Humorist

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Samuel Clemens, American humorist who wrote under the pen name Mark Twain

A humorist (British English: humourist) is an intellectual who uses humor in writing or public speaking. Humorists are distinct from comedians, who are show business entertainers whose business is to make an audience laugh, though some persons have occupied both roles in the course of their careers.

The iconic humorist[edit]

Mark Twain, pen name of Samuel Langhorn Clemens (1835–1910) was called the "greatest humorist this country has produced" in his New York Times obiturary,[1] and William Faulkner called him "the father of American literature".[2]

The United States national cultural center, the John F. Kennedy Center for the Performing Arts, has chosen to award a Mark Twain Prize for American Humor annually since 1998 to individuals who have "had an impact on American society in ways similar to the distinguished 19th century novelist and essayist best known as Mark Twain."[3]

Distinction from a comedian[edit]

Humor is the quality which makes experiences provoke laughter or amusement, while comedy is a performing art. The nineteenth century German philosopher Arthur Schopenhauer lamented the misuse of humor (a German loanword from English) to mean any type of comedy. A humorist is adept at seeing the humor in a situation or aspect of life and relating it, usually through a story; the comedian, on the other hand, concentrates on jokes designed to invoke instantaneous laughter. The humorist is primarily a writer of books, newspaper or magazine articles or columns, stage or screen plays, and may occasionally appear before an audience to deliver a lecture or read a piece of his or her work. The comedian always performs his or her work for an audience, either in live performance, audio recording, radio, television, or film.[4]

According to Study.com, a humorist job requires a bachelor's degree, and according to US Bureau of Labor statistics, earns a 2016 median salary of US$29.44. This is compared to the comedian, which requires a high school diploma and earns a median salary of $17.34.[4]

Phil Austin, of the comedy group the Firesign Theatre, expressed his thoughts about the difference in 1993 liner notes to the Fighting Clowns allbum:[5]

Clowns was the key word because clowning was what I thought had become our collective fate. I had once entertained higher ambitions for us, needless to say, although clowning is certainly a wonderful thing, unless you are a clown in which case it's a job.

To me, there is a great difference between a humorist and a clown, and I had hoped that life for the Firesign Theatre would have led more toward the world of Mark Twain than the world of Beepo. The humorist is a happy soul; he comments from the sidelines of life, safe behind the keyboard or pen; not forced to mold his thinking to the direct response of an audience, he has indirection on his side. He has time to think. Beepo, on the other hand, takes his chances directly facing—or mooning—the audience; a buffoon, a patsy, a performer, he is out in the open and his audience, unlike a humorist's, becomes necessarily half-friend and half-enemy.

Comedians who become humorists[edit]

Sometimes a comedian will adopt a writing career and gain notability as a humorist. Some examples are:

Will Rogers (1879–1935) was a vaudeville comedian who started doing humorous political and social commentary, and became a famous newspaper columnist and radio personality during the Great Depression. He is an exception to the education rule, as he only completed a tenth grade education.[6]

Garry Moore (1915–1993), known as a television comedian who hosted several variety and game shows, after his 1977 retirement became a regular humor columnist for the Northeast Harbor, Maine newspaper The Island Packet with a column titled "Mumble, Mumble". He later released a book of his columns under the same name in the early 1980s.

Victor Borge (1909–2000) was a Danish-American comedian known for bringing humor to classical music. He wrote three books, My Favorite Intermissions[7] and My Favorite Comedies in Music[8] (both with Robert Sherman), and the autobiography Smilet er den korteste afstand ("The Smile is the Shortest Distance") with Niels-Jørgen Kaiser.[9]

Peter Ustinov (1921–2004) was an English comic actor who wrote several humorous plays and film scripts.

Woody Allen (born 1935), known as a comedian and filmmaker, early in his career worked as a staff writer for humorist Herb Shriner.[10] He also wrote short stories and cartoon captions for magazines such as The New Yorker.

Steve Martin (born 1945), comedian and actor, wrote Cruel Shoes, a book of humorous essays and short stories, in 1977 (published 1979). He wrote his first humorous play Picasso at the Lapin Agile in 1993, and wrote various pieces in The New Yorker magazine in the 1990s. He later wrote more humorous plays and two novellas.

Hugh Laurie (born 1959) is an English comic actor who worked for many years in partnership with Stephen Fry. He is a fan of the English humorist P.G. Wodehouse, and has written a Wodehouse-style novel.[11]

Mark Twain prize[edit]

Despite the name, conference of the Kennedy Center's Mark Twain Prize does not make the awardee a humorist. As of 2017, the center has chosen to confer the prize on nineteen comedians and one playwright;[3] only two recipients, the comedian Steve Martin and the playwright Neil Simon, are commonly recognized as humorists in the sense of Twain.

Notable humorists[edit]

American[edit]

Renowned polymath Benjamin Franklin (1706–1790), as a newspaper editor and printer, became one of America's first humorists, most famously for Poor Richard's Almanack published under the pen name "Richard Saunders".

