A hide or skin is an animal skin treated for human use. Common commercial hides include leather from cattle and other livestock animals, buckskin, alligator skin and snake skin. All are used for shoes, clothes and other fashion accessories. Leather is also used in upholstery, interior decorating, horse tack and harnesses. Such skins are sometimes still gathered from hunting and processed at a domestic or artisanal level but most leather making is now industrialized and large-scale. Various tannins are used for this purpose.
Archaeologists believe that animal hides provided an important source of clothing and shelter for all prehistoric humans and their use continued among non-agricultural societies into modern times. The Inuit, for example, used animal hides for summer tents, waterproof clothes, and kayaks. Various American Indian tribes used hides in the construction of tepees and wigwams, moccasins, and buckskins. They were sometimes used as window coverings. Until the invention of plastic drum heads in the 1950s, animal hides or metal was used.
The Assize of Weights and Measures—one of the statutes of uncertain date from c. 1300—mentions rawhide, gloves, parchment, and vellum among the principal items of England's commerce. A standardized shipload of leather (a last) consisted of 20 dicker of 10 cowhides. Rabbit and squirrel skins were traded and taxed in timbers of 40 hides each. Skins were also traded in binds of 32 or 33 skins each, while gloves were sold in dickers of 10 pair and dozens of 12 pair. The parchment and vellum was traded based on dozens of the original sheepskins from which they were prepared.
Rare furs have been a notable status symbol throughout history. Ermine fur was particularly associated with European nobility, with the black-tipped tails arranged around the edges of the robes to produce a pattern of black diamonds on a white field. Demand for beaver hats in the 17th and 18th century drove some of the initial exploration of North America, particularly in Canada, and even prompted wars among native tribes competing for the most productive areas. Natural leather continues to be used for many expensive products from limousine upholstery to designer cellular phone cases. There are, however, many forms of artificial leather and fur now available, which are usually cheaper alternatives.
Animal hides are stretched, dried, and tanned. Most hides are processed from domesticated animals; the most common wild animals used for fur—mink and rabbit—are similarly raised in captivity and farmed. Some others—including lynx and wolves—are still trapped in the wild for their fur.
Many traditional drums, especially hand drums like the pandeiro, continue to be made using natural hides. The alligator drum was formerly important in Chinese music. The Chinese sanxian and Okinawan sanshin are usually prepared from snakeskin, while their Japanese equivalent, the shamisen, is made from dogskin in the case of students and catskin in the case of professional players. The African-American banjo was originally made from skins but is now often synthetic. "Hides" is used as a slang term to refer to a drumset.
Rabbit fur is popular for hats, coats, and glove linings.
Animal rights activists generally protest the use of animal hides for human clothing. Forms of protest range from PETA's semi-pornographic "I would rather go naked than wear fur" campaign to assaults where valuable furs are damaged with paint (usually red in imitation of blood).
- Leather, Rawhide, & Calfskin (usually from cattle)
- Deerskin & Buckskin (usually from deer)
- Kangaroo leather
- Fish leather
- Alligator hunting & crocodile farming
- Ruffhead, Owen, ed. (1763a), The Statutes at Large, Vol. I: From Magna Charta to the End of the Reign of King Henry the Sixth. To which is prefixed, A Table of the Titles of all the Publick and Private Statutes during that Time, London: Mark Basket for the Crown, pp. 148–149. (English) & (Latin) & (Norman)
- Statutes of the Realm, Vol. I, London: G. Eyre & A. Strahan, 1810, p. 204
- Macy, Laura (ed.). "Hides". Grove Music Online. Oxford Music Online. Oxford University Press. (subscription required)