Human Nature (Doctor Who)

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185a – "Human Nature"
Doctor Who episode
Past Doctors section.jpg
Smith shows Joan his Journal of Impossible Things, containing stories about Daleks, Cybermen and his previous selves.
Cast
Others
Production
Directed by Charles Palmer
Written by Paul Cornell
Script editor Lindsey Alford
Produced by Susie Liggat
Executive producer(s) Russell T Davies
Julie Gardner
Phil Collinson
Incidental music composer Murray Gold
Production code 3.8
Series Series 3
Length 1st of 2-part story, 45 minutes
Originally broadcast 26 May 2007
Chronology
← Preceded by Followed by →
"42" "The Family of Blood"
Doctor Who episodes (1963–1989)
Doctor Who episodes (2005–present)

"Human Nature" is the eighth episode of the third series of the revived British science fiction television series Doctor Who, which was originally broadcast on BBC One on 26 May 2007. It is the first episode of a two-part story written by Paul Cornell adapted from his 1995 Doctor Who novel Human Nature. Its second part, "The Family of Blood", aired on 2 June. Along with "The Family of Blood", it was nominated for the Hugo Award for Best Dramatic Presentation, Short Form in 2008.[1]

In the episode, the alien time traveller the Tenth Doctor (David Tennant) hides from his pursuers, the Family of Blood, in 1913 England. He transforms himself into a human and implants false persona of a schoolteacher called "John Smith" to avoid detection until the Family's life runs out.

Plot[edit]

The Doctor and Martha run to the TARDIS as an unseen enemy fires at them. The Doctor tells Martha that they are being pursued by the Family of Blood, who seek the Doctor's Time Lord life force to prevent themselves from dying. He tells Martha that he must transform into a human to escape the Family's detection until they die out, and gives her a list of instructions to follow. He uses a device called the "chameleon arch" to turn himself into a human and transfer his Time Lord essence and memories into a fob watch that he asks Martha to guard.

They land on Earth in 1913. The Doctor has taken the persona of John Smith, a teacher at Farringham School for boys, and Martha acts as a maid at the school. John is quiet and timid, but faint memories of the Doctor slip through in his dreams. He catalogues the dreams in a book he has titled A Journal of Impossible Things. John keeps the fob watch on his mantle, but a perception filter around it keeps him from being curious about it. John has also become infatuated with the school nurse, young widow Joan Redfern, and shares his journal with her. Martha is concerned, as the Doctor did not instruct her on what to do should he fall in love. She also struggles with her lowly position at the school, but her resentment at the arrogant public schoolboys is tempered by the knowledge that many of them will die in the upcoming World War I. Timothy Latimer, a young student at the school who has extrasensory perception, discovers the fob watch and bonds with it, seeing visions of the Doctor.

The Family of Blood track the Doctor to Earth, and cloak their ship in a nearby wood with an invisibility shield to keep it hidden. The Family seek out humans to possess, and take the bodies of several people including one of the schoolboys, Jeremy Baines. They also animate scarecrows to use as their soldiers. When Timothy briefly opens the fob watch and experiences portions of the Doctor's memories, the Family detects its presence at the school. They try to get information from Martha about the Doctor. Martha realises that the Family has found them, and attempts to retrieve the watch but cannot find it. She talks to John and tries to awaken his Time Lord self, but instead causes him to become angry with her and fire her. John asks Nurse Redfern to accompany him to the village dance that night, and she accepts. At the dance, Martha again tries to persuade John to become the Doctor by showing him elements of his past such as his sonic screwdriver. Now aware that John Smith is the Doctor, the Family interrupt the dance and confront him. In a cliffhanger ending, they take Martha and Joan as hostages and give John a choice to either become a Time Lord again or watch his companions die.

Continuity[edit]

All ten incarnations of the Doctor are also illustrated (albeit not all are shown on-screen), with the First, Fifth, Sixth, Seventh, and Eighth clearly visible. The pocket watch from the episode is also sketched.[2]

Production[edit]

Human Nature was Paul Cornell's fifth original novel, all having been Doctor Who stories for Virgin Publishing, and the thirty-eighth New Adventure. The plot was developed with fellow New Adventure novelist Kate Orman and the book was well received on its publication in 1995. Several years later, the revived Doctor Who television series included several people who had worked on the New Adventures. For his second story for the television series, Cornell adapted his novel. Although most praise for the script was directed at Cornell, a great deal of the episode had in fact been rewritten by executive producer Russell T Davies.[3]

Despite Julie Gardner's position as executive producer since "Rose", this episode marks the first time since Verity Lambert's 1965 swansong, "Mission to the Unknown", that a woman was the credited producer of an episode of Doctor Who. However, it is not producer Susie Liggat's first production job in the Doctor Who universe: in 2006, she produced Invasion of the Bane, the first episode of The Sarah Jane Adventures. Thus, only she and John Nathan-Turner have produced episodes from two different programmes set in the Doctor Who universe.

