Henry Chalfant

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Henry Chalfant
Born (1940-01-02) January 2, 1940 (age 76)
Sewickley, Pennsylvania, United States
Alma mater Stanford University
Known for Photography, videography
Movement Street art
Website henrychalfant.com

Henry Chalfant (born January 2, 1940 in Sewickley, Pennsylvania, United States) is an American photographer and videographer most notable for his work on graffiti, breakdance, and hip hop culture. His photos are in the collections of the Metropolitan Museum of Art in New York City, and the Carnegie Institute in Pittsburgh, Pennsylvania.

Education and career[edit]

Chalfant is graduate of Stanford University, where he majored in classical Greek. Starting out as a sculptor in New York City in the 1970s, Chalfant turned to photography and film to do an in-depth study of hip-hop culture and graffiti art. One of the foremost authorities on New York subway art, and other aspects of urban youth culture, his photographs record hundreds of ephemeral, original art works that have long since vanished.[1]

His photographs have appeared in exhibitions of graffiti art from its early appearances in New York/New Wave at P.S.1 Contemporary Art Center to retrospectives such as Art in the Streets at the Museum of Contemporary Art, Los Angeles and City as Canvas: Graffiti Art From the Martin Wong Collection at the Museum of the City of New York, in addition to galleries and museums in the United States, Europe, and Asia.

In 1983, Chalfant co-produced the PBS documentary Style Wars, the seminal documentary about graffiti and hip hop culture.[2] Among Chalfant's other films are Flyin' Cut Sleeves, a documentary about Bronx street gang leaders in the 1970s and Visit Palestine: Ten Days on the West Bank, based on his visit to the occupied territories in 2000. His 2006 documentary From Mambo to Hip Hop: A South Bronx Tale chronicles two generations who grew up on the same blocks of the Bronx, NY, using rhythm as their form of rebellion—for the older generation of the 1950s it was the rhythms of Cuba; for their children of the 1970s it was the rhythms of rap.[3] The film was featured in the Latino Public Broadcasting series Voces in 2006-2007, and won an Alma Award for Best Documentary.

He has co-authored an account of New York graffiti art, Subway Art, and a sequel on the art form's worldwide diffusion, Spraycan Art. He is regarded as one of the foremost authorities on New York subway art.[4]

Chalfant has stated his influences are varied:

"In college my mentor was Charles Rowan Beye, the Greek scholar. I really didn't have a mentor for my art work, but I was influenced by great sculptors I admired like David Smith and Eduardo Chillida. For visual anthropology, I was influenced by the ethnographic filmmaker, Jean Rouch."[5]

Chalfant continues to preserve and archive past work, make documentary films, and mentor other filmmakers' work through Public Art Films, a non-profit organization "dedicated to producing films and videos about grassroots cultural expressions."[6]

Henry Chalfant's Big Subway Archive[edit]

On June 29, 2012, Chalfant released Henry Chalfant's Big Subway Archive as a 200-page book. Produced by Chalfant and Max Hergenrother, it is the first volume of a multi-volume archive comprising his entire collection of subway graffiti photographs. The archive series was renamed Henry Chalfant's Graffiti Archive: New York City's Subway Art and Artists in 2013.[7]

The e-books are published by Sleeping Dog Films, which primarily archives the photographer's over 800 photos of New York City Subway graffiti.[8] Each book in the series concentrates on a particular group or groups of graffiti artists, with an introduction by Chalfant giving background on the time and place in which the artists worked. These passages also contain non-subway-car photos of the artists or their neighborhoods as well as video interviews with the featured artists. The pictures of the subway cars are actually multiple photos overlapped to show the entire length of the subway car at a direct ninety degree angle.

The first three volumes of the series have been released. Volume 1, CYA and TVS published June 29, 2012; CYA stands for "Crazy Young Artists" and TVS stands for "The Vamp Squad." Volume 2, Rolling Thunder Writers and Soul Artists, published December 7, 2012.[9] Volume 3, TC5 featuring Blade, published July 1, 2013; "TC5" stands for "The Crazy Five" or "The Cool Five."[10]

The series has received generally positive critical support and has generated mild controversy for some interview material, such as graffiti artist Lady Pink's assertion that "The graffiti movement has become a greater thing than the Renaissance."[11] The series also sheds new light on some historical graffiti feuds such as Seen TC5 versus Seen UA.[12]

