Horses of Saint Mark
The Horses of Saint Mark, also known as the Triumphal Quadriga, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga (a four-horse carriage used for chariot racing) The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy after the sack of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St. Mark's for conservation purposes, with replicas in their position on the loggia.
The sculptures date from classical antiquity and have been attributed to the 4th century BC Greek sculptor Lysippos, although this has not been widely accepted. Although called bronze, analysis suggests that as they are at least 96.67% copper, they should be seen as an impure copper rather than bronze. The high tin content increased the casting temperature to 1200–1300 °C. The high purity copper was chosen to give a more satisfactory mercury gilding.
It is certain that the horses, along with the quadriga with which they were depicted were long displayed at the Hippodrome of Constantinople; they may be the "four gilt horses that stand above the Hippodrome" that "came from the island of Chios under Theodosius II" mentioned in the 8th- or early 9th-century Parastaseis syntomoi chronikai. They were still there in 1204, when they were looted by Venetian forces as part of the sack of the capital of the Byzantine Empire in the Fourth Crusade. The collars on the four horses were added in 1204 to obscure where the animals heads had been severed to allow them to be transported from Constantinople to Venice. Shortly after the Fourth Crusade, Doge Enrico Dandolo sent the horses to Venice, where they were installed on the terrace of the façade of St. Mark's Basilica in 1254. Petrarch admired them there.
In 1815 the horses were returned to Venice by Captain Dumaresq. He had fought at the Battle of Waterloo and was with the allied forces in Paris where he was selected, by the Emperor of Austria, to take the horses down from the Arc de Triomphe and return them to their original place at St Mark's in Venice. For the skillful manner in which he performed this work the Emperor gave him a gold snuff box with his initials in diamonds on the lid.
The horses remained in place over St. Marks until the early 1980s, when the ongoing damage from growing air pollution forced their replacement with exact copies. Since then, the originals have been on display just inside the basilica.
- Anon 1979 The Horses of San Marco Thames and Hudson an English translation of a 1977 Venetian city government publication, p. 191
- Anon 1979, p. 199
- Parastaseis syntomoi chronikai, ch. 84.Th
- Houpt, Simon. Museum of the Missing: A history of Art Theft. Sterling Publishing Co,. Inc. p. 32. ISBN 1402728298. Retrieved 18 September 2014.
- Petrarch, Rerum senilium, V., noted by Roberto Weiss, The Renaissance Discovery of Classical Antiquity (Oxford: Blackwell) 1973:35.
- A History of The Boissier-Scobell Families" by Henry Boissier, 1933 page 7.
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- Byzantium 1200 Hippodrome Boxes shows the location of the horses until 1204.