Julavits at the 2015 Texas Book Festival
Heidi Suzanne Julavits (born 1968) is an American author and co-editor of The Believer magazine. She has been published in The Best Creative Nonfiction Vol. 2, Esquire, Culture+Travel, Story, Zoetrope All-Story, and McSweeney’s Quarterly. Her novels include The Mineral Palace (2000), The Effect of Living Backwards (2003), The Uses of Enchantment (2006), and The Vanishers (2012).
The Believer and others
Julavits wrote the article "Rejoice! Believe! Be Strong and Read Hard!" (subtitled: "A Call For A New Era Of Experimentation, and a Book Culture That Will Support It") in the debut issue of The Believer, a publication that attempts to avoid snarkiness and "give people and books the benefit of the doubt."
In 2005, she told The New York Times Magazine culture writer A.O. Scott how she decided on The Believer's tone: "I really saw 'the end of the book' as originating in the way books are talked about now in our culture and especially in the most esteemed venues for book criticism. It seemed as though their irrelevance was a foregone conclusion, and we were just practicing this quaint exercise of pretending something mattered when of course everyone knew it didn't." She added that her own aim as book critic would be "to endow something with importance, by treating it as an emotional experience."
Julavits is the author of four novels: The Mineral Palace (2000), about which Library Journal wrote, "the writing is superb"; The Effect of Living Backwards (2003); The Uses of Enchantment (2006), which The New Yorker called "a sophisticated meditation on truth and bias"  and Publishers Weekly described as "beautifully executed"; and The Vanishers (2012).
Julavits co-edited Women in Clothes (2014), along with Sheila Heti and Leanne Shapton. The book is about how the clothing women wear defines and shapes their lives, and it features the voices of 639 women of all nationalities.
Julavits is the author of the book The Folded Clock: A Diary (2015), which the Los Angeles Times described as "an engaging portrait of a woman's sense of identity, which continually shape-shifts with time."
- The Mineral Palace. 2000.
- The Effect of Living Backwards. 2003.
- The Uses of Enchantment. 2006.
- The Vanishers. 2012.
- Women in Clothes. 2014.
- The Folded Clock: A Diary. 2015.
|Title||Year||First published in||Reprinted in|
|The Santosbrazzi killer||2009||Harper's Magazine 318/1904 (Jan 2009)|
|This feels so real||2012||Harper's Magazine 325/1950 (Nov 2012)|
- "Aimee Bender's The Particular Sadness of Lemon Cake". Columbia Alumni Arts League/Columbia University. c. 2010. Retrieved June 24, 2010.
- "About The Believer". The Believer. Retrieved June 24, 2010.
- A.O. Scott, "Among the Believers," The New York Times Magazine, September 11, 2005.
- Library Journal, "The Mineral Palace," August, 2000
- The New Yorker, "The Uses of Enchantment," November 6, 2006.
- Publisher's Weekly, "The Uses of Enchantment," October 17, 2006
- McAlpin, Heller (April 2, 2015). "'The Folded Clock' an engaging portrait of a woman's sense of identity". Los Angeles Times. Retrieved April 12, 2015.
- Birnbaum, Robert (January 10, 2007). "Birnbaum v. Heidi Julavits". The Morning News. Retrieved June 24, 2010.