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|History of literature
|Modern by century|
Hebrew literature consists of ancient, medieval, and modern writings in the Hebrew language. It is one of the primary forms of Jewish literature, though there have been cases of literature written in Hebrew by non-Jews. Hebrew literature was produced in many different parts of the world throughout the medieval and modern eras, while contemporary Hebrew literature is largely Israeli literature.
Ancient Hebrew literature
Literature in Hebrew begins with the oral literature of the Leshon HaKodesh (לֶשׁוֹן הֲקוֹדֶשׁ), "The Holy Language", since very ancient times and with the teachings of Abraham, the first of the biblical patriarchs of Israel, c. 2000 BCE . Beyond comparison, the most important work of ancient Hebrew literature is the Hebrew Bible (Tanakh).
The Mishna, compiled around 200 CE, is the primary rabbinic codification of laws as derived from the Torah. It was written in Mishnaic Hebrew, but the major commentary on it, the Gemara, was largely written in Aramaic. Many works of classical midrash were written in Hebrew.
Medieval Hebrew literature
Up to and during the medieval period, the majority of Jewish and Hebrew literature was composed in North Africa, Moorish Andalusia, Palestine, and the Middle East by Sephardic Jews. Many works of medieval philosophical literature such as Maimonedes' Guide to the Perplexed and The Kuzari, as well as many works of fiction, were written in Judeo-Arabic. Works of rabbinic literature were more often written in Hebrew, including: Torah commentaries by Abraham ibn Ezra, Rashi and others; codifications of Jewish law, such as Maimonides' Mishneh Torah, the Arba'ah Turim, and the Shulchan Aruch; and works of Musar literature (didactic ethical literature) such as Bahya ibn Paquda's Chovot ha-Levavot (The Duties of the Heart). One work of fiction which was written in Hebrew was the "Fox Fables" by Berechiah ben Natronai ha-Nakdan, Hebrew fables which resemble Aesop's fables.
Much medieval Jewish poetry was written in Hebrew, including liturgical piyyutim in Palestine in the seventh and eighth centuries by Yose ben Yose, Yanai, and Eleazar Kalir. These poems were added to the Hebrew-language liturgy. This liturgy was compiled in book form as "the siddur" by rabbis including Amram Gaon and Saadia Gaon.
Later Spanish, Provençal, and Italian poets wrote both religious and secular poems; particularly prominent poets were Solomon ibn Gabirol, Yehuda Halevi, and Yehuda al-Harizi. Most were also active in translating Jewish rabbinic and secular literature from Arabic into Hebrew.
Modern Hebrew literature
In addition to writing traditional rabbinic literature in Hebrew, modern Jews developed new forms of fiction, poetry, and essay-writing, which are typically called "Modern Hebrew Literature."
By the early eighteenth century, Jewish literature was still dominated by Sephardic authors, often writing in Judeo-Arabic. Moses Hayyim Luzzatto's allegorical drama "La-Yesharim Tehillah" (1743) may be regarded as the first product of modern Hebrew literature. It has been referred to as "a poem that in its classic perfection of style is second only to the Bible." Luzzatto's pupil in Amsterdam, David Franco Mendes (1713–92), in his imitations of Jean Racine ("Gemul 'Atalyah") and of Metastasio ("Yehudit"), continued his master's work, though his works are not as respected as were Luzzatto's.
Later in the eighteenth century, the Haskalah (Jewish enlightenment) movement worked to achieve political emancipation for Jews in Europe, and European Jews gradually began to produce more literature in the mould of earlier Middle Eastern Jewish authors. Moses Mendelssohn's translation of the Hebrew Bible into German inspired interest in the Hebrew language that led to the founding of a quarterly review written in Hebrew. Other periodicals followed. Poetry by Naphtali Hirz Wessely such as "Shire Tif'eret," or "Mosiade," made Wessely, so to speak, poet laureate of the period.
