I Am Curious (Yellow)
|I Am Curious (Yellow)|
North American release poster
|Directed by||Vilgot Sjöman|
Göran Lindgren (