Happy Birthday to Me (film)

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Happy Birthday to Me
Happy birthday to me poster.jpg
Theatrical poster
Directed byJ. Lee Thompson
Produced by
Written by
Starring
Music by
CinematographyMiklos Lente
Edited byDebra Karen
Production
company
Distributed byColumbia Pictures
Release date
  • May 15, 1981 (1981-05-15)
Running time
111 minutes
CountryCanada[2]
LanguageEnglish
Budget$3.5 million[3]
Box office$10.6 million[4]

Happy Birthday to Me is a 1981 Canadian psychological slasher film directed by J. Lee Thompson and starring Melissa Sue Anderson and Glenn Ford. Its plot revolves around six brutal murders occurring around a popular high school senior's birthday.

Filmed primarily in Canada and upstate New York, Happy Birthday to Me was distributed by Columbia Pictures, and released theatrically in North America in the spring of 1981.

The film was released on May 15, 1981. While reception was generally negative, it has since achieved a cult following.

While not prosecuted for obscenity, the film was seized and confiscated in the UK under Section 3 of the Obscene Publications Act 1959 during the video nasty panic.

Plot[edit]

Virginia "Ginny" Wainwright is a pretty and popular high school senior at Crawford Academy, a member of the school's "Top Ten," an elite clique of the most privileged and popular students. Each night, the group meets at the Silent Woman Tavern, a local pub. One night en route to the tavern, Bernadette O'Hara is attacked in her car by an unseen assailant. She struggles and plays dead to catch the killer off-guard before running to get help. She then runs into an unseen individual who she is familiar with and begs for help, but he slashes her neck with a straight razor.

The Top Ten becomes concerned when Bernadette fails to arrive at the pub. Upon leaving, the group sees the nearby drawbridge raising and decide to play a game of chicken. Ginny is pushed into a car by Ann Thomason, and each of the group attempt to cross the bridge as it raises; the car Ginny is in barely clears the bridge, crashing as it meets the other side. Distraught, Ginny runs home, stopping at her mother's grave in an adjacent cemetery. At her home, Etienne Vercoures - a French foreign exchange student and a Top Ten member - has broken into Ginny's room and stolen her underwear.

Bernadette fails to show up at school the following day. Ginny, who is plagued by repressed memories, visits her on-call psychiatrist, Dr. Faraday, with whom she previously underwent an experimental brain tissue restoration procedure after surviving a harrowing accident at the drawbridge. As Ginny attempts to resume her normal life, her fellow Top Ten members are murdered in vicious and violent ways: Etienne is strangled when his scarf gets caught in the spokes of his motorcycle, and Greg is crushed in his room while lifting weights.

One night, Alfred, a Top Ten member who is infatuated with Ginny, follows her to her mother's grave. In retaliation, she stabs him with a pair of garden shears. On the weekend of Ginny's 18th birthday, her father leaves for a business trip. After a school dance, Ginny invites Steve to her house and prepares shish kebabs. While the two are drinking wine and smoking marijuana, Ginny attacks Steve with the kebab, violently shoving the skewer down his throat.

Ann arrives at Ginny's house the following morning and finds Ginny taking a shower. In the shower, Ginny has a flashback of her mother's death: Her mother, a newly-inducted socialite, invited the Top Ten to Ginny's birthday celebration four years earlier. Instead, the group opted to attend Ann's party. Drunk, her mother drove to the Thomasons' house with Ginny, where she was humiliated by Ann's parents. Enraged, she attempted to drive across the raising drawbridge, resulting in a violent crash which ended in her drowning. Ginny, however, managed to swim to safety.

Paranoid that she may be murdering her friends during blackout episodes, Ginny visits Dr. Faraday. When she confronts him over the procedure she underwent, he is evasive, and she murders him with a fireplace poker. Mr. Wainright returns home for Ginny's birthday and finds a pool of blood in the foyer. He flees, and finds one of Ginny's friends, Amelia, standing in the rain, clutching a wrapped gift. In the cemetery, he discovers his late wife's grave to have been robbed, with Dr. Faraday's corpse lying in it.

Mr. Wainright notices a light on inside the family's guest cottage. Inside, he finds the bodies of each member of the Top Ten seated at a table alongside his dead wife's corpse. Ginny enters the room with a birthday cake, singing "Happy Birthday" to herself. Ginny casually admits to the murders before slashing her father's throat. He dies, failing to notice that his actual daughter is seated at the table. His killer, Ann, has disguised herself as Ginny with an elaborate latex mask. Ann removes the mask, ranting and raving over her father's affair with Ginny's mother and how it destroyed her family. Ann reveals that she and Ginny are half-sisters. Ginny manages to wrestle the knife from Ann and stabs her to death. As she stands over Ann's corpse holding the bloodied knife, a police officer enters the cottage and pleads: "What have you done?"

