Holger Czukay

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Holger Czukay
Holger Czukay 1973.png
Czukay in 1973
Background information
Birth name Holger Schüring
Born (1938-03-24)24 March 1938
Free City of Danzig
Died 5 September 2017(2017-09-05) (aged 79)
Weilerswist, Germany
Genres Krautrock, ambient
Instruments Bass, guitar, keyboards, percussion, drums, vocals, French horn
Years active 1968–2017
Labels
Associated acts Can

Holger Czukay (/ˈʃʊk/,[1] born Holger Schüring;[2] 24 March 1938 – 5 September 2017)[3] was a German musician, probably best known as a co-founder of the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde",[4] Czukay was also notable for having created early important examples of ambient music, for having explored "world music" well before the term was coined, and for having been a pioneer of sampling.

Biography[edit]

Czukay was born in 24 March 1938 in the Free City of Danzig, from which his family was expelled after World War II. Due to the turmoil of the war, Czukay's primary education was limited. One pivotal early experience, however, was working, when still a teenager, at a radio repair-shop, where he became fond of the aural qualities of radio broadcasts (anticipating his use of shortwave radio broadcasts as musical elements) and became familiar with the rudiments of electrical repair and engineering.[5]

Czukay studied music under Karlheinz Stockhausen from 1963 to 1966[6] and then worked for a while as a music teacher. Initially Czukay had little interest in rock music, but this changed when a student played him the Beatles' 1967 song "I Am the Walrus", a 1967 psychedelic rock single with an unusual musical structure and blasts of AM radio noise.[7] This opened his ears to music by rock experimentalists such as The Velvet Underground and Frank Zappa.[7]

Czukay co-founded Can in 1968. He played bass guitar and performed most of the recording and engineering for the group. Rosko Gee, former bassist of the British band Traffic, joined the band in 1977, with Czukay handling only tapes and sound effects on album Saw Delight, his final LP with the group before departing for a solo career.[8]

After his departure from Can, Czukay recorded several albums. One of his trademarks was the use of shortwave radio sounds and his early pioneering of sampling,[9] in those days involving the painstaking cutting and splicing of magnetic tapes. He would tape-record various sounds and snippets from shortwave and incorporate them into his compositions. He also used shortwave as a live, interactive musical instrument (such as on 1991's Radio Wave Surfer), a method of composition he termed "radio painting". Czukay also stated "If you want to make something new, you shouldn't think too far beyond one certain idea".[10]

Czukay collaborated with a considerable number of musicians, notably a series of albums with Jah Wobble and David Sylvian,[6] two younger British musicians who shared his interest in blending pop music with experimental recording and sampling techniques. Other collaborators include U.N.K.L.E., Brian Eno, Eurythmics, and German Neue Deutsche Welle band Trio.[8]

In 2009, after a problematic time with the record company that had been gradually re-releasing his albums on CD, Czukay began a new collaboration with the Claremont 56 record label,[11] releasing vinyl-only remixes of tracks from earlier albums, as well as some new recordings. This approach changed Czukay's plans for his back catalogue, so that the original albums Der Osten ist Rot (1984), Rome Remains Rome (1987) and Moving Pictures (1993) are no longer being reissued (in the case of Moving Pictures, because the master tapes have degraded beyond repair).[12] Instead, most of the tracks are being remade and newly organized as limited edition vinyl releases.

Death[edit]

Czukay's body was discovered inside his apartment on 5 September 2017. The New York Times reported that he died on the same day, but the cause of his death is still subject to a police investigation.[3]

In 2018 it was announced that Czukay's work was collected a new retrospective box set, Cinema, which would include both classic and unreleased material from his solo career. The five-disc set, to be released in March, would will also include many of his best-known collaborations, including those with Eno, Wobble, Sylvian and Stockhausen, as well as never-before-released material.[13]

Discography[edit]

Solo[edit]

Collaboration[edit]

