Hungry I

Coordinates: 37°47′46″N 122°24′18″W / 37.796242°N 122.405133°W / 37.796242; -122.405133
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37°47′46″N 122°24′18″W / 37.796242°N 122.405133°W / 37.796242; -122.405133

Eric Nord, 1959, Los Angeles

The Hungry I (stylized as hungry i) was a nightclub in San Francisco, California, originally located in the North Beach neighborhood. It played a major role in the history of stand-up comedy in the United States.[1] It was launched by Eric "Big Daddy" Nord, who sold it to Enrico Banducci in 1951. The club moved to Ghirardelli Square in 1967 and operated mostly as a rock music venue until it closed in 1970.[2]

The name of the nightclub was reused later as a strip club in San Francisco, from the late 1960s until 2019.


The Hungry I was founded in 1949 or 1950 as an 83-seat venue in the Sentinel Building's basement at the corner of Kearny and Columbus, by Eric Nord, who sold it to Banducci in 1951.[1] After operating it as a venue for folk singers including Stan Wilson, Banducci began hiring comedians in 1953 with Mort Sahl, encouraging them to express themselves freely.[1] Their success caused queues around the block, until Banducci moved the Hungry I to the nearby International Hotel (nicknamed "the I-Hotel") at 599 Jackson Street in 1954.[3][1]

The Hungry I and Banducci were instrumental in the careers of Mort Sahl, who was the pioneer of a new style of stand-up comedy, comic Bill Cosby, comic Lenny Bruce, and minister Malcolm Boyd. The Kingston Trio recorded two noted albums at the Hungry I,[4] including the first live performance of their version of "The Lion Sleeps Tonight". Tom Lehrer's final satirical album That Was the Year That Was (1965) was also recorded there, as well as The Limeliters' album Our Men in San Francisco (1963).[citation needed]

Jazz pianist Vince Guaraldi,[3] folk singer Glenn Yarborough, the Gateway Singers, and comedians Godfrey Cambridge, Professor Irwin Corey, Joan Rivers and Mort Sahl were also given career boosts from their appearances at the Hungry I, as well as Dick Cavett and Woody Allen. The folk-rock group We Five were signed to A&M records after Herb Alpert saw them perform there.[citation needed]

John Phillips and his group The Journeymen were the house band in the early 1960s.[citation needed]

The young Barbra Streisand begged Banducci for a single night at his nightclub, insisting that she would soon be a huge star. Banducci agreed to sign the singer, who had never performed professionally but was soon starring in I Can Get It for You Wholesale on Broadway. The resulting concerts (March–April 1963) were well-attended, giving Streisand nationwide acclaim.[5]

On 16 January 1967, Laura Nyro started her debut live performances at the Hungry I.[6] Later in the same year, Ike & Tina Turner performed at the club and a photograph of Tina Turner by Baron Wolman was used for the cover of the second issue of Rolling Stone magazine.[7]

The comedy and folk music scene wilted in the mid-1960s. On 12 October 1967 Banducci closed the club at its International Hotel location and moved to Ghirardelli Square; it was mainly a rock music venue, and closed in 1970.[3] Banducci and many of the club's performers, including Mort Sahl, Jonathan Winters, Irwin Corey, Jackie Vernon, and many others, reunited in 1981 for a one-night performance, which also featured film of the late Lenny Bruce. The event was captured for the nationally televised documentary Hungry I Reunion, produced and directed by Thomas A. Cohen and featuring reminiscences by Bill Cosby, as well as by Maya Angelou, who had frequently performed there in the guise of a Caribbean singer at the beginning of her career.[citation needed]


Artist Mark Adams said in a 1983 interview about his design of the interior of the club:

In 1950, I was acting and designing sets for an amateur theatrical group. One of the men said he wanted to start a small club where actors could go after rehearsals and have coffee, pastry, a beer, et cetera, and sit around and talk—unwind from the work. He asked if I would design the interior, and also think of a name. I came up with hungry i—which referred to all the various hungers of the first person singular. The other man changed his name and personality as the club developed, and became Big Daddy Eric Nord of the Beat Generation. — Mark Adams, artist[8][9]