Cast[edit]

Production[edit]

Concept and pre-production[edit]

Happy Birthday to Me was produced by John Dunning and André Link, as a Cinépix production. Dunning and Link would team up again on another Canadian slasher, My Bloody Valentine (1981), which went into production within a week of Happy Birthday to Me wrapping; however, My Bloody Valentine was actually released first, rushed to meet an 11 February 1981 release date in time for Valentine's Day. Keen to get their classier, bigger-budgeted Happy Birthday to Me released, Dunning and Link quickly realized that gimmicks were being used up by other slasher movies in the wake of John Carpenter’s Halloween (1978) and Sean S. Cunningham’s Friday the 13th (1980). 1980 alone saw the release of Friday the 13th, as well as two New Year's Eve-themed horror movies, Terror Train (1980) and New Year’s Evil (1980), as well as Christmas-themed films To All a Goodnight (1980) and Christmas Evil (1980), the wedding-themed He Knows You’re Alone (1980), Prom Night (1980), and Mother’s Day (1980) (followed by Graduation Day and the Thanksgiving-based Home Sweet Home the following year). Because everyone has a birthday, Dunning and Link believed that Happy Birthday to Me could have universal appeal. They hired John Saxton, a University of Toronto English professor, to develop the story. The subplot involving Virginia's brain injury came from Dunning reading an article where they were regenerating frogs with electricity; he figured this could form the basis for a murder mystery where a girl suffers flashbacks and blackouts yet is unsure of her role in the mayhem around her.

Although it seems to have been directly influenced by the success of Friday the 13th and Prom Night, pre-production on Happy Birthday to Me had started before those films had been released, which more than hints that the huge success of Halloween was perhaps more of an influence (although the Grand Guignol elements of Friday the 13th may have convinced the makers of Happy Birthday to Me to add more gore as production geared up).[original research?]

The specialized genre website Retro Slashers has a copy of the script purporting to be a third draft from April 1980, where the major difference is that Virginia is actually the killer, possessed by the spirit of her deceased mother. Although this ending logistically makes more sense than the ending that was filmed, the filmmakers thought that what was originally scripted was not climactic enough. Still, the majority of the film does point to this original ending, which indicates the switch came well into production. This version of the script also features a good number of scenes that were either never shot or rewritten, including some that show more clearly Alfred's love for Virginia and Virginia's difficult relationship with her father.

The script was completely reworked by screenwriting team Timothy Bond and Peter Jobin before production started.[5]

Casting[edit]

Actress Melissa Sue Anderson, who had garnered childhood fame for her portrayal of Mary Ingalls on the television series Little House on the Prairie, was cast in the film's lead, marking her major feature debut.[6] Lisa Langlois auditioned for the role of Ann, but the role went to Tracy Bregman instead.[7]

Filming[edit]

Happy Birthday to Me began production in early July 1980. At the helm was the British director J. Lee Thompson, famous for the classic Cape Fear (1962).[8] Thompson had also been a dialogue coach to Alfred Hitchcock years before. Thompson had actively been looking to direct a thriller, and became attached to Happy Birthday to Me. In the press pack he stated, "What attracted me to this script was that the young people stood out as vivid, individual characters. The difference between a good chiller and exploitative junk, at least in my opinion, is whether or not you care about the victims." Jack Blum, who played Alfred in the film, said that Thompson took the film seriously. Thompson would later direct the Charles Bronson thriller 10 to Midnight (1983), which featured more exploitative material than Happy Birthday to Me.

Hollywood actor Glenn Ford, who played Jonathan Kent in Richard Donner’s Superman (1978), was less-than-thrilled to be in a slasher film. Apparently Ford was unpleasant on the set.

The film's make-up effects were done by special effects guru Tom Burman (who replaced Stéphan Dupuis just three weeks before the cameras were due to start rolling). Dupuis later did the duties on another bigger budget Canadian slasher, Visiting Hours (1982), but left the production for undisclosed reasons. Ironically, in an issue of Fangoria from 1981, Burman criticizes the level of gore in films at that time.

