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Hou graduated from the Central Academy of Fine Arts in Beijing and moved to Paris in 1990. He lived 16 years in France before moving to the United States in 2006. He worked at San Francisco Art Institute as Director of Exhibitions and Public Program and Chair of Exhibition and Museum Studies from 2006 to 2012.
He has curated numerous exhibitions including "Cities On The Move" (1997–2000), Shanghai Biennale (2000), Gwangju Biennale (2002), Venice Biennale (French Pavilion, 1999, Z.O.U. -- Zone Of Urgency, 2003, Chinese Pavilion, 2007), Nuit Blanche (2004, Paris), the 2nd Guangzhou Triennial (2005), the 2nd Tirana Biennial (2005), the 10th Istanbul Biennial (2007), "Global Multitude" (Luxembourg 2007), "Trans(cient)City" (Luxembourg 2007), EV+A 2008 (Limerick), "The Spectacle of the Everyday, The 10th Lyon Biennale" (Lyon, 2009), the 5th Auckland Triennial (Auckland, New Zealand, May - August 2013), etc.
He has been consultant and advisor in many international institutions including Walker Art Center (Minneapolis), Solomon R. Guggenheim Museum (New York), Kumamoto Museum of Contemporary Art (Kumamoto, Japan), De Appel Foundation (Amsterdam), Rockbund Art Museum (Shanghai), Times Museum (Guangzhou), Today Art Museum (Beijing), Power Station of Art (Shanghai), Deutsche Bank Collection (Frankfurt), Kadist Art Foundation (San Francisco/Paris), Asia Art Archive (Hong Kong), etc. and served in juries of many international awards including the Hugo Boss Prize (Guggenheim Museum), Chinese Contemporary Art Award (Beijing), Ars Fennica (Helsinki), Credit Suisse/Today Art Award (Today Art Museum, Beijing) and Hugo Boss Prize China (Rockbund Art Museum, Shanghai).
He has also taught and lectured in various artistic and educational institutions including Rijksakademie van Beeldende Kunsten (Amsterdam), HISk (Antwerp /Ghent), and numerous universities, museums across the world.
A selection of his writings was published as "On The Mid-Ground" by Timezone 8, 2002. His recent books include "Paradigm Shifts, Walter & McBean Galleries exhibitions and public programs, San Francisco Art Institute, 2006-2011", San Francisco Art Institute, 2011 (with Mary Ellyn Johnson). A frequent contributor to conferences, catalogues, magazines and books of contemporary art, he is also a guest editor for international art journals including Flash Art, YIshu, Art Asia Pacific and LEAP.