  • Biomutanten / Menetekel (as Les Vampyrettes with Conny Plank) (1981)[16]
  • Full Circle (1982)[14] collaboration with Jah Wobble and Jaki Liebezeit (re-issue of a UK-only EP, expanded with two additional tracks)
  • Snake Charmer (1983)[14] EP, collaboration with Jah Wobble, The Edge, and Ben Mandelson
  • Plight & Premonition (1988)[14] collaboration with David Sylvian. A re-issue, featuring separate remixes of the album by both Czukay and Sylvian, was planned but has yet to be released
  • Flux + Mutability (1989)[14] collaboration with David Sylvian
  • Clash (1998, remastered and expanded 2007)[14] collaboration with Dr. Walker
  • The New Millennium (2003)[14] with U-She
  • Daemon In The Bar (2006)[17] with Bob Humid
  • Time and Tide (2001, remastered 2007)[14] with U-She
  • Freemix (2004)[14]
  • 21st Century (2007)[14] with Ursa Major, Drew Kalapach voice, electronics
  • Ode to Perfume / Fragrance (2009) 10 inch single, limited edition of 500[18]
  • Way to LA (2010)[19] 10 inch single collaboration with Bison and Ursa Major
  • Let's Get Hot / Let's Get Cool (2010)[20] 12 inch single, limited edition of 500 red vinyl and 500 blue vinyl
  • Persian Love (Remix) / My Persian Love (2010)[20] 12 inch single, gold vinyl, limited edition of 1001
  • Dream Again (2010)[20] 10 inch double EP of remixes from The East Is Red and Rome Remains Rome, clear vinyl, limited edition of 666
  • Hit Hit Flop Flop (Remix) / Hey Baba Reebop (2011) 7 inch single, limited edition of 500[15]

With Can[edit]

See also[edit]

References[edit]

  1. ^ "Can (presented by Holger Czukay)". YouTube. 4 November 2010. Retrieved 6 September 2017. .
  2. ^ Hoff, Hans (22 March 2008). "Die anarchische Methode: Musiklegende Holger Czukay". Süddeutsche Zeitung (in German). Archived from the original on 8 February 2009. Retrieved 15 May 2014. .
  3. ^ a b "Holger Czukay, 79, Influential Rock Experimenter, Is Dead". New York Times. 8 September 2017. 
  4. ^ Ankeny, Jason. "Holger Czukay: Biography". AllMusic. Retrieved 6 July 2011. 
  5. ^ England, Phil (1994). "Interview with Holger Czukay". ESTWeb. Retrieved 7 September 2017. 
  6. ^ a b "Holger Czukay: Biography & Selected Chronology". Spoon Records. Retrieved 7 September 2017. 
  7. ^ a b "Can – publications". Czukay.de. Retrieved 6 July 2011. 
  8. ^ a b Wicks, Amanda (6 September 2017). "Can's Holger Czukay Dead at 79". Pitchfork. Retrieved 6 September 2017. 
  9. ^ Leidecker, Jon (28 August 2009). "Variations #3: The Approach". Ràdio Web MACBA. Museu d'Art Contemporani de Barcelona. Retrieved 7 September 2017. 
  10. ^ Du Noyer, Paul (2003). The Illustrated Encyclopedia of Music (1st ed.). Fulham, London: Flame Tree Publishing. p. 398. ISBN 1-904041-96-5. 
  11. ^ "Czukay News". www.czukay.de. 1 February 2010. Retrieved 7 September 2017. 
  12. ^ "Czukay News". www.czukay.de. 1 November 2008. Retrieved 7 September 2017. 
  13. ^ "Can co-founder Holger Czukay's solo work collected in posthumous box set Cinema". 16 January 2018. Retrieved 10 April 2018. 
  14. ^ a b c d e f g h i j k l m n o p q r s "Holger Czukay". Allmusic. Retrieved 6 September 2017. 
  15. ^ a b "Holger Czukay (Can) / Record Store Day 2015". Bloodontheknobs.com. Retrieved 6 September 2017. 
  16. ^ "Les Vampyrettes". Allmusic. Retrieved 6 September 2017. 
  17. ^ "Daemon in the Bar feat. Holger Czukay". Soundcloud. Retrieved 6 September 2017. 
  18. ^ "Holger Czukay – Ode to Perfume/Fragrance". Soundsoftheuniverse.com. Retrieved 6 September 2017. 
  19. ^ "Bison at Innerspace". Testpressing.org. Retrieved 6 September 2017. 
  20. ^ a b c "Holger Czukay Discography". Discogs.com. Retrieved 6 September 2017. 

External links[edit]