Hinduism in the Philippines
|Bhagavad Gita, Mahabharata, Upanishads|
English, Hindi, Ibanag, Kapampangan, Sindhi, Spanish, Tagalog, Visayan
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Hinduism has a long historical influence in the Philippines, but recent archaeological and other evidence suggests Hinduism has had some cultural, economic, political and religious influence in the archipelago. Among these is the 9th century Laguna Copperplate Inscription found in 1989, deciphered in 1992 to be Kavi script (Pallava alphabet) with Sanskrit words; the golden Agusan statue discovered in another part of Philippines in 1917 has also been linked to Hinduism.
At present, however, it is limited primarily to the immigrant Indian community, though traditional religious beliefs in most parts of the country have strong Hindu and Buddhist influences.
The archipelagoes of Southeast Asia were under the influence of Hindu Tamil, Gujarati and Indonesian traders through the ports of Malay-Indonesian islands. Indian religions, possibly an amalgamated version of Hindu-Buddhist arrived in Philippines archipelago in the 1st millennium, through the Indonesian kingdom of Srivijaya followed by Mahapajit. Archeological evidence suggesting exchange of ancient spiritual ideas from India to the Philippines includes the 1.79 kilogram, 21 carat gold Hindu goddess Agusan (sometimes referred to as Golden Tara), found in Mindanao in 1917 after a storm and flood exposed its location. The statue now sits in the Field Museum of Natural History in Chicago, and is dated from the period 13th to early 14th centuries.
A study of this image was made by Dr. F. D. K. Bosch, of Batavia, in 1920, who came to the conclusion that it was made by local workmen in Mindanao, copying a Ngandjuk image of the early Madjapahit period - except that the local artist overlooked the distinguishing attributes held in the hand. It probably had some connection with the Javanese miners who are known to have been mining gold in the Agusan-Surigao area in the middle or late 14th century. The image is apparently that of a Sivaite goddess, and fits in well with the name "Butuan" (signifying "phallus").— H. Otley Beyer, 1947
Juan Francisco suggests that the golden Agusan statue may be a representation of goddess Sakti of the Siva-Buddha (Bhairava) tradition found in Java, in which the religious aspect of Shiva is integrated with those found in Buddhism of Java and Sumatra.
Another gold artifact, from the Tabon caves in the island of Palawan, is an image of Garuda, the bird who is the mount of Vishnu. The discovery of sophisticated Hindu imagery and gold artifacts in Tabon caves has been linked to those found from Oc Eo, in the Mekong Delta in Southern Vietnam. These archaeological evidence suggests an active trade of many specialized goods and gold between India and Philippines and coastal regions of Vietnam and China. Golden jewelry found so far include rings, some surmounted by images of Nandi - the sacred bull, linked chains, inscribed gold sheets, gold plaques decorated with repoussé images of Hindu deities.
In 1989, a laborer working in a sand mine at the mouth of Lumbang River near Laguna de Bay found a copper plate in Barangay Wawa, Lumban. This discovery, is now known as the Laguna Copperplate Inscription by scholars. It is the earliest known written document found in the Philippines, dated to be from the 9th century AD, and was deciphered in 1992 by Dutch anthropologist Antoon Postma. The copperplate inscription suggests economic and cultural links between the Tagalog people of Philippines with the Javanese Medang Kingdom, the Srivijaya empire, and the Hindu-Buddhist kingdoms of India. This is an active area of research as little is known about the scale and depth of Philippine history from the 1st millennium and before.
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There is some growth in the religion as of late, although most temples cater to the same communities. Actual adherents of Hinduism are mostly limited to communities that include indigenous and native peoples, expatriate communities, as well as new converts. There are various Hare Krishna groups and popular Hindu personalities and groups such as Sai Baba, and Paramahansa Yogananda (SRF) that can be found. Hindu based practises like Yoga and meditation are also popular.
Folklore, arts and literature
Many fables and stories in Filipino Culture are linked to Indian arts, such as the story of monkey and the turtle, the race between deer and snail (slow and steady wins the race), and the hawk and the hen. Similarly, the major epics and folk literature of Philippines show common themes, plots, climax and ideas expressed in the Mahabharata and the Ramayana.
According to Indologists Juan R. Francisco and Josephine Acosta Pasricha, Hindu influences and folklore arrived in Philippines by about 9th to 10th century AD. The Maranao version is the Maharadia Lawana (King Rāvaṇa of Hindu Epic Ramayana). Lam-Ang is the version of the Ilocanos and Sarimanok (Indian Garuda) is the legendary bird of the Maranao culture. In addition, many verses from the Hud-Hud of the Ifugao are derived from the Indian Hindu epics Ramayana and the Mahabharata.
