Hortensio Félix Paravicino
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He was born at Madrid and was educated at the Jesuit college in Ocafra, and on April 18, 1600 joined the Trinitarian Order. A sermon pronounced before Philip III at Salamanca in 1605 brought Paravicino into notice; he rose to high posts in his order, was entrusted with important foreign missions, became royal preacher in 1616, and on the death of Philip III in 1621 delivered a famous funeral oration which was the subject of acute controversy.
His Oraciones evangélicas (1638-1641) show that he was not without a vein of genuine eloquence, but he often degenerates into vapid declamation, and indulges in far-fetched tropes and metaphors. His Obras posthumas, divinas y humanas (1641) include his devout and secular poems, as well as a play entitled Gridonia; his verse, like his prose, exaggerates the characteristic defects of Gongorism, but was highly regarded in his lifetime. He was a great connoisseur of painting, but argued for the destruction of all paintings of nudes: "the finest paintings are the greatest threat: burn the best of them". However these views were too extreme for even 17th century Spain, where the King and leading courtiers kept galleries of such works in relatively private rooms, and his piece on the subject was not published in the pamphlet for which it was written.
- Javier Portús, p.63, in: Carr, Dawson W. Velázquez. Ed. Dawson W. Carr; also Xavier Bray, Javier Portús and others. National Gallery London, 2006. ISBN 1-85709-303-8
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Paravicino y Arteaga, Hortensio Felix". Encyclopædia Britannica. 20 (11th ed.). Cambridge University Press.