboration between Wegner and maker Carl Hansen, who has produced it since 1950. In 1944 Wegner began a series of chairs inspired by a portrait of Danish merchants sitting in traditional Ming chairs. The Wishbone chair is the last and most distinct of the series. The inspiration is clearly visible, but the chair is an original form. The back legs are steam-bent into a curve that tapers to join a circular steam-bent back rail. The joinery was difficult but resulted in a strong, lightweight chair.
  • Flag Halyard Chair, 1950. While Wegner often drew from historical forms he also created forms without precedent. The Flag Halyard was inspired by a trip to the beach, during which Wegner carved out the form in the sand.[2] The metal, rope, and sheepskin chair is an unusual, but not unprecedented, break from Wegners prolific use of wood.
  • Valet chair,1953. This chair has elements for hanging up or storing each piece of a man's suit. The backrest is carved to be used as a coat hanger, pants can be hung on a rail at the edge of the seat and everything else can be stowed in a storage space underneath the seat.
  • Ox Chair,1960. which came with or without horns, showed the less serious side of Wegner's designs. "We must take care," he once said, "that everything doesn't get so dreadfully serious. We must play--but we must play seriously."[2] The Ox was Wegner's favorite chair and occupied a space in his livingroom until he died.[2]
  • Shell Chair, 1963. In 1938 Wegner had entered the Organic Home Furnishings competition at the Museum of Modern Art in NYC.


"Many foreigners have asked me how we made the Danish style. And I've answered that it...was rather a continuous process of purification, and for me of simplification, to cut down to the simplest possible elements of four legs, a seat and combined top rail and arm rest."

"The chair does not exist. The good chair is a task one is never completely done with."

"A chair is to have no backside. It should be beautiful from all sides and angles."

See also[edit]


  1. ^ Oxford index A Dictionary of Modern Design
  2. ^ a b c d e f Bernsen,Hans J. Wegner;2001
  3. ^ a b c d Hollingsworth, Danish Modern;2008
  4. ^ a b NYT Obituary
  5. ^ Biography of Hans J. Wegner from ScandianvianDesign.com Archived 2007-07-18 at the Wayback Machine

External links[edit]