Original cinema poster
|Directed by||Jack Smight|
|Produced by||Elliott Kastner|
|Screenplay by||William Goldman|
|Based on||The Moving Target|
by Ross Macdonald
|Music by||Johnny Mandel|
|Cinematography||Conrad L. Hall|
|Distributed by||Warner Bros.|
Harper (released in the UK as The Moving Target) is a 1966 American Technicolor mystery film based on Ross Macdonald's novel The Moving Target in Panavision and adapted for the screen by novelist William Goldman, who admired MacDonald's writings. The film stars Paul Newman as the eponymous Lew Harper (Lew Archer in the novel). It is directed by Jack Smight, with an ensemble cast that includes Robert Wagner, Julie Harris, Janet Leigh, Shelley Winters and Arthur Hill.
Goldman received a 1967 Edgar Award for Best Motion Picture Screenplay.
The film pays homage to Humphrey Bogart's portrayals of Sam Spade and Phillip Marlowe by featuring Bogart's widow, Lauren Bacall, who plays a wounded wife searching for her missing husband, a role similar to General Sternwood in the 1946 Bogart-and-Bacall film, The Big Sleep.
In 1975, Newman reprised the role in The Drowning Pool.
Private investigator Lew Harper's (Paul Newman) marriage to Susan (Janet Leigh) is on the rocks and he doesn't have many friends, but one of them, mild-mannered attorney Albert Graves (Arthur Hill), brings him a case in Santa Teresa, 90 miles up the coast from Los Angeles. Ralph Sampson, the millionaire husband of hard-boiled Elaine Sampson (Lauren Bacall), has disappeared after flying from Las Vegas to L.A. Ralph, worth $20 million, is described as money-driven, crazy, alcoholic and egotistical. Elaine, physically disabled from a horseback-riding accident, doesn't even seem to like her husband and believes he is off with another woman. She just wants to know where he is.
Harper first interviews Elaine's spoiled, seductive step-daughter, Miranda (Pamela Tiffin), and her amiable boyfriend Allan Taggert (Robert Wagner), the missing man's private pilot. He is told Sampson disappeared from the airport after calling a hotel to send a limousine for him. The hotel staff says Sampson cancelled his request shortly after making it. A photo of a glamorous starlet in a bungalow Sampson keeps at the hotel leads to Fay Estabrook (Shelley Winters), now an overweight alcoholic. Harper gets her drunk to see if there is any evidence linking her to Sampson's disappearance. While she is passed out, he answers her phone and pretends to be the "Mr. Troy" that the caller, "Betty" (Julie Harris), initially assumes him to be. Betty says that Fay was seen with a stranger – that being Harper – and that they need to be careful "when the truck goes through." As soon as Harper mentions Ralph Sampson, Betty realizes that she is not speaking to Troy. After Harper hangs up, Troy comes out of the woodwork. He is Fay's husband, Dwight Troy (Robert Webber), and the house is his. He kicks Harper out at gunpoint.
Harper tracks down Betty Fraley, a lounge singer with a nasty drug habit. When he asks about Ralph, she recognizes his voice from the phone call. Harper, noticing the fresh track marks on her arm, threatens to turn her over to the narcotics squad, and Betty admits she knows Sampson, but only casually as a drunk who comes into the bar. Harper becomes more insistent and Betty has the bouncer, Puddler (Roy Jenson), throw him out. Puddler works Harper over in the back alley until Taggert comes out of nowhere and knocks Puddler unconscious. Taggert had apparently been following leads himself which led him to the lounge. They head back to Troy's house to check on the truck, thinking Sampson may be in it. While Harper is inside the house, he hears gunshots. Taggert, standing watch outside, spotted the truck and tried to shoot the tires. Harper tries to run the truck down on foot, but the truck with distinctive tire tracks attempts to run Harper over before it speeds away.
