Heathcliff (Wuthering Heights)
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Laurence Olivier as Heathcliff in 1939
|Created by||Emily Brontë|
|Spouse(s)||Isabella Linton (wife)|
|Children||Linton Heathcliff (son)|
|Relatives||Hindley Earnshaw(foster brother)
Catherine Earnshaw(foster sister and the one whom he loved)
Heathcliff is a fictional character in Emily Brontë's novel Wuthering Heights. Owing to the novel's enduring fame and popularity, he is often regarded as an archetype of the tortured romantic hero whose all-consuming passions destroy both him and those around him.
He is better known as a romantic hero, due to his love for Catherine Earnshaw, than for his final years of vengeance in the second half of the novel, in which he grows into a bitter, haunted man, and for a number of incidents in his early life that suggest that he was an upset and sometimes malicious individual from the beginning. His complicated, mesmerising and altogether bizarre nature makes him a rare character, with components of both the hero and villain.
You teach me now how cruel you've been — cruel and false! Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you — they'll damn you. You loved me — then what right had you to leave me? What right — answer me — for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart — you have broken it; and in breaking it, you have broken mine. So much the worse for me, that I am strong. Do I want to live? What kind of living will it be when you——oh, God! would you like to live with your soul in the grave?
A Romani foundling discovered on the streets of Liverpool and raised by the Earnshaw family of Wuthering Heights in Yorkshire, Heathcliff's past and early childhood before his mysterious adoption are only hinted at by Brontë. In keeping with the supernatural themes present in the novel, it is speculated that Heathcliff might be a demon or a hellish soul. His appearance would be faithfully interpreted as resembling a Roma, or Gypsy. He becomes a gentleman "in dress and aspect." Mrs. Ellen Dean states that he could be a "little Lascar or American castaway."
A silent and at first solitary child, Heathcliff is initially resented by both Catherine Earnshaw and her elder brother, Hindley; whilst Catherine later befriends and loves Heathcliff, Hindley continues to resent him, seeing him as an interloper who has stolen his father's affection. Upon Mr. Earnshaw's death and his inheritance of the estate, the spiteful Hindley proceeds to treat Heathcliff as little more than a servant boy and makes him work the fields, which creates Heathcliff's lifelong anger and resentment. Catherine, however, remains close to her foster brother.
As she matures into her young teens, however, Catherine grows close to Edgar Linton, a timid and well-bred young man of the neighbouring estate, Thrushcross Grange, and accepts his proposal of marriage; but she insists that her true and only love is Heathcliff. She claims that she cannot marry him because it "would degrade her" and that the two would be beggars were such a union to take place. Nevertheless, she also declares her passion for him in such ways as "whatever our souls are made of, his and mine are the same," and the famous quote "I am Heathcliff." Aware only of Catherine's decision to marry Edgar, rather than her proclamation of true love for him, a bitter Heathcliff leaves Wuthering Heights upon overhearing her saying that it would degrade her and while away, by means unknown, makes his fortune.
Nelly Dean describes him as "lazy" when he returns, and that his "upright carriage suggested his being in the army." No other hints are given about where Heathcliff was and how he made his fortune over the course of his three-year absence. On returning, he is ruthlessly determined to destroy those who degraded him and prevented him from being with Catherine, cementing his status as an anti-hero, rather than a romantic, hero. Not only does he swindle Hindley, who has fallen into alcoholism and gambling after the death of his wife Frances, out of his ownership of Wuthering Heights; he heartlessly takes advantage of Edgar Linton's sister Isabella and marries her, before treating her in a cruel and contemptuous fashion. Although he tells Catherine that he despises Isabella and would "cut (his own) throat" if he imagined Catherine wanted him to marry Edgar's younger sister, his and Isabella's marriage promises to result in his inheriting Thrushcross Grange on Linton's death. This can only be achieved, however, by Heathcliff's forcing his and Isabella's son Linton into marriage with Catherine's daughter, who is also named Cathy.
After Catherine Earnshaw's death, Heathcliff's vindictive cruelty intensifies, aimed at destroying not only his enemies but also their heirs — Hareton, son of Hindley and Frances Earnshaw, and Catherine, daughter of Edgar Linton and Catherine the elder. He forces his sickly son, Linton, who entirely resembles his mother Isabella, into marriage with Catherine Linton, daughter of Cathy and Edgar, in a bid to gain control of Thrushcross Grange. Shortly after the two are married in their nearly loveless match, the insipid Linton dies, hardly a surprise to either his father or his widow. Heathcliff treats Catherine with relative mercy, turning her into a cold, distant creature, far removed from the bright, lively girl she used to be. Hareton and Catherine eventually fall in love, however, and their relationship in some ways mirrors and in others opposes that between Heathcliff and the elder Catherine. Their union breaks the cycle of hatred at Wuthering Heights, and Heathcliff no longer cares to continue his vendetta. Hareton, resembling his aunt Catherine Earnshaw much in looks, creates a sense of uneasiness for Heathcliff: Brontë often implies that he has a secret regard for Hareton, and that Hareton sees Heathcliff as his true father. The novel ends with the death of Heathcliff, who has become a broken, tormented man, haunted by the ghost of the elder Catherine, next to whom he demands to be buried. His corpse is initially found by Nelly Dean, who, peeping into his room, spots him. Heathcliff grows restless towards the very end of the novel and stops eating. Nelly Dean does not believe that he had the intention to commit suicide, but that his starvation may have been the cause of his death. He wanted to be with Cathy in eternal life.
laid on his back. His eyes met mine so keen and fierce, I started; and then he seemed to smile. I could not think him dead: but his face and throat were washed with rain; the bed-clothes dripped, and he was perfectly still. The lattice, flapping to and fro, had grazed one hand that rested on the sill; no blood trickled from the broken skin, and when I put my fingers to it, I could doubt no more: he was dead and stark!
