Original cinema poster
|Directed by||Jack Smight|
|Produced by||Elliott Kastner
|Written by||Ross Macdonald|
|Screenplay by||William Goldman|
|Based on||The Moving Target|
|Music by||Johnny Mandel|
|Cinematography||Conrad L. Hall|
|Distributed by||Warner Bros.|
Harper, released in the UK as The Moving Target, is a 1966 film based on Ross Macdonald's novel The Moving Target and adapted for the screen by novelist William Goldman, who admired MacDonald's writings. The film stars Paul Newman as the eponymous Lew Harper (Lew Archer in the novel).
Goldman received a 1967 Edgar Award for Best Motion Picture Screenplay.
The film pays homage to the Humphrey Bogart Sam Spade and other detective films by featuring Bogart's wife, Lauren Bacall, who plays a wounded wife searching for her missing husband, a role similar to General Sternwood in the 1946 Bogart-and-Bacall film, The Big Sleep.
In 1975, Newman reprised the role in The Drowning Pool.
Private investigator Lew Harper's (Paul Newman) marriage to Susan (Janet Leigh) is on the rocks and he doesn't have many friends, but one of them, mild-mannered attorney Albert Graves (Arthur Hill), brings him a case in Santa Theresa, 90 miles up the coast from Los Angeles. Ralph Sampson, the millionaire husband of hard-boiled Elaine Sampson (Lauren Bacall), has disappeared after flying from Las Vegas to L.A. Ralph, worth $20 million, is described as money-driven, crazy, alcoholic and egotistical. Elaine, physically disabled from a horseback riding accident, doesn't even seem to like her husband and believes he is off with another woman. She just wants to know where he is.
Harper's first interviews Elaine's spoiled but seductive step-daughter, Miranda (Pamela Tiffin), and her amiable casual boyfriend Allan Taggert (Robert Wagner), the missing man's private pilot. Taggert says that Sampson disappeared from the airport after calling a Bel-Air hotel where Sampson keeps a bungalow to send a limousine for him. Taggert flies Harper to L.A. where the hotel staff says Sampson cancelled his request shortly after making it. A photo of a glamorous starlet in his bungalow leads to Fay Estabrook (Shelley Winters), now an overweight alcoholic. Harper gets her drunk and drives her home to see if there is any evidence linking her to Sampson's disappearance. While she is passed out, he answers her phone and pretends to be the "Mr. Troy" that the caller, "Betty" (Julie Harris), initially assumes him to be. Betty says that Fay was seen earlier in the evening with a stranger – that being Harper – and that they need to be careful "when the truck goes through." When Harper mentions Ralph Sampson, Betty realizes that she is not speaking to Troy. After Harper hangs up, Troy comes out of the woodwork. He is Fay's husband, Dwight Troy (Robert Webber), and the house is his. He kicks out Harper at gunpoint.
Harper tracks down Betty Fraley, a lounge singer with a nasty drug habit. When he asks about Ralph, she recognizes his voice from the phone call. Harper, noticing the fresh track marks on her arm, threatens to turn her over to the narcotics squad, and Betty admits she knows Sampson, but only casually as a drunk who comes into the bar. Harper becomes more insistent and Betty has the bouncer, Puddler (Roy Jenson), throw him out. Puddler works over Harper in the back alley until Taggert comes out of nowhere and knocks Puddler unconscious. Taggert had apparently been following leads himself which led him to the lounge. They head back to Troy's house to check on the truck, thinking Sampson may be in it. While Harper is inside the house, he hears gunshots. Taggert, standing watch outside, spotted the truck and tried to shoot the tires. Harper tries to run the truck down on foot, but the truck with distinctive tire tracks attempts to run Harper over before it speeds away.
Elaine receives a message from Ralph asking her to cash in $500,000 worth of bonds. She verifies that the handwriting is Ralph's and Harper deduces that he's actually been kidnapped. After Graves cashes the bonds for her and puts the money in the estate's safe as a contingency, Harper advises him to call in the cops to guard it while he goes up to a remote mountaintop property that Sampson gave away to Claude (Strother Martin), a bogus holy man, for his cult's Temple in the Clouds. Despite Claude's attempts to distract him, Harper looks around. He finds a huge kettle of beans cooking and a tire print identical to the truck's.
Back at Sampson's estate, Harper finds a ransom note with instructions to drop the cash that night at an oilfield outside of town. Since the note assumes they already have the cash, Harper suspects the kidnapper has an inside source, which someone eavesdropping on his call to Graves confirms. They decide that Taggert and Graves will make the ransom drop with Harper nearby to observe the pickup. The man picking up the money is shot dead and the cash taken, however, by someone following in a white convertible. A matchbook on the body leads Harper to The Corner, a seedy bar in Castle Beach, a beachfront community. Harper cons the barmaid into revealing the dead man was "Eddie", a regular customer who had made a long distance call to Las Vegas from the bar three nights before. Outside, Harper spots the truck that earlier tried to run him over, driven by Puddler, which he follows back to the mountaintop temple. There, he uncovers a smuggling operation of illegal immigrant labor run by Troy, who use Claude's temple as a front, with Eddie as the smuggler. Harper is caught by Troy, who knows nothing of the kidnapping or Eddie's part in it but recognizes the white convertible as Betty Fraley's. Puddler takes Harper to another location and beats him, but Harper manages to kill him and escape.
