She exhibited with the London Group in 1916, but from 1920 she increasingly turned away from the avant-garde and adopted a more realist style, working in still life, landscapes and portraiture, and latterly exhibiting with the Holborn Art Society.
Peppin discovered a great deal of previously unknown information about Saunders' life and work. Despite her long career, however, fewer than 200 of her works are currently known. She was included in the Nasher Museum of Art at Duke University held an exhibition entitled The Vorticists: Rebel Artists in London and New York, 1914-18 from 30 September 2010 through 2 January 2011.
Her 1996 biography by Brigid Peppin  includes a foreword by Richard Cork who states that:
"Since Saunders' early work earned her a respected place in experimental circles, the gathering obscurity of her later years seems cruel. She endured the neglect with uncomplaining stoicism, for her innate warmth prevented her from succumbing to bitterness."