Selected exhibitions[edit]

  • 1980 (2016) Eric Firestone Loft, New York
  • Henry Chalfant (2014) Steven Kasher Gallery, New York
  • City as Canvas: Graffiti Art From the Martin Wong Collection (2014) Museum of the City of New York
  • Moving Murals (2014) City Lore Gallery, New York
  • Art in the Streets (2011) Museum of Contemporary Art, Los Angeles
  • Whole in the Wall (2009) Helenbeck Gallery, New York
  • Born in the Streets (2009) Fondation Cartier pour l'Art Contemporain, Paris
  • Hip Hop (2000) EMP Museum, Seattle
  • Urban Mythologies (1999) Bronx Museum of the Arts, New York
  • Art of the American Century Part ll (1999) Whitney Museum of American Art, New York
  • Hip Hop: A Cultural Expression (1999) Rock and Roll Hall of Fame, Cleveland
  • Since the Harlem Renaissance: 50 Years of Afro-American Art (1985) Bucknell University, Lewisburg
  • Content, a Contemporary Focus 1974-1984 (1984) Hirshhorn Museum, Washington, D.C.
  • The Comic Art Show (1983) Whitney Downtown, New York
  • Elaine Benson Gallery (1981) Bridgehampton, New York
  • Sculptors Guild (1981) Bronx Botanical Garden, New York
  • New York/New Wave (1981) P.S.1 Contemporary Art Center, New York
  • 55 Mercer Gallery (1978), New York
  • O.I.A. (1977) Battery Park, New York
  • Three Rivers Arts Festival (1977), Pittsburgh
  • Sculptors Guild, Lever House (1974), New York
  • 14 Sculptors Gallery (1973), New York
  • A-Dieci Gallery (1970), Padua

Chalfant's solo exhibitions also include[13] Maharishi (2002), London; Prosper (2002), Tokyo; Galerie Speerstra (2003, 2006), Paris; Iguapop (2004), Barcelona; Montana Colors (2006), Barcelona; and Cox 18 (2006), Milano. His archive is represented exclusively by Eric Firestone Gallery.[14]

Personal life[edit]

He married actress Kathleen Chalfant (née Bishop) in 1966. They have two children: David Chalfant, a record producer and bass player for the folk-rock band The Nields; and Andromache Chalfant, a set designer. The Chalfants live in Brooklyn Heights.[15]

References[edit]

  1. ^ "Henry Chalfant Biography". artnet.com. Retrieved 3 May 2016. 
  2. ^ Harder, Jeff (14 November 2014). "Inside the '80s Graffiti Doc Style Wars". Esquire. Retrieved 3 May 2016. 
  3. ^ Pareles, Jon (14 September 2006). "Mambo and Hip-Hop: Two Bronx Sounds, Once Sense of Dignity". New York Times. Retrieved 3 May 2016. 
  4. ^ "Henry Chalfant". Editions. Iconoclast Editions. Retrieved 2010-12-11. 
  5. ^ Bravo, Vee (1998). "Henry Chalfant: Granddaddy of the Graff Flik". Stress Magazine. 13. 
  6. ^ "Style Wars Auction". obeygiant.com. 27 May 2011. Retrieved 3 May 2016. 
  7. ^ https://itunes.apple.com/us/book/henry-chalfants-big-subway/id531594319?mt=11 Henry Chalfant's Graffiti Archive Vol. 1
  8. ^ "HCGA Volume 1". Apple Computer. Retrieved 28 March 2014. 
  9. ^ "HCGA Volume 2". Apple Computer. Retrieved 28 March 2014. 
  10. ^ "HCGA Volume 3". Apple Computer. Retrieved 28 March 2014. 
  11. ^ "Graffiti:Bigger than the Renaissance". Deadly Buda. Retrieved 28 March 2014. 
  12. ^ Gonzalez, David (14 December 2012). "Art, Elevated: Henry Chalfant's Archives". New York Times. Retrieved 28 March 2014. 
  13. ^ "Henry Chalfant". Concrete to Data. Retrieved 3 May 2016. 
  14. ^ http://www.ericfirestonegallery.com/henry-chalfant
  15. ^ Cardin, Kathryn (26 January 2015). "Award-winning actress, new to Brooklyn Heights, falls in love with the place". Brooklyn Daily Eagle. Retrieved 3 May 2016. 

External links[edit]