I'll Cry Tomorrow
|I'll Cry Tomorrow|
|Directed by||Daniel Mann|
|Produced by||Lawrence Weingarten|
Jay Richard Kennedy
I'll Cry Tomorrow|
by Lillian Roth
Jo Van Fleet
|Music by||Alex North|
|Cinematography||Arthur E. Arling|
|Edited by||Harold F. Kress|
|December 25, 1955|
|Box office||$7,727,000 ($6,500,000)|
I'll Cry Tomorrow (1955) is a biopic which tells the story of Lillian Roth, a Broadway star who rebels against the pressure of her domineering mother and reacts to the death of her fiancé by becoming an alcoholic. It stars Susan Hayward, Richard Conte, Eddie Albert, Margo, and Jo Van Fleet.
Eight-year-old Lillian Roth (Carole Ann Campbell) is constantly pushed by her domineering stage mom, Katie (Jo Van Fleet), to audition and act even though she is merely a child. One day, Katie finally secures an opportunity in Chicago, which leads to Lillian, now older (Susan Hayward), to having a successful musical career. Even though 20 years have passed, Katie is still managing Lillian as well as running her life and career choices.
Though her mother does not tell her, Lillian finds out that her childhood friend, David (Ray Danton), tried to get in contact with her. She visits him in the hospital and they soon fall in love. Because David is an entertainment company lawyer, he is able to secure Lillian shows at some big venues, including at the Palace Theatre. However, there is latent tension between David and Katie, because he feels that Katie is projecting her own ambitions onto Lillian and overworking her, while Katie feels a new man in Lillian's life only serves to distract from her high-profile career. When Lillian informs her mother she intends to marry David, Katie is disappointed and sees a repeat of her own life happening—giving up a career to have a husband and children. Suddenly, David falls ill and dies during the opening night of her show, and she is despondent having lost the love of her life.
Rebelling against her mother's domineering ways, Lillian turns to drinking. One night, in a drunken stupor, she goes out with a sailor, Wallie (Don Taylor), and ends up marrying him that night but not remembering it. They remain married, but the marriage is loveless from the beginning. The only thing the two have in common is drinking, and both drink to forget the present. Lillian's career suffers as a result of her persistent alcoholism, and she spends all her money without booking new shows. The two divorce after Wallie says he is "sick of being Mr. Lillian Roth."
Two years later, Lillian meets fellow alcoholic Tony Bardeman (Richard Conte) at a dinner party, and she falls for him. However, Lillian goes through alcohol withdrawal when she stops drinking to please her mother, and instead she turns to being a secret drinker. Her drinking gets worse when Tony goes home to California, but when he returns, Lillian begs him to stay with her. They decide to stop drinking together, but once they are married, Tony starts to drink and Lillian is outraged. When she tries to stop him from drinking and leave, he beats her.
She escapes Tony's clutches and goes to New York City to live with her mother, but contemplates suicide after a fight with her mother. Lillian goes to an Alcoholics Anonymous shelter, and suffers bouts of delirium tremens as she goes through withdrawals. She begins to fall for her sponsor, Burt McGuire (Eddie Albert), but the crippling effects of childhood polio make him wary of pursuing anything romantic. As she continues her recovery, she is ultimately invited to appear on the This Is Your Life television program to share her story of alcoholism and recovery.
According to MGM records the film made $5,873,000 in the US and Canada and $1,854,000 elsewhere, resulting in a profit of $2,933,000.
"Susan Hayward sings for the first time on the screen, and will win much applause for her throaty voice in such songs as Sing, You Sinners, When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along), and I'm Sitting on Top of the World. She is supported by Ray Danton as the man whose death first upsets her; by Jo Van Fleet as her domineering mother who realises what she has done too late; Richard Conte, Eddie Albert and Don Taylor."
- Best Costume Design: Helen Rose
- Best Actress: Susan Hayward
- Best Art Direction (Black-and-White): Art Direction: Cedric Gibbons, Malcolm Brown; Set Decoration: Edwin B. Willis, Hugh Hunt
- Best Cinematography (Black-and-White): Arthur Arling
- The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- Variety Weekly, January 25, 1956 (at Heylookmeover (recovered 3 November 2017)
- "NY Times: I'll Cry Tomorrow". NY Times. Retrieved 2013-12-06.
- "Festival de Cannes: I'll Cry Tomorrow". festival-cannes.com. Retrieved 2013-12-06.
- Picture Show, June 23, 1956
- "Oscars.org -- I'll Cry Tomorrow"[permanent dead link]. Academy of Motion Picture Arts and Sciences. Retrieved December 6, 2013.
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