Htoo Ein Thin

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Htoo Ein Thin
ထူးအိမ်သင်
Htoo-Ein-Thin-Concert.jpg
Background information
Birth name Kyaw Myint Lwin
ကျော်မြင့်လွင်
Born (1963-07-01)1 July 1963
Pathein, Myanmar
Died 14 August 2004(2004-08-14) (aged 41)
Yangon, Myanmar
Genres Rock, pop rock
Occupation(s) Singer-songwriter
Instruments Vocals, guitar, piano, harmonica, drums
Years active 1986–2004
Website www.htooeainthin.com

Htoo Ein Thin (Burmese: ထူးအိမ်သင်; pronounced: [tʰú ʔèiɴ θɪ̀ɴ]; born Kyaw Myint Lwin (ကျော်မြင့်လွင်, [tɕɔ̀ mjɪ̰ɴ lwɪ̀ɴ]); 1 July 1963 – 14 August 2004) was one of the most popular and respected Burmese singer-songwriters. He brought a new style of pop rock music to the Burmese music scene in mid-1980s,[1] and was popular till his death in 2004. He released 14 solo albums in his 18-year career.[2] His songs remain Burmese standards and his premature death is still mourned by millions of fans.

Background[edit]

Htoo Ein Thin was born Kyaw Myint Lwin in Pathein in the Irrawaddy Division to a Burman father (Tun Myint) and a Mon mother (Mya Yin). He graduated from BEHS 3 Pathein in 1979, and attended Pathein Regional College for two years. In 1981, his entire family moved to Mawlamyaing, and he enrolled in a correspondence course at the University of Mawlamyaing, graduating with a Bachelor of Science degree in physics in 1984. After graduation, he studied formal music education under a well known music instructor Aung Soe (KC Francis).[3] Htoo Ein Thin played the guitar, the bass guitar, the piano, the harmonica and the drums.

Musical career[edit]

Htoo Ein Thin is widely remembered for his heart-felt songs with his own original music and lyrics.[1] Being an "original" songwriter means a lot in Myanmar. When he released his first album Naryi Baw Mha Myet-Yay Zet Mya (Tear Drops on the Clock) in 1986,[3] the Burmese pop music scene was (and still to a lesser extent is) dominated by Burmese covers of Western pop and country music—known locally as "copies".

To be sure, Htoo Ein Thin's musical style was heavily influenced by Western jazz, rock-and-roll and pop music. Some critics complained that his sound was still too "derivative" or "emulative", comparing his compositions and arrangements to those of the Bee Gees or the Beatles.[1] But it was his ability to bring Burmese soulfulness (some would say wailing quality) to his lyrics and combine it with Western-fused arrangements that proved ever so popular with generations of Burmese—male and female alike. His style was unique, even compared to that of other contemporary singer-songwriters like Soe Lwin Lwin and Kaiser.

Like most Burmese songs, many of his songs are about love and heart-ache, only areas that could safely pass through draconian Burmese media censors, which did not (and still don't) tolerate even a hint of social commentary.[4] His 1991 ode Yazawin Mya Ye Thado-Thami (The Bride of History) raised a few eyebrows. Although the song ostensibly is about Myanmar's main artery Irrawaddy river, many took it to be as an implicit reference to Aung San Suu Kyi. He was banned from performing the song in his concerts.[4]

Within the confines of Burmese censors, one topic he wrote extensively about was the mother's love, the relationship between the mother and the son, and a son's regrets. He devoted an entire album A-May (Mother) to this topic. The song A-May Eain (Mother's Home) continues to resonate deeply with many Burmese home and especially, abroad.

His success with Naryi was followed by a string of successful albums, culminating in Atta Bon Saung Khe Mya, and Akyinna Einmet, both released in 1991.[5] His songs from this early era are still very popular today. In particular, Mei-Lai-Taw (Just Forget It), Min-Ma-Shi-De-Nauk (Since You've Been Gone) and Hsway-De (Longing) remain standards to this day. His success waned in later albums though he remained popular. He even resorted to covering a few Western songs—something that did not sit well with some of his purist fans. His last albums—in particular the posthumous Chit-Chin Ah-Phyint (With Love)--saw a return to his musical roots that captivated generations of Burmese.

Htoo Ein Thin also composed many commercially successful songs for other singers. A successful singer, Aung Yin has publicly acknowledged that he owes his success to his saya (teacher) Htoo Ein Thin. Hayma Ne Win, a popular female singer, has covered many of Htoo Ein Thin's popular songs.

Premature death[edit]

Htoo Ein Thin died suddenly in 2004 of heart disease. He was survived by his wife, Thwè Thwè Htwe, and daughter, Mi Kun Htaw.[3]

Album discography[edit]

Htoo Ein Thin released 14 solo albums. His last album remains unreleased.[5]

Separate tracks released in group albums[edit]

Below tracks were released in group albums.

Separate tracks released in group albums[edit]

Below tracks were released in group albums.

References[edit]

  1. ^ a b c Min Zin (2002-09-01). "Burmese Pop Music: Identity in Transition". Irrawaddy News. 
  2. ^ Kyaw Kyaw Tun (2005-08-22). "With Love: a final farewell to the legendary Htoo Ein Thin". The Myanmar Times. 
  3. ^ a b c Moe Moe Aung (April 2006). "Musical Bird That Has Flown Away". People Magazine Myanmar. 3. 
  4. ^ a b Aung Zaw (2002-09-01). "And the Band Played On". The Irrawaddy. Archived from the original on 2010-08-03. 
  5. ^ a b "Htoo Ein Thin's Songs". Retrieved 2008-08-03. 

External links[edit]