Harihar Rao

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Harihar Rao (January 21, 1927 - January 13, 2013)[1] was an Indian-born American musician, noted for playing tabla and sitar.

He was born into a prominent musical family in Mangalore, India. He moved to the United States in 1964, residing in Pasadena, California. Rao was a Fulbright Scholar at UCLA.,[2] He worked in the ethnomusicology department at UCLA and privately taught and mentored students of the sitar.

Rao explored a variety of fusions of Indian and western music. His 'Hindustani Jazz Sextet', which included the trumpeter Don Ellis,[3] combined classical Indian rhythms and jazz forms.[4] In 1965 Rao and Ellis co-wrote An Introduction to Indian Music for the Jazz Musician, which was printed by Jazz Magazine. Raga Rock in 1966 mixed Rao's sitar playing with the Folkswingers's western instruments to cover popular rock songs, such as "Paint It Black" and "Norwegian Wood".[5][6] In 1967, Rao published the book Introduction to Sitar, which sold more than 500 copies in its first two weeks of publication,[7] and ultimately thousands of copies in four printings. Rao was the longest-standing protégé[8] and a close friend for more than six decades of sitar player Ravi Shankar. Rao and Shankar co-founded the Music Circle, an organization dedicated to promoting Indian classical music.[9] He served as the Artistic Director of the Music Circle for 40 years.

He became a U.S. citizen in 1969. Rao taught at a number of colleges and universities in Southern California, including UCLA, Cal State Long Beach, Cal State Los Angeles, California Institute for the Arts, and Caltech.[7]

References[edit]

  1. ^ "Obituary". Pasadena Star News. Jan 25, 2013. Retrieved 21 March 2014. 
  2. ^ "(untitled)". Billboard. Sep 3, 1966. p. 56. Retrieved 21 March 2014. 
  3. ^ Broughton, Simon; Ellingham, Mark (2000). World Music: Latin and North America, Caribbean, India, Asia and Pacific. Rough Guides. pp. 111–. ISBN 9781858286365. Retrieved 21 March 2014. 
  4. ^ Brend, Mark (2005). Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop. Backbeat. pp. 155–. ISBN 9780879308551. Retrieved 21 March 2014. 
  5. ^ "Raga Rock". High Fidelity. ABC Leisure Magazines. 1966. p. 50. Retrieved 21 March 2014. 
  6. ^ Vale, V. (1993). Incredibly strange music. RE/Search Publications. p. 176. ISBN 9780940642225. Retrieved 21 March 2014. 
  7. ^ a b "Peer-Southern Publication on Sitar Is a Fast Mover". Billboard. Apr 15, 1967. p. 6. Retrieved 21 March 2014. 
  8. ^ Singh, Kuhu (April 7, 2000). "American lover of ragas creates melodies in computer". India Abroad. Retrieved 21 March 2014. 
  9. ^ Yoga Journal. Active Interest Media, Inc. 1983-09. pp. 13–. Retrieved 21 March 2014.  Check date values in: |date= (help)

Bibliography[edit]

  • Rao, Harihar (1967). Introduction to sitar. Peer International.
  • Rao, Harihar; Don Ellis (April 1965). "An Introduction to Indian Music for the Jazz Musician". Jazz magazine.

Additional references[edit]

  • "Peer Southern Increases Indian Music Collection". Billboard 81 (15): 44. April 12, 1969. Retrieved Aug 11 2011.
  • "About the Music Circle". The Music Circle. Retrieved Aug 11 2011.
  • Fenlon, Sean (2002). The Exotic Rhythms of Don Ellis. Baltimore, MD: The Peabody Institute of the Johns Hopkins University. pp. 6.