Elaine receives a message from Ralph asking her to cash in $500,000 worth of bonds. She verifies that the handwriting is Ralph's and Harper deduces that he's actually been kidnapped. After Graves cashes the bonds for her and puts the money in the estate's safe as a contingency, Harper advises him to call in the cops to guard it while he goes up to a remote mountaintop property that Sampson gave away to Claude (Strother Martin), a bogus holy man, for his cult's Temple in the Clouds. Despite Claude's attempts to distract him, Harper looks around. He finds a huge kettle of beans cooking and a tire print identical to the truck's.
Back at Sampson's estate, Harper finds a ransom note with instructions to drop the cash that night at an oilfield outside of town. Since the note assumes they already have the cash, Harper suspects the kidnapper has an inside source, which someone eavesdropping on his call to Graves confirms. They decide that Taggert and Graves will make the ransom drop with Harper nearby to observe the pickup. The man picking up the money is shot dead and the cash taken, however, by someone following in a white convertible. A matchbook on the body leads Harper to The Corner, a seedy bar in Castle Beach, a beachfront community. Harper cons the barmaid into revealing the dead man was "Eddie", a regular customer who had made a long-distance call to Las Vegas from the bar three nights before. Outside, Harper spots the truck that earlier tried to run him over, driven by Puddler, which he follows back to the mountaintop temple. There, he uncovers a smuggling operation of illegal immigrant labor run by Troy, using Claude's temple as a front, with Eddie as the smuggler. Harper is caught by Troy, who knows nothing of the kidnapping or Eddie's part in it but recognizes the white convertible as Betty Fraley's. Puddler takes Harper to another location and beats him, but Harper manages to kill him and escape.
At the estate, Graves tells Harper that the dead man was Eddie Rossiter, a small-time car thief and junkie who has a sister, Betty, also a junkie. Harper concludes that because Taggert was the only person who knew Sampson was in L.A. and could have cancelled the request for a limo, that Taggert, Betty, and Eddie conspired to kidnap him. Taggert was at The Piano to rescue Harper because he was a fan who fell in love with Betty, he shot at the truck not to stop it but to warn Eddie, and Taggert was the person Eddie called in Las Vegas, to arrange the kidnapping. He confronts Taggert, who pulls a gun on him. Harper promises to let Taggert escape with the money if Harper is allowed to finish the job of finding Sampson. Taggert tries to kill Harper but is shot when Graves bursts into the room. After Harper tells Miranda that Taggert is dead, Miranda admits she hated her father out of self-loathing. Graves, who has long been in love with Miranda, attempts to console her.
Harper goes looking for Betty and the money in Castle Beach, where she and Taggert had their love nest, and locates the cottage by finding her white convertible parked outside. He hears Betty being tortured inside by Troy, Claude and Fay. She tells them the money is hidden in a deep-freeze storage locker. Harper bursts in, shoots Troy, slugs Claude, locks Fay in a closet and, after he retrieves the key to the locker, helps Betty to escape. After he says that he knows she double-crossed and killed her brother, she reveals that Sampson is being held in an abandoned oil tanker. Harper calls Graves to tell him to meet them there. While Harper searches the ship, he is hit over the head from behind, knocking him unconscious. Some time later Graves revives Harper. They find Sampson dead, presumably murdered by whoever hit Harper over the head. They also discover that Harper's car is gone, driven off by Betty. When she sees them looking for the car, she flees at high speed along a narrow winding hillside road and is killed when the car swerves off the road.
Harper and Graves retrieve the money. Harper says that he knows that Graves is the one who hit him from behind and killed Sampson, because if it had been Betty or another kidnapper, Harper would have been searched for the key to the locker. Graves admits he killed Sampson when the opportunity arose because Sampson was cruel to everyone including him, prodding Graves to pursue Miranda's affections just for his own cruel amusement. Harper tells him that he has no choice but to turn him in, and says that Graves will have to shoot him to stop him. Graves cannot bring himself to shoot Harper. Neither man is sure what to do next; each pauses uncertainly, saying to himself, "Aw, hell."
