Woodlawn in 2007
|Born||Haroldo Santiago Franceschi Rodriguez Danhakl
October 26, 1946
Juana Díaz, Puerto Rico
|Died||December 6, 2015 (aged 69)
Los Angeles, California, U.S.
|Cause of death||Brain and liver cancer|
|Other names||Harold Ajzenberg|
Holly Woodlawn (born Haroldo Santiago Franceschi Rodriguez Danhakl; October 26, 1946 – December 6, 2015) was a Puerto Rican actress and Warhol superstar who appeared in his movies Trash (1970) and Women in Revolt (1972). She was probably best known as the "he who was a she" in Lou Reed's hit pop song "Walk on the Wild Side".
Woodlawn was born as Haroldo Santiago Franceschi Rodriguez Danhakl in Juana Díaz, Puerto Rico, to an American soldier of German descent, and Aminta Rodriguez, a native Puerto Rican, and grew up in Miami Beach, where she came out at a young age. She adopted the name Holly from the heroine of Breakfast at Tiffany's, and in 1969 added the surname from a sign she saw on an episode of I Love Lucy. After changing her name she began to falsely tell people she was the heiress to Woodlawn Cemetery.
In 1962, at the age of fifteen, Woodlawn left Florida heading north. She recollects that "I hocked some jewelry and ... made it all the way to Georgia, where the money ran out and ... had to hitchhike the rest of the way" to New York City.
At the age of 16, when most kids were cramming for trigonometry exams, I was turning tricks, living off the streets and wondering when my next meal was coming
she recalled in her memoir, A Low Life in High Heels.
In October, she was given a bit role in Trash, but so impressed director Paul Morrissey that she was given a much larger role. Warhol's collaboration with Morrissey were always done on a shoestring budget. Joe Dallesandro was a heroin addict on a quest to score who, ambivalent about his sexuality, meets transgender casual girlfriend with a motherly figure in Holly's role. Initially only a bit part in the dialogue, screenwriter Morrisey re-wrote it to give her the lead. The pair contrasted the other with violent episodes of over-dose matched by improvisation and sulky rejection. Woodlawn ad libbed many of the lines herself, preferring creativity to strict adherence to the script. Woodlawn was paid $25 per day during filming, spending the last day's on heroin. In October 1970, she received word from the Academy of Motion Picture Arts and Sciences that George Cukor, supported by others, was petitioning the Academy to nominate her for Best Actress for her work in Trash, however, nothing came of this. In Morrisey's next film she was joined by others in Warhol's pantheon of stars, to play in Women in Revolt, a satirical look at the women's rights movement and the PIGS (politically involved girls). In this film, she became one of the first people to say the word cunt in cinema.
In May 1971, Woodlawn replaced Candy Darling at the La MaMa theatre in a production of Vain Victory written and directed by Jackie Curtis. She was arrested and briefly incarcerated in Puerto Rico after being caught shoplifting. Woodlawn created a stir when she was arrested in New York City after impersonating the wife of the French Ambassador to the United Nations. When arrested, she was taken to the Women's House of Detention then transferred to a men's facility when her assigned sex at birth was discovered.
In 1972, director Robert Kaplan and cinematographer Paul Glickman concocted the idea of a movie whose premise would be using a transgender woman as the lead in a film without revealing the sex of the actress. Woodlawn played a young, starstruck girl hoping for success as an actress in New York City. The film, Scarecrow in a Garden of Cucumbers, was a low budget, 16mm, unsuccessful musical feature. The song "In The Very Last Row", written by Marshall Barer, was performed by Bette Midler.
In 1977, Woodlawn moved to San Francisco. She returned to New York later in the year, appearing on Geraldo Rivera's talk show, before being jailed again in 1978 for violating terms of probation. She was released on the appeal of politician Ethan Geto, who helped organize a benefit for her. By 1979, she had surrendered to a faltering career, cut her hair and moved back to her parents' home in Miami, while working as a busser at Benihana.
Back in New York in the mid-1980s, she became a featured singer in Gabriel Rotello's Downtown Dukes and Divas revues at clubs such as The Limelight and The Palladium, and a star of various musicals and revues mounted by the songwriting and producing team of Scott Wittman and Marc Shaiman. In 1991 she published her autobiography, the Holly Woodlawn Story, "A Low Life in High Heels" with writer Jeff Copeland.
During the 1990s, Woodlawn achieved a modest film and theatrical comeback, making cameo appearances in productions such as Night Owl (1993) and Billy's Hollywood Screen Kiss (1998). After Warhol's death, she was interviewed frequently on his life and influence. At the time of her death she resided in West Hollywood where in the late 90s she participated in riot grrrl shows with Revolution Rising, and recorded spoken words for songs with experimental recordings by the band Lucid Nation. In 1999 she was in a controversial film about conjoined twins who live in a run down motel in a small town. Twin Falls Idaho was followed four years later by Milwaukee, Minnesota. More recently she acted in Transparent, a U.S. television series about a transgender father played by Jeffrey Tambor.