The physical prop of John Smith's journal notebook was created by artist Kellyanne Walker, and incorporates text provided by writer Paul Cornell.[4] Much of the episode was filmed at St Fagans National History Museum, an open-air museum near Cardiff,[5] and Treberfydd, the Victorian Gothic mansion which served as Farringham School, located near Llangorse Lake in south Wales.[6] Other interior locations were filmed at Llandaff Cathedral, Cardiff.[7]

The Doctor's list of 23 directives, much of which is sped through in the episode, is presented at normal speed in a deleted scene released on the BBC DVD. In place of the nonexistent unheard requests, David Tennant breaks the fourth wall to speak about a love for The Housemartins and also talk nonsense to pad out the time before returning to character for the 23rd and final directive. Another instruction, about not letting Smith eat pears, appears in both the deleted scene and in the novel Human Nature.[2][8]

Reception[edit]

The scarecrows from the episode as they appear at the Doctor Who Experience.

Along with "The Family of Blood", "Human Nature" was nominated for the 2008 Hugo Award for Best Dramatic Presentation, Short Form.[1] David Tennant won the Constellation Award for Best Male Performance in a 2007 Science Fiction Television Episode for the two-part story.[9] The episode also received a favourable review from The Stage with reviewer Mark Wright commenting that the episode "is unlike any Doctor Who story you'll ever see", and that there was "nothing duff" about the episode. Wright singles out the performances of Agyeman and Tennant for considerable praise and he concludes by describing the episode as "BAFTA worthy Drama".[10] IGN's Travis Fickett gave "Human Nature" a rating of 9.1 out of 10, writing that it "has some of the highest caliber of writing the series has seen". He particularly praised the performances of Stevenson and Sangster and the episode's "more deliberate pace". While he noted that the Family with Baines in particular were creepy, he felt that the scarecrows "might seem a little silly" to older viewers.[11]

In 2009, Doctor Who Magazine readers voted "Human Nature"/"The Family of Blood" as the sixth best Doctor Who story of all time.[12] In a 2014 poll, Doctor Who Magazine readers voted the episodes as the ninth best.[13] Matt Wales of IGN named the two-part story the best episode of Tennant's tenure as the Doctor, describing it as "stunningly produced" and praising Tennant's performance.[14] In 2008, The Daily Telegraph named it the seventh best Doctor Who episode in the show's history.[15]

References[edit]

  1. ^ a b "2008 Hugo Nomination List". Denvention 3: The 66th World Science Fiction Convention. World Science Fiction Society. 2008. Archived from the original on 24 March 2008. Retrieved 21 March 2008. 
  2. ^ a b Ware, Peter. "Doctor Who - Fact File - Human Nature". BBC. Retrieved 2011-08-15. 
  3. ^ "Russell T. Davies and Benjamin Cook interview". Unreality SF archive. Retrieved 2011-08-15. 
  4. ^ Doctor Who - Fact File - The Family of Blood
  5. ^ "Walesarts, St Fagans Natural History Museum, Cardiff". BBC. Retrieved 2010-05-30. 
  6. ^ "Human Nature" podcast
  7. ^ "Walesarts, Llandaff village, Cardiff". BBC. Retrieved 2010-05-30. 
  8. ^ Cornell, Paul (1995). Human Nature (PDF). BBC eBooks. p. 68. ISBN 0-426-20443-3. 
  9. ^ "2008 Constellation Awards". Constellation Awards website. 2008-07-15. Retrieved 2008-07-15. 
  10. ^ Wright, Mark (28 May 2007). "Doctor Who 3.8: Human Nature". The Stage. Archived from the original on 20 July 2011. Retrieved 15 August 2011. 
  11. ^ Fickett, Travis (2007-08-28). "Doctor Who: "Human Nature" Review". IGN. Retrieved 2012-04-30. 
  12. ^ Haines, Lester (2009-09-17). "Doctor Who fans name best episode ever". The Register. Retrieved 2011-08-15. 
  13. ^ "The Top 10 Doctor Who stories of all time". Doctor Who Magazine. 21 June 2014. Retrieved 21 August 2014. 
  14. ^ Wales, Matt (2010-01-05). "Top 10 Tennant Doctor Who Stories". IGN. Retrieved 2012-04-29. 
  15. ^ "The 10 greatest episodes of Doctor Who ever". The Daily Telegraph. 2008-07-02. Retrieved 2012-04-29. 

External links[edit]

Reviews[edit]