- Paul Newman - Lew Harper
- Lauren Bacall - Elaine Sampson
- Julie Harris - Betty Fraley
- Arthur Hill - Albert Graves
- Janet Leigh - Susan Harper
- Pamela Tiffin - Miranda Sampson
- Robert Wagner - Allan Taggert
- Robert Webber - Dwight Troy
- Shelley Winters - Fay Estabrook
- Harold Gould - Sheriff Spanner
- Roy Jenson - Puddler
- Strother Martin - Claude
William Goldman had written a novel, Boys and Girls Together, the film rights to which had been optioned by producer Elliot Kastner. Kastner met with Goldman and expressed a desire to make a tough movie, one "with balls". Goldman suggested the Lew Archer novels of Ross Macdonald would be ideal - Goldman had long been an admirer of MacDonald, saying the Archer books "the finest series of detective novels ever written by an American" and that MacDonald was "one of the best American novelists now operating, and he keeps getting better."
Goldman offered to do an adaptation. Kastner agreed, saying he would option whatever of the novels Goldman suggested. Goldman chose the first, The Moving Target.
According to Goldman, the script was offered to Frank Sinatra first, who turned it down, then to Paul Newman, who was eager to accept as he had just made a costume film, Lady L, and was keen to do something contemporary. Newman's signing was announced in March 1965.
The script was originally called Archer. The name of the lead character was changed from Lew Archer to Harper because the producers had not bought the rights to the series, just to The Moving Target. Goldman later wrote "so we needed a different name and Harper seemed OK, the guy harps on things, it's essentially what he does for a living." Goldman says Newman wanted a title with the letter H as he had good luck with one word titles starting with "H" such as The Hustler and Hud.
"It's a Bogie kind of film," said Newman, adding the difference in the private eye character "is the level of commitment. He has more of a sense of humor about his job."
In the title sequence, Newman dunks his head into a sinkful of ice cubes to rouse himself awake; a bit that he repeated in the 1973 film The Sting. Newman reportedly followed this routine every morning in real life.
The film was a hit at the box office. It launched Goldman's career as a screenwriter.
The film earned $5.3 million in North American rentals in 1966.
Goldman adapted another Macdonald novel, The Chill, for the same producers, but it was not filmed. Paul Newman pulled out of the project and Sam Peckinpah became attached as director for a while as the film was set up at Commonwealth United Productions. But when that company wound up its film operations it was not made.
Yet another Macdonald novel, The Drowning Pool, was adapted to film with Paul Newman reprising the role of Harper. The Drowning Pool was released by Warner Brothers in 1975.
- "Harper, Box Office Information". The Numbers. Retrieved May 22, 2012.
- Variety film review; February 16, 1966, page 6.
- New York Times, June 01, 1969: 'The Goodbye Look: By Ross Macdonald', review by William Goldman
- The Goodbye Look: By Ross Macdonald. 243 pp. New York: Alfred A. Knopf. $4.95. By WILLIAM GOLDMAN. New York Times 1 June 1969: BR1.
- William Goldman, Adventures in the Screen Trade (1982). p 177–179
- MOVIE CALL SHEET: 'Winkle' on Tap at MGM; 'Target' Due Martin, Betty. Los Angeles Times 31 Mar 1965: c9.
- William Goldman, Five Screenplays, Applause (1997). p 5
- No Blinkers on This Private Eye Champlin, Charles. Los Angeles Times (18 Aug 1965: D9.
- Borden, Marian Edelman (2011). Paul Newman: A Biography. Santa Barbara, California: Greenwood. p. 64. ISBN 978-0-313-38311-3. Retrieved March 7, 2018.
- 'Butch Cassidy' Was: My Western, 'Magic' Is My Hitchcock' 'Magic' Is My Hitchcock By RALPH TYLER. New York Times 12 Nov 1978: D23.
- "Big Rental Pictures of 1966", Variety, 4 January 1967 p 8
- Dennis Brown, Shoptalk, Newmarket Press, 1992 p 63
- TOP PIX DEALS GOPOOF: "Say, what ever happened with that script I read you had all set up to shoot in Swaziland with Paul Newman, Raquel Welch, the Spanish Air Force, Godzilla and the June Taylor Dancers?" he asked, folding his copy of the Hollywood Reporter. "Don't ask," the man answered. Adler, Dick. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 31 Jan 1971: u14.