In another story, the lower-case "i" was meant to represent "intellectual". "I was going to call it the Hungry Intellectual, but I ran out of paint" for the sign, Nord would tell interviewers. In another story, the sign was not finished in time for the club's opening, and next-day reviews in the San Francisco papers cemented the name for all time. Banducci swore that it was Freudian and was short for "the hungry id".[10]

Strip club[edit]

The then-current strip club at 546 Broadway (2017)

In the late 1960s, clubs along the Broadway strip began to transform into fully nude strip clubs run by a consortium of club owners. As the Hungry I was shutting down in its final location at Ghirardelli Square, Banducci sold the rights to its name and logo to this consortium. One of the clubs, Pierre's at 546 Broadway, was promptly renamed "Hungry I Club" and continued to operate as a strip club under various owners,[11] until 2019.[citation needed]


An exhibition on the history of the Hungry I opened March 28, 2007 at the San Francisco Performing Arts Library, now the Museum of Performance & Design, and was on view through August 25, 2007. Alumni who performed at the Hungry I during its heyday—as well as club owner Enrico Banducci and his daughter—gathered for an opening celebration March 27. Among those reminiscing about their appearances at the club were Orson Bean, Shelley Berman, Father Malcolm Boyd, Travis Edmonson, Tom Lehrer, The Kingston Trio, Mort Sahl, Ronnie Schell, and Glenn Yarborough.[12]


The San Francisco radio station KGO broadcast several talk shows live before an audience from the Hungry I in the 1950s and 60s, notably hosted by Les Crane and Ira Blue. Mort Sahl was KGO's overnight announcer in the 1950s.[citation needed]

See also[edit]


  1. ^ a b c d McLellan, Dennis (2007-10-16). "Enrico Banducci, 85; owned hungry i nightclub". Los Angeles Times. ISSN 0458-3035. Retrieved 2016-05-23.
  2. ^ "Hungry i Closes For Good On Coast". The New York Times. 1970-01-05. ISSN 0362-4331. Retrieved 2021-10-22.
  3. ^ a b c "Vince Guaraldi Timeline". Retrieved February 11, 2017.
  4. ^ "Cover Art:  The Kingston Trio - From the Hungry i".
  5. ^ "'hungry i' at Barbra Archives website". Archived from the original on 2008-12-30. Retrieved 2009-01-16.
  6. ^ "Record World cover" (PDF).
  7. ^ "Why Does Rolling Stone Love Baron Wolman So Much?". June 17, 2015.
  8. ^ Mark Adams, "Religious Art Work Commissions In The Bay Area", interview conducted in 1983 by Suzanne B. Riess, in Renaissance of Religious Art and Architecture in the San Francisco Bay Area, 1946-1968, an oral history conducted 1981-1984, Regional Oral History Office, The Bancroft Library, University of California, Berkeley, 1985.
  9. ^ Steinberg, Steve (March 2006). "Famed Artist Mark Adams Leaves Behind a Rich Tapestry of Color and Glass". Noe Valley Voice.
  10. ^ Nolte, Carl (October 9, 2007) "Enrico Banducci: 1922-2007 The impresario of North Beach" (obituary) San Francisco Chronicle Retrieved October 20, 2011
  11. ^ "Pierre's in North Beach" by R.A. May,
  12. ^ Hamlin, Jesse (2007-04-04). "His hungry i helped put S.F. on the map as rebel artists' haven". SFGATE. Retrieved 31 May 2021. Banducci can still recall Sahl's first tentative performances at the original hungry i, a tiny cellar space in the Sentinel Building at Columbus and Kearny, now owned by Coppola. He'd bought it from Eric "Big Daddy" Nord, the North Beach boho who'd opened the bar with a partner in '49 and named it (the i stood for id). Banducci bought it with $800 borrowed from a friend....Three years later the club moved to its famous cellar location at 599 Jackson St. It was a smoke-filled space where patrons sat around the three-sided stage in canvas director chairs with built-in drink holders. Candles flickered in artfully cut tin cans. The artists were announced by a stentorian voice belonging to the light and sound man, Alvah Bessie, the blacklisted screen writer who was one of the infamous Hollywood Ten.

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