Happy Birthday to Me finished filming in September 1980 (five months after the release of Friday the 13th). Much of it was shot in and around Loyola College in Montreal, while the drawbridge scenes were actually filmed in Phoenix, New York, just outside Syracuse.[2] The producers found it difficult to find the right bridge closer to the main production, as the expansion of the Highway system had made them increasingly rare. The whole town of Phoenix came to watch the dangerous stunts, where a total of fifteen cars were junked, and one stunt driver was hospitalized with two broken ankles. The bridge itself has since been removed and replaced by a bridge further to the north. The removal takes with it a piece of history in drawbridges. Additional photography occurred on the campuses of Concordia University and McGill University.[3]

Director Thompson became known for tossing buckets of blood about on the set of the film to increase the on-screen gore; according to producer John Dunning, with the assistance of special effects man Tom Burman, Thompson "would be splashing blood all over the place."[9]

The film's ending was changed to hide the fact that the script was being rewritten so late in production.

Bo Harwood and Lance Rubin provided the film's score. Syreeta, one-time wife of Stevie Wonder, provided the eerie closing track, composed by Lance Rubin that plays over the credits.[10]

Release[edit]

Promotion[edit]

Columbia Pictures bought the $2.5 million production for $3.5 million, following Paramount Pictures' lead with buying Friday the 13th the year before. Columbia reportedly put as much money into promoting the film as it cost to make. The promotional materials for the film boasted its numerous unusual death sequences as "Six of the most bizarre murders you will ever see."[2] The theatrical poster featured sub-taglines reading: "John will never eat shish kebab again" and "Steven will never ride a motorcycle again," despite the fact that there is no character named "John" in the film, while Steven is the character who dies by a shish kekab; Etienne is the character who suffers a death via a motorcycle.[2]

Dunning and Link didn't like the advertising campaign that Columbia Pictures had planned; they thought it should have been more subtle and worried that it might put off as many people as it attracted. They were concerned that only a handful of the murders in the film were truly bizarre and that the audience might feel cheated.

Columbia Pictures really pushed the promotional manual for Happy Birthday to Me, which was jam-packed with ideas for cinemas to promote the film. Although it is not clear how many picture houses really embraced the film's promotion, some of the more colorful ideas were to stage a mini-recreation of the film's final scene (without the bodies), but with a butchered birthday cake with crimson candles surrounded by glittering birthday party hats, all to be set upon a fake coffin. People celebrating their own birthdays were encouraged to bring family and friends with incentives, such as T-shirts and party hats. They also suggested having a member of staff, dressed in funereal black, preventing anyone from entering the auditorium during the final ten minutes. Those in line would then be offered "a bite-sized slice of Virginia's birthday cake" from the concession stand.

The promotion manual also had lots of ideas for radio disc jockeys to promote the film, including a special 'scream in'. Callers would be asked questions such as, "'How would you react if you went to a birthday party … and you were the only person at the dinner table who was still alive?" Those with the best set of lungs would win free passes to the film. The manual also encouraged the DJ's to attend dressed as funeral attendants and give each girl a white lily and each boy a blood-red carnation.[11]

The film was also advertised with trailers both at the cinema and on TV. Most trailers culminate with a birthday cake being split with an axe, although an axe does not actually feature in the film itself.

Box office[edit]

Happy Birthday to Me opened in the United States and Canada on May 15, 1981.[12] It grossed a total of $10 million at the North American box office.[13]

Critical response[edit]

Vincent Canby in The New York Times called it a confused ripoff of Friday the 13th and Prom Night.[14] James Harwood in Variety wrote that the film gets "dumber and dumber until the fitful finale".[15] Linda Gross of the Los Angeles Times referred to the film as a "well-directed, suspenseful and nauseatingly violent horror movie" that is "gratuitously mean," commending it as technically well-made but criticizing it for its violent content.[16] The Baltimore Evening Sun's Lou Cedrone wrote "it is sad to know that a director of this stature has descended to this, a bloody horror film. The movie has been done with professionalism, but in the end, like The Fan, Happy Birthday to Me is so much bloodletting, all of it in vivid color."[17]

Candice Russell of the Fort Lauderdale News praised the film as a "more than competently made chiller," adding that director Thompson "plays out the scenes where we anticipate mayhem like a virtuoso violinist."[18]

AllMovie gave the film a mixed review, writing, "Happy Birthday to Me stands out from the slasher movie pack of the early '80s because it pushes all the genre's elements to absurd heights. The murders, plot twists and, especially, the last-minute revelations that are dished up in the final reel don't just deny credibility, they outright defy it."[19]

