Hazel Bryan Massery (born c. 1942) was a student at Little Rock Central High School during the 1950s. She was depicted in an iconic photograph that showed her shouting at Elizabeth Eckford, one of the Little Rock Nine, during the integration crisis. In her later life, she would attempt to make amends for this and briefly became friends with Eckford.
On September 4, 1957, nine African-American students entered Little Rock Central High School as the school's first black students, including Elizabeth Eckerd. On her way to the school, a group of white teenage girls followed Eckford in protest, chanting “Two, four, six, eight! We don’t want to integrate!” One of these girls is Hazel Bryan. Benjamin Fine of The New York Times later described her as “she was screaming, just hysterical, just like one of these Elvis Presley hysterical deals, where these kids are fainting with hysteria.” Bryan is also credited as shouting "“Go home, nigger! Go back to Africa!” 
After the photo became public, Hazel started to receive hate mail, all from the north. Author David Margolick writes “Hazel’s parents, though, found her sudden notoriety sufficiently alarming to pull her out of the school.”
Bryan left her new school when she was 17, got married to Antoine Massery and began a family. After that, her mind toward Martin Luther King and the concept of desegregating changed. “Hazel Bryan Massery was curious, and reflective... One day, she realized, her children would learn that the snarling girl in their history books was their mother. She realized she had an account to settle.”
In 1963, having changed her mind on integration and feeling guilt for her treatment of Eckford, Bryan contacted Eckford to apologize. They went their separate ways after this first meeting, and Eckford did not name the girl in the picture when asked about it by reporters.
During the time after the Little Rock, “Hazel had become increasingly political, branching out into peace activism and social work. David Margolick discovers “She taught mothering skills to unmarried black women, and took underprivileged black teenagers on field trips. She frequented the black history section at the local Barnes & Noble, buying books by Cornel West and Shelby Steele and the companion volume to Eyes on the Prize.”
Bryan hoped her reputation could be gained back, but this did not happen until the 40th anniversary of Central’s desegregation in 1997. Will Count, the journalist who took the famous picture, arranged for Elizabeth and Hazel to meet again. The reunion provided an opportunity for acts of reconciliation, as noted in this editorial from the Arkansas Democrat-Gazette on the first day of 1998:
"One of the fascinating stories to come out of the reunion was the apology that Hazel Bryan Massery made to Elizabeth Eckford for a terrible moment caught forever by the camera. That 40-year-old picture of hate assailing grace — which had gnawed at Ms. Massery for decades — can now be wiped clean, and replaced by a snapshot of two friends. The apology came from the real Hazel Bryan Massery, the decent woman who had been hidden all those years by a fleeting image. And the graceful acceptance of that apology was but another act of dignity in the life of Elizabeth Eckford."
Friendship with Elizabeth Eckford
Feeling awkward when they first met, Elizabeth and Bryan surprisingly became great friends afterwards:
“They went to flower shows together, bought fabrics together, took mineral baths and massages together, appeared in documentaries and before school groups together. Since Elizabeth had never learned to drive, Hazel joked that she had become Elizabeth's chauffeur. Whenever something cost money, Hazel treated; it was awkward for Elizabeth, who had a hard time explaining to people just how poor she was.”
In 1998, Massery told The Guardian, "I am not sure at that age what I thought, but probably I overheard that my father was opposed to integration.... But I don't think I was old enough to have any convictions of my own yet." Later in life she changed her mind; she had thought of Martin Luther King as a "trouble-maker", but realized "deep down in your soul, he was right."
Soon after, the friendship began to fray. In 1999, David Margolick travelled to Little Rock and arranged to meet Elizabeth and Hazel. According to Hazel Bryan, she said, “I think she still… at times we have a little… well, the honeymoon is over and now we’re getting to take out the garbage.” As Eckford began to believe Bryan "wanted me to be cured and be over it and for this not to go on... She wanted me to be less uncomfortable so that she wouldn't feel responsible anymore."  The other eight of the Little Rock Nine didn’t want this friendship to last any longer. The friendship quietly dissolved in 1999, when Elizabeth Eckford wrote “True reconciliation can occur only when we honestly acknowledge our painful, but shared, past” on the brick of Central High. This message confused Bryan, and she stated “I just had hoped that I could show this picture and say, ‘This happened, and that happened, and now…’ and there is no ‘now’,” she said. “And that makes me sad. It makes me sad for them, it makes me sad for the future students at our school, and for the history books, because I’d like a happy ending. And we don’t have that.”
- Margolick, David. "Elizabeth Eckford and Hazel Bryan: the story behind the photograph that shamed America". The Telegraph. The Telegraph. Retrieved 15 May 2015.
- Margolick, David. "Through a Lens, Darkly". Vanity Fair. Vanity Fair. Retrieved 15 May 2015.
- Margolick, David. "The Many Lives of Hazel Bryan". Slate. Retrieved 13 May 2015.
- Happy old year — Thank you for 1997, editorial, Arkansas Democrat-Gazette, January 1, 1998
- Alternate photograph from a different angle, taken by Will Counts.
- Vanity Fair story on the desegregation of Little Rock Central High School