The implication is that Catherine, having earlier haunted Mr Lockwood at his window, has made a similar visitation on Heathcliff, bearing him away with her so that they may be together beyond the grave, which has long been Heathcliff's aspiration. Nelly relates his revealing admission:
"I got the sexton, who was digging Linton's grave, to remove the earth off her coffin lid, and I opened it. I thought, once, I would have stayed there, when I saw her face again — it is hers yet — he had hard work to stir me; but he said it would change, if the air blew on it, and so I struck one side of the coffin loose, and covered it up — not Linton's side, damn him! I wish he'd been soldered in lead — and I bribed the sexton to pull it away, when I'm laid there, and slide mine out too. I'll have it made so, and then, by the time Linton gets to us, he'll not know which is which!"
"You were very wicked, Mr Heathcliff!" I exclaimed; "were you not ashamed to disturb the dead?"
At the very close of the novel, a servant boy tells Nelly that he has seen the ghosts of Heathcliff and Catherine walking the moors together, although Nelly and Lockwood both insist that they must be treated as if their souls were at peace. The novel closes with Lockwood wandering past their graves and wondering "how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth."
As Charlotte Brontë, Emily's older sister, wrote, "Heathcliff, in deed, stands unredeemed", which adds to the uncertainty over whether he not only repented for his sins but was actually a real human being after all; since Lockwood's vision of Catherine at the window was preceded by a dream of a fire-and-brimstone sermon in a church, it is possible that both Heathcliff and Catherine are damned; Catherine herself expresses doubt as to whether she could ever be admitted into Heaven. The uncertain fate of Heathcliff's soul, combined with the mystery that Heathcliff's character leaves behind, ends the novel in a mesmerizing, eerie way, justifying Heathcliff's enduring status as an iconic anti-hero of literature.
Ralph Fiennes's portrayal of Heathcliff, in 1992's Emily Brontë's Wuthering Heights, marked the second film adaptation to attempt to involve Hareton and Cathy in the story as well. The first was a 1919 silent film now believed to be lost. ITV's 1998 TV drama, which had Robert Cavanah in the starring role, also told the full story.
In 1997 Cliff Richard played Heathcliff in a stage musical. Focusing mainly on the life of Heathcliff and his quest to win Cathy, Helen Hobson, and his life after her death. The music is by John Farrar and lyrics are by Sir Tim Rice. Cliff Richard released the movie Heathcliff in 1997 and it was such a success that he brought it to the Birmingham stage in 1998.
Masterpiece Theatre presented a 2009 two-part series of Wuthering Heights starring English actor Tom Hardy as Heathcliff. In this version, the second-generation characters play a key role, and the telling of the story begins and ends with them.
In July 2008, then-British Prime Minister Gordon Brown compared himself to the character, saying that he was "Maybe an older Heathcliff, a wiser Heathcliff." The comparison was mocked by some. For example, Andrew McCarthy, acting director of the Brontë Parsonage Museum, said that "Heathcliff is a man prone to domestic violence, kidnapping, possible murder and digging up his dead lover. He is moody and unkind to animals. Is this really a good role model for the prime minister?"
- These words echo eerily sentiments expressed by Catherine five chapters earlier: "Well, if I cannot keep Heathcliff for my friend — if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own. That will be a prompt way of finishing all, when I am pushed to extremity!" The trope of the broken heart is utilised again in her famous "I am Heathcliff" speech: "Heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung me out into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy."
- "I want you to be aware," he breaks out, less famously, on another occasion, "that I KNOW you have treated me infernally - infernally! Do you hear? And if you flatter yourself that I don't perceive it, you are a fool; and if you think I can be consoled by sweet words, you are an idiot: and if you fancy I'll suffer unrevenged, I'll convince you of the contrary, in a very little while! Meantime, thank you for telling me your sister-in-law's secret [love for him]: I swear I'll make the most of it. And stand you aside!"
- Brontë 1998, p. 300.
- Child, Ben (November 23, 2010). "James Howson to be first black actor to play Heathcliff in film". The Guardian. Retrieved November 24, 2010.
- "I'm an older Heathcliff, says PM". BBC News. 10 July 2008. Retrieved 4 August 2010.
- Baldwin, Katherine (10 July 2008). "Brown courts ridicule with Heathcliff comparison". Reuters. Retrieved 4 August 2010.
- "Does Gordon Brown remind you of Heathcliff?". The Guardian. 10 July 2008. Retrieved 4 August 2010.