Home media[edit]

Sony Pictures Home Entertainment released Happy Birthday to Me on DVD in 2004 with an entirely different, uncredited musical score that diverged from the score used in the original cut.[20] On October 13, 2009, Anchor Bay Entertainment re-released the film on DVD with original musical score reintroduced.[21]

In 2012, the film made its premiere on Blu-Ray through Mill Creek Entertainment on a double-feature disc paired with the original When a Stranger Calls (1979); this release, like the 2009 DVD, features the original 1981 musical score. On December 12, 2016, the United Kingdom-based home media company Indicator Films released a region-free two-disc Blu-ray and DVD combination package, which featured promotional materials, a commentary track, and both the original and alternate musical score.[22] Mill Creek re-released the film as a standalone Blu-ray featuring a retro VHS-inspired slipcover in October 2018.[23]

References[edit]

  1. ^ "John Beaird". Variety. 12 July 1993. Retrieved 27 April 2016.
  2. ^ a b c d "Happy Birthday to Me". AFI Catalog of Feature Films. American Film Institute. Retrieved 27 December 2018.
  3. ^ a b Goldberg, Howard (September 1980). "Happy Birthday to Me". Cinema Canada. In Progress (68): 6–7. ISSN 0009-7071.
  4. ^ "Happy Birthday to Me Box Office". The Numbers. Retrieved 5 April 2015.
  5. ^ Kerswell, J.A. "Happy Birthday to Me (1981) Pre-Production". Hysteria Lives!. Retrieved 19 August 2014.
  6. ^ Harper 2004, p. 107.
  7. ^ "The Beauty & the Beasts: An Interview with Lisa Langlois". The Terror Trap. June 2011. Archived from the original on 13 September 2012.
  8. ^ Pitts 2014, p. 97.
  9. ^ "R.S.V.P. or Die!: An Interview with John Dunning". The Terror Trap. March 2011. Archived from the original on 3 February 2013.
  10. ^ Kerswell, J.A. "Happy Birthday to Me (1981) Production". Hysteria Lives!. Retrieved 19 August 2014.
  11. ^ Kerswell, J.A. "Happy Birthday to Me (1981) Promotion". Hysteria Lives!.
  12. ^ "Happy Birthday to Me trade ad". Los Angeles Times. Los Angeles, California. 10 May 1981. p. 326 – via Newspapers.com. open access
  13. ^ Kerswell, J.A. "Happy Birthday to Me (1981) Reception". Hysteria-Lives!.
  14. ^ Canby, Vincent (15 May 1981). "'HAPPY BIRTHDAY TO ME'". The New York Times.
  15. ^ Harwood, James (13 May 1981). "Review: 'Happy Birthday To Me'". Variety. Retrieved 27 April 2016.
  16. ^ Gross, Linda (15 May 1981). "The Young Die Young in 'Birthday'". Los Angeles Times. Los Angeles, California. p. 8 – via Newspapers.com. open access
  17. ^ Cedrone, Lou (20 May 1981). "Even with Bacall, 'The Fan' is just a horror film". The Evening Sun. Baltimore, Maryland. p. 28 – via Newspapers.com. open access
  18. ^ Russell, Candice (19 May 1981). "'Happy' a happy surprise". Fort Lauderdale News. Fort Lauderdale, Florida – via Newspapers.com. open access
  19. ^ Guarisco, Donald. "Happy Birthday to Me – Review – AllMovie". AllMovie. Retrieved 21 July 2012.
  20. ^ "Happy Birthday to Me". Mondo Digital. Archived from the original on 1 April 2019.
  21. ^ "Weekly DVD & Blu-ray Chopping". Fangoria. 13 October 2009. Archived from the original on 15 October 2009.
  22. ^ "The killer elite". CineOutsider. 11 December 2016. Archived from the original on 31 March 2019.
  23. ^ Squires, Jon (19 October 2018). "Mill Creek and Walmart Releasing 'Happy Birthday to Me' Blu-ray in Retro VHS Packaging". Bloody Disgusting. Archived from the original on 31 March 2019.

Sources[edit]

  • Harper, Jim (2004). Legacy of Blood: A Comprehensive Guide to Slasher Movies. Manchester, England: Critical Vision. ISBN 978-1-900-48639-2.
  • Pitts, Michael R. (2014). Columbia Pictures Horror, Science Fiction and Fantasy Films, 1928-1982. Jefferson, North Carolina: McFarland. ISBN 978-0-786-45766-3.

External links[edit]