Ring Lardner (1885–1933) was a sports columnist and short story writer best known for his satirical writings about sports, marriage, and the theatre.

Robert Benchley (1889–1945), best known for his work as a newspaper columnist and film actor, began writing humorously for The Harvard Lampoon while attending Harvard University, and for many years wrote essays and articles for Vanity Fair and The New Yorker.

H. L. Menken (1880–1956) was a journalist, satirist, cultural critic and scholar of American English.[12] Known as the "Sage of Baltimore", he is regarded as one of the most influential American writers and prose stylists of the first half of the 20th century. He commented widely on the social scene, literature, music, prominent politicians and contemporary movements. He is known for dubbing the Scopes trial "the Monkey Trial".

James Thurber (1894–1961) was a cartoonist, author, journalist, playwright, and celebrated wit, best known for his cartoons and short stories published mainly in The New Yorker.

Bennett Cerf (1898–1971) was one of the founders of the publishing firm Random House, known for his own compilations of jokes and puns, for regular personal appearances lecturing across the United States, and for his television appearances on the panel game show What's My Line?[13]

Art Buchwald (1925–2007) wrote a political satire op-ed column for The Washington Post, which was nationally syndicated in many newspapers.

Garrison Keilor (born 1942) is an author, storyteller, voice actor, and radio personality, best known as the creator and host of the Minnesota Public Radio (MPR) show A Prairie Home Companion from 1974 to 2016. He created the fictional Minnesota town Lake Wobegon, the setting of many of his books. He created and voiced the hardboiled detective parody character Guy Noir on his radio show.

British/UK[edit]

Oscar Wilde (1854–1900) was an Irish poet and playwright known for his biting wit.

P.G. Wodehouse (1881–1975) was one of the most widely read humorists of the 20th century.[14]

Women[edit]

Dorothy Parker (1893–1967), a writer for Vanity Fair, Vogue and other magazines, playwright, and a close friend of Benchley, was known for her biting, satirical wit.

Erma Bombeck (1927–1996) was a newspaper columnist and writer of 15 books who specialized in humorously describing midwestern suburban home life.

Fran Lebowitz (born 1950) writes sardonic social commentary from a New York City point of view.

Other countries[edit]

Kajetan Abgarowicz (1856–1909) was an Armenian-Polish journalist, novelist and short story writer.

Sholom Aleichem (1859–1916) was the pen name of the leading Yiddish author and playwright Solomon Naumovich Rabinovich, on whose stories the musical Fiddler on the Roof was based.

References[edit]

  1. ^ "Obituary (New York Times)". Retrieved 2009-12-27. 
  2. ^ Jelliffe, Robert A. (1956). Faulkner at Nagano. Tokyo: Kenkyusha, Ltd. 
  3. ^ a b "The Kennedy Center Mark Twain Prize for Humor". Kennedy-center.org. 2017. Retrieved 2014-06-25. 
  4. ^ a b Study.com. "Humorist vs Comedian: What is the Difference?". Study.com. Retrieved December 8, 2017. 
  5. ^ Austin, Phil (1993). Fighting Clowns (liner notes). Retrieved February 9, 2018. 
  6. ^ "Adventure Marked Life of Humorist". The New York Times. August 17, 1935. Retrieved July 20, 2007. 
  7. ^ Borge, Victor; Sherman, Robert (August 1971). My favorite intermissions. Doubleday. Retrieved 3 October 2010. 
  8. ^ Borge, Victor; Sherman, Robert (1980). Victor Borge's My favorite comedies in music. Dorset Press. ISBN 978-0-88029-807-0. Retrieved 3 October 2010. 
  9. ^ Borge, Victor; Kaiser, Niels-Jørgen (2001). Smilet er den korteste afstand -: erindringer (in Danish). Gyldendal. ISBN 978-87-00-75182-8. Retrieved 3 October 2010. 
  10. ^ "Woody Allen: Rabbit Running". Time. July 3, 1972. Retrieved June 8, 2007. 
  11. ^ Host: James Lipton (31 July 2006). "Hugh Laurie". Inside the Actors Studio. Season 12. Episode 18. Bravo. 
  12. ^ "Obituary", Variety, February 1, 1956 
  13. ^ Whitman, Alden (August 29, 1971). "Bennett Cerf Dies; Publisher, Writer; Bennett Cerf, Publisher and Writer, Is Dead at 73". The New York Times. Retrieved 2013-12-12. 
  14. ^ Voorhees, Richard (1985). "P.G. Wodehouse". In Stayley, Thomas F. Dictionary of Literary Biography: British Novelists, 1890–1929: Traditionalists. Detroit: Gale. pp. 341–342. ISBN 978-0-8103-1712-3. [I]t is now abundantly clear that Wodehouse is one of the funniest and most productive men who ever wrote in English. He is far from being a mere jokesmith: he is an authentic craftsman, a wit and humorist of the first water, the inventor of a prose style which is a kind of comic poetry. 

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