With the advent of Spanish colonialism in the 16th century, the Philippines became a closed colony and cultural contacts with other Southeast Asian countries were limited, if not closed. In 1481, the Spanish Inquisition commenced with the permission of Pope Sixtus IV and all non-Catholics within the Spanish empire were to be expelled or to be “put to the question” (tortured until they renounced their previous faith). With the re-founding of Manila in 1571, the Philippines became subject to the King of Spain and the Archbishop of New Galicia (Mexico) became the Grand Inquisitor of the Faithful in Mexico and the Philippines. In 1595, the newly appointed Archbishop of Manila became the Inquisitor-General of the Spanish East Indies (i.e.,the Philippines, Guam, and Micronesia), and until 1898 was active against Protestants, Buddhists, Hindus and Muslims. As was the case in Latin America and Africa, forced conversions were not uncommon and any refusal to submit to Church authority was seen as both rebellion against the Pope and sedition against the Spanish Crown, which was punishable by death.
However, the linguistic influence left its most lasting marks on every Philippine language. Below are some borrowed terms, which were often Buddhist and Hindu concepts, with the original Sanskrit; about 25% of the words in many Philippine languages are from Sanskrit and Tamil.
- budhî "conscience" from the Sanskrit bodhi
- dalita "one who suffers" from the Sanskrit dharita
- dukhâ "poverty" from the Sanskrit dukkha
- guró "teacher" from the Sanskrit guru
- sampalataya "faith" from the Sanskrit sampratyaya
- mukhâ "face" from the Sanskrit mukha
- lahò "eclipse", "disappear" from the Sanskrit rahu
- maharlika "noble" from Sanskrit mahardikka
- saranggola "kite" from Sanskrit layang gula (via Malay)
- asawa "spouse" from Sanskrit swami
- bagay "thing" from Tamil "vagai"
- talà "star" from Sanskrit tala
- puto, a traditional rice pastry, from Tamil puttu (via Malay)
- kalma "fate" from the Sanskrit karma
- damla "divine law" from the Sanskrit dharma
- mantala -"magic formulas" from the Sanskrit mantra
- upaya "power" from the Sanskrit upaya
- lupa "face" from the Sanskrit rupa
- sabla "every" from the Sanskrit sarva
- lawu "eclipse" from the Sanskrit rahu
- Galura "giant eagle (a surname)" from the Sanskrit garuda
- Laksina "south" (a surname) from the Sanskrit dakshin
- Laksamana/Lacsamana/Laxamana "admiral" (a surname) from the Sanskrit lakshmana
- budaya "culture" from Sanskrit; combination of boddhi, "virtue" and dhaya, "power"
- balita "news" from Sanskrit varta
- baya "warning to someone in danger" from Sanskrit bhaya
- diwata "goddess" from Sanskrit devata
- gadya "elephant" from Sanskrit gajha
- puasa "fasting" from Sanskrit upavasa
- saksí "witness" from Sanskrit saksi
- karahay a cooking pan similar to the Chinese wok, from the Sanskrit karahi
- tura the word meaning "to write" came from the Sanskrit sutra meaning literature or scripture
- kapo the word cotton from Sanskrit kerpas
Common to many Philippine languages
- sutlá "silk" from the Sanskrit sutra
- kapas "cotton" from the Sanskrit kerpas
- naga "dragon" or "serpent" from the Sanskrit nāga
- Postma, Antoon. (1992), The Laguna Copper-Plate Inscription: Text and Commentary, Philippine Studies, 40(2):183-203
- H. Otley Beyer, "Outline Review of Philippine Archaeology by Islands and Provinces," Philippine Journal of Science, Vol.77,Nos.34 (July–August 1947),pp. 205-374
- Golden Tara Government of the Philippines
- Juan Francisco (1963), A Note on the Golden Image of Agusan, Philippine Studies vol. 11, no. 3 (1963): 390—400
- Anna T. N. Bennett (2009), Gold in early Southeast Asia, ArcheoSciences, Volume 33, pp 99-107
- Dang V.T. and Vu, Q.H., 1977. The excavation at Giong Ca Vo site. Journal of Southeast Asian Archaeology 17: 30-37
- Maria Halili (2010), Philippine History, ISBN 978-9712356360, Rex Books, 2nd Edition, pp. 46-47
- Mellie Leandicho Lopez (2008), A Handbook of Philippine Folklore, University of Hawaii Press, ISBN 978-9715425148, pp xxiv - xxv
- Manuel, E. Arsenio (1963), A Survey of Philippine Folk Epics, Asian Folklore Studies, 22, pp 1-76
- El Sanscrito en la lengua Tagalog - T H Pardo de Tavera, Paris, 1887
- The Philippines and India - Dhirendra Nath Roy, Manila 1929 and India and The World - By Buddha Prakesh
- David Burrows (1914), A history of the Philippines at Google Books, pages 25–37
- The Laguna Copperplate Inscription by Paul Morrow
- A Philippine Document from 900 A.D. by Hector Santos
- The Tagalog Language From Roots to Destiny by Jessica Klakring