When Holly Woodlawn appeared in public she would dress as a dazzling alternative image of Jean Harlow, complete with wig and frosted lipstick. She fancied herself as a glamorous actress, saying:
I was very happy when I gradually became a Warhol superstar. I felt like Elizabeth Taylor. Little did I realize that not only would there be no money, but that your star would flicker for two seconds and that was it - the drugs, the parties, it was fabulous.
Woodlawn began performing in cabaret shows in sold-out New York and Los Angeles performances in the early 2000s. She continued to travel with her cabaret show, most recently appearing in Manhattan's Laurie Beechman Theater in 2013.
Woodlawn fell seriously ill in June 2015, and was hospitalized at Cedars-Sinai Medical Center in Los Angeles, California. Tests later revealed that she had lesions on her liver and brain. The lesions were later determined to be cancer. Woodlawn's health improved enough for her to be sent home, where she continued treatment and received in-home healthcare. She was later forced to vacate her West Hollywood, California, apartment due to flooding, and entered an assisted living facility in October.
Holly came from Miami, F-L-A
Hitchhiked her way across the USA
Plucked her eyebrows on the way
Shaved her legs and then he was a she
She says, "Hey, babe, take a walk on the wild side."
|1970||Trash||Holly||a.k.a. "Andy Warhol's Trash"|
|1971||Women In Revolt||Holly|
|Is There Sex After Death?||Herself|
|1972||Scarecrow in a Garden of Cucumbers||Eve Harrington / Rhett Butler|
|1979||"Tally Brown, New York"||Herself|
|Madonna: Deeper & Deeper Music Video||Herself|
|1995||The Matinee Idol||Party Guest|
|Scathed||Miss Antonia Curtis|
|1998||Billy's Hollywood Screen Kiss|
|Beverly Hills Hustlers|
|1999||Twin Falls Idaho||Flamboyant at Party|
|2004||Superstar in a Housedress||Herself||Documentary|
|2006||Jack Smith and the Destruction of Atlantis||Herself||Documentary|
|Andy Warhol: A Documentary Film||Herself||Documentary|
|2009||Heaven Wants Out|
|2011||The Ghosts of Los Angeles||Holly||Short|
|2012||She Gone Rogue||Aunt Holly||Short|
|East of the Tar Pits||Mattie|
|1971||An American Family||Herself||1 episode|
- Piepenburg, Erik (July 28, 2011). "When They Play Women, It's Not Just an Act". The New York Times. Retrieved January 4, 2015.
- Young, Ezra (September 22, 2014). "They're Trans, They're Hispanic, and They've Changed This World". The Advocate. Retrieved January 4, 2015.
- Vider, Stephen (October 23, 2014). "Why Is an Obscure 1968 Documentary in the Opening Credits of Transparent?". Slate. Retrieved January 4, 2015.
- Patterson, John (2007-09-26). "Oh, the things I did!". The Guardian. London, UK. Retrieved 2010-05-04.
- "Warhol Muse Holly Woodlawn Endows Fund for Trans Youth".
- Murphy, JJ (4 March 2012). The Black Hole of the Camera: The Films of Andy Warhol. University of California Press. p. 239. ISBN 9780520271876.
- "Holly Woodlawn, Transgender Star of 1970s Underground Films, Dies at 69". The New York Times. 8 December 2015.
- Krasinski, Jennifer (May 16, 2013). "Holly Woodlawn". Art Forum.
- Abramovitch, Seth (July 6, 2015). "Transgender Icon Holly Woodlawn Fights for Life at Cedars-Sinai". The Hollywood Reporter. Retrieved December 6, 2015.
- Gregoire, Paul (November 12, 2015). "Warhol Superstar and Trans Pioneer Holly Woodlawn Remains Unstoppable, Despite Cancer". Vice. Retrieved December 6, 2015.
- Grimes, William (December 7, 2015). "Holly Woodlawn, Transgender Star of 1970s Underground Films, Dies at 69". The New York Times. Retrieved December 7, 2015; "Holly Woodlawn, inspiration behind Lou Reed's Walk on the Wild Side, dies at 69". The Guardian. December 7, 2015. Retrieved December 7, 2015.
- Oscar In-Memoriam Holly Woodlawn accessed 9/2/2016
- "Holly Woodlawn, Lou Reed's Wild Side inspiration, dies at 69". BBC News.
- Colacello, Bob (August 1990). Holy Terror: Andy Warhol Close Up. HarperCollins. ISBN 978-0060164195.
- County, Jayne; Smith, Rupert (1995). Man Enough to be a Woman. Serpent's Tail. ISBN 9781852423384.
- Woodlawn, Holly; Copeland, Jeff (1991). The Holly Woodlawn Story: A Low Life in High Heels. St. Martin's Press. ISBN 978-0-312-06429-7.
|Wikimedia Commons has media related to Holly Woodlawn.|