At the estate, Graves tells Harper that the dead man was Eddie Rossiter, a small-time car thief and junkie who has a sister, Betty, also a junkie. Harper concludes that because Taggert was the only person who knew Sampson was in L.A. and could have cancelled the request for a limo, that Taggert, Betty, and Eddie conspired to kidnap him. Taggert was at The Piano to rescue Harper because he was a fan who fell in love with Betty, he shot at the truck not to stop it but to warn Eddie, and Taggert was the person Eddie called in Las Vegas, to arrange the kidnapping. He confronts Taggert, who pulls a gun on him. Harper vows to let Taggert escape with the money if Harper is allowed to finish the job of finding Sampson. Taggert tries to kill Harper but is shot when Graves bursts into the room. After Harper tells Miranda that Taggert is dead, Miranda admits she hated her father out of self-loathing. Graves, who has long been in love with Miranda, attempts to console her.
Harper goes looking for Betty and the money in Castle Beach, where she and Taggert had their love nest, and locates the cottage by finding her white convertible parked outside. He hears Betty being tortured inside by Troy, Claude and Fay. She tells them the money is hidden in a deep freeze storage locker. Harper bursts in, shoots Troy, slugs Claude, locks Fay in a closet and, after he retrieves the key to the locker, helps Betty to escape. After he says that he knows she double-crossed and killed her brother, she reveals that Sampson is being held in an abandoned oil tanker. Harper calls Graves to tell him to meet them there. Harper is hit over the head from behind while searching the ship, knocking him unconscious. Some time later Graves revives Harper. They find Sampson dead, presumably murdered by whoever hit Harper over the head. They also discover that Harper's car is gone, driven off by Betty. When she sees them looking for the car, she flees at high speed along a narrow winding hillside road and is killed when the car swerves off the road.
Harper and Graves retrieve the money. Harper says that he knows that Graves is the one who hit him from behind and killed Sampson, because if it had been Betty or another kidnapper, Harper would have been searched for the key to the locker. Graves admits he killed Sampson when the opportunity arose because Sampson was cruel to everyone including him, prodding Graves to pursue Miranda's affections just for his own cruel amusement. Harper tells him that he has no choice but to turn him in. Harper tells Graves he'll need to shoot him to stop him. Graves cannot bring himself to shoot Harper. Neither man is sure what to do next; each pauses uncertainly, saying to himself, "Aw, hell."
- Paul Newman - Lew Harper
- Lauren Bacall - Elaine Sampson
- Julie Harris - Betty Fraley
- Arthur Hill - Albert Graves
- Janet Leigh - Susan Harper
- Pamela Tiffin - Miranda Sampson
- Robert Wagner - Allan Taggert
- Robert Webber - Dwight Troy
- Shelley Winters - Fay Estabrook
- Harold Gould - Sheriff Spanner
- Roy Jenson - Puddler
- Strother Martin - Claude
William Goldman had written a novel Boys and Girls Together, the film rights to which had been optioned by Elliot Kastner. Kastner met with Goldman and expressed a desire to make a tough movie, one "with balls". Goldman suggested the Lew Archer novels of Ross MacDonald would be ideal, and offered to do an adaptation. Kastner agreed, saying he would option whatever of the novels Goldman suggested, and Goldman chose the first The Moving Target. According to Goldman, the script was offered to Frank Sinatra first who turned it down, then to Paul Newman, who was eager to accept as he had just made a costume film, Lady L, and was keen to do something contemporary.
The script was originally called Archer. The name of the lead character was changed from Lew Archer to Harper because the producers had not bought the rights to the series, just to The Moving Target. Goldman later wrote "so we needed a different name and Harper seemed OK, the guy harps on things, it's essentially what he does for a living."
The film was a hit, earning $5.3 million in North American rentals in 1966.
Goldman adapted another MacDonald novel, The Chill, but it was not filmed.
Yet another MacDonald novel, The Drowning Pool, was adapted to film with Paul Newman reprising the role of Harper. The Drowning Pool was released, by Warner Brothers, in 1975.
- "Harper, Box Office Information". The Numbers. Retrieved May 22, 2012.
- Variety film review; February 16, 1966, page 6.
- New York Times, June 01, 1969: 'The Goodbye Look: By Ross Macdonald', review by William Goldman
- William Goldman, Adventures in the Screen Trade 1982 p 177-179
- William Goldman, Five Screenplays, Applause, 1997 p 5
- "Big Rental Pictures of 1966", Variety, 4 January 1967 p 8
- Dennis Brown, Shoptalk, Newmarket Press, 1992 p 63