Hugh Primas

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Hugh Primas of Orléans was a Latin lyric poet of the 12th century, a scholar from Orléans who was jokingly called Primas, "the Primate", by his friends at the University of Paris. He was probably born in the 1090s and may have died about 1160. Along with his younger contemporary, the Archpoet, he marks the opening of a new period in Latin literature.


The earliest and best-known source for Hugh Primas's life is in a passage added to the text of the Chronica of Richard of Poitiers for the year 1142:

Hugh is also mentioned in the Chronicle by Francesco Pippino, and he may be "Primasso", the subject of a story in Boccaccio's Decameron (1.7).

Other medieval writers say very little about his life: they knew "Primas" for his poems. Yet they rarely quoted them under his name. Modern scholars were therefore able to attribute no work to Hugh Primas until Wilhelm Meyer observed, in 1906, that one poem actually contains the name "Primas". Meyer then realised that the Oxford manuscript containing this one poem includes a collection of twenty-two others that are probably by the same author, including another seven containing the internal signature "Primas".

The twenty-three poems identified by Meyer, and edited by him in 1907, are now generally accepted as the work of Hugh Primas, though A. G. Rigg has expressed doubts about some attributions.


  • Fleur Adcock (ed. and tr.), Hugh Primas and the Archpoet. Cambridge: Cambridge University Press, Cambridge Medieval Classics 2, 1994, 152 pp., ISBN 0-521-39546-1 (Editor's page)
  • Francis Cairns, "The addition to the Chronica of Richard of Poitiers" in Mittellateinisches Jahrbuch vol. 19 (1984) pp. 159–161.
  • Christopher J. McDonough (ed. and tr.), The Arundel Lyrics. The Poems of Hugh Primas. Cambridge and London: Harvard University Press, Dumbarton Oaks Medieval Library, 2010, 288 pp., ISBN 978-0-674-05557-5
  • F. J. E. Raby, A History of Secular Latin Poetry in the Middle Ages (Oxford: Clarendon Press, 1934. ISBN 0-19-814325-7) vol. 2 pp. 82–83.
  • A. G. Rigg, "Golias and other pseudonyms" in Studi medievali 3rd series vol. 18 (1977) pp. 65–109.


  1. ^ Adcock 1994: xvii. Francis Cairns has argued that this passage, like some of the vidas and razos about Occitan troubadours, is based on a reading of the poems and is therefore not an independent source on Hugh Primas's life.