In nineteenth-century Galicia, poets, scholars, and popular writers who contributed to the dissemination of Hebrew and to the emancipation of the Jews of Galicia included:
- Joseph Perl (1773–1839), writer and educator who, in 1819, published Revealer of Secrets, the first Hebrew novel.
- Nachman Krochmal (1785–1840), a philosopher, theologian, and historian.
- Solomon Judah Loeb Rapoport (1790–1867), a rabbi, poet, and biographer
- Isaac Erter (1792–1841), a satirical poet whose collection of essays, "Ha-Tzofeh le-Bet Yisrael," is one of the purest works of modern Hebrew literature, attacking Hasidic superstitions and prejudices in a vigorous and classical style.
- Meir Halevy Letteris (1800–1871), a lyric poet also known for his adaption of Goethe's Faust into Hebrew.
Prague became an active center for the Haskalah in the nineteenth century, and the best known among the Haskalah writers there was Jehudah Loeb Jeiteles (1773–1838), author of witty epigrams ("Bene ha-Ne'urim") and of works directed against Hasidism and against superstition.
In Hungary, Hebrew-language authors included Solomon Lewison of Moor (1789–1822), author of "Melitzat Yeshurun"; Gabriel Südfeld, a poet who was the father of Max Nordau; and the poet Simon Bacher. A notable Jewish author in Romania during the nineteenth century was the physician and writer Julius Barasch.
Italian Jews of the nineteenth-century who wrote in Hebrew included I. S. Reggio (1784–1854), Joseph Almanzi, Hayyim Salomon, Samuel Vita Lolli (1788–1843). Another figure of note was Rachel Morpurgo (1790–1860), who was one of the few female writers in the Haskalah movement, and whose poems have been described as characterized by "religious piety and a mystic faith in Israel's future." The best known Italian writer was Samuel David Luzzatto (1800–65) was the first modern writer to introduce religious romanticism into Hebrew and to attack northern rationalism in the name of religious and national feeling.
Prominent Hebrew writers in the Russian empire in the nineteenth century included:
- the poet and mathematician Jacob Eichenbaum (1796–1861)
- the Haskalah leader Isaac Baer Levinsohn
- Kalman Schulman (1826–1900), who introduced the romantic form into Hebrew
- the romantic poet Micah Joseph Lebensohn (1828–52)
- the Lithuanian author Mordecai Aaron Ginzburg, known as "the father of prose"
- Lithuanian poet Abraham Baer Lebensohn, known as the "father of poetry," whose poems "Shire Sefat Kodesh" were extraordinarily successful.
- Abraham Mapu (1808–67), the creator of the Hebrew novel, whose historical romance "Ahabat Tziyyon" exercised an important influence on the development of Hebrew.
As Zionist settlement in Palestine intensified at the start of the twentieth century, Hebrew became the shared language of the various Jewish immigrant communities along with native Palestinian Jews of the Old Yishuv, who continued the literary traditions of earlier Sephardic and Arab-Jewish writers such as Maimonedes (Moshe ibn Maimoun) and al-Harizi. Eliezer Ben-Yehuda in particular worked to adapt Hebrew to the needs of the modern world, turning to Hebrew sources from all periods and locales to develop a language that went beyond the sacred and poetic and was capable of articulating the modern experience.
With the rise of the Zionist movement amongst Jews in Europe, Ashkenazi Jews embraced Hebrew literature and began to dominate it for the first time. The foundations of modern Israeli writing were laid by a group of literary pioneers from the Second Aliyah including Shmuel Yosef Agnon, Moshe Smilansky, Yosef Haim Brenner, David Shimoni and Jacob Fichman. Hayim Nahman Bialik (1873–1934) was one of the pioneers of modern Hebrew poets and came to be recognized as Israel's national poet. Bialik contributed significantly to the revival of the Hebrew language, which before his days existed primarily as an ancient, scholarly, or poetic tongue. His influence is felt deeply in all modern Hebrew literature. Bialik, like other great literary figures from the early part of the 20th century such as Ahad Ha-Am and Tchernichovsky, spent his last years in Tel Aviv, exerting a great influence on younger Hebrew writers.
In parallel, a number of Palestinian and Levantine Jewish writers were influenced by the resurgence of Hebrew literature, and adopted Hebrew for their writings. In contrast to the experiences of pioneers such as Bialik, who were Ashkenazi immigrants from Europe, the Levantine Jewish writers were educated in Arabic literary traditions, and thus they incorporated many Arabic, Sephardic, and vernacular Palestinian themes and linguistic elements in their writing. Novelist Yehuda Burla, born in Jerusalem in 1886, served in the Ottoman army, and later taught Hebrew and Arabic in Damascus. In 1961, he was awarded the Israel Prize, for literature. The novelist Yitzhaq Shami was a Palestinian Jewish native of Hebron, and his work - which was written from the perspective of both Arabic-speaking Jews and Muslim Palestinians - incorporated diverse Arabic, Sephardic, and Middle Eastern themes. Shami holds a relatively unique place in Hebrew literature, since his writing is also recognized as Palestinian literature; in 2004 Shami was recognized by the Palestinian Academic Society as one of the important Palestinian writers.
Literary translators into Modern Hebrew, most notably Leah Goldberg among others, also contributed a great deal to Israeli-Hebrew literature through bringing international literature and literary figures into Hebrew circles through translation. Goldberg herself was also noted for being a prolific writer and pioneer of Israeli children's literature as well.
Contemporary Hebrew literature
A new generation of Hebrew writers emerged with the establishment of the State of Israel in 1948. This new generation included the novelists Aharon Megged, Nathan Shaham, and Moshe Shamir, and the poets Yehudah Amichai, Amir Gilboa, and Haim Gouri. The novels My Michael (1968) and Black Box (1987) by Amos Oz and The Lover (1977) and Mr. Mani (1990) by A. B. Yehoshua describe life in the new state. These works also explore topics such the as conflict between parents and children and the rejection of some once-sacred ideals of Judaism and Zionism.
Many Hebrew writers in the late twentieth century dealt with the Holocaust, women's issues, and the conflict between Israelis and Arabs. Another topic was the tension between Jews of European origin, the Ashkenazim, and Jews of Middle Eastern and Mediterranean origin, the Mizrahim and Sephardim.
In 1986, the Palestinian-Israeli author Anton Shammas published the Hebrew novel "Arabesques", marking a milestone with the first major work of Hebrew literature written by a non-Jewish Israeli. Shammas's novel has been translated into a number of foreign languages.
Contemporary Israeli authors whose works have been translated into other languages and attained international recognition are Ephraim Kishon, Yaakov Shabtai, A. B. Yehoshua, Amos Oz, Irit Linur, Etgar Keret and Yehoshua Sobol.
Today thousands of new books are published in Hebrew each year, both translations from other languages and original works by Israeli authors.
- Modern Palestinian literature and culture, by Ami Elad, 37ff
- Shea 2000, p. 248.
- Encyclopedia Judaica
- "Literature, Modern Hebrew". JewishEncyclopedia.com. Retrieved 2014-05-05.
- Halkin, Hillel (11 May 2015). "Sex, Magic, Bigotry, Corruption—and the First Hebrew Novel". mosaicmagazine.com. Retrieved 17 May 2015.
- "Literature, Modern Hebrew". JewishEncyclopedia.com. Retrieved 2014-05-05.
- "Barasch, Julius". JewishEncyclopedia.com. Retrieved 2014-05-05.
- "Israel Prize recipients in 1961 (in Hebrew)". cms.education.gov.il (Israel Prize official website). Archived from the original on 11 April 2010.
- Shea, William H. (2000). "Chronology of the Old Testament". In Freedman, David Noel; Myers, Allen C. Eerdmans Dictionary of the Bible. Eerdmans.
- This article incorporates text from a publication now in the public domain: Richard Gottheil, N. Slouschz (1901–1906). "LITERATURE, MODERN HEBREW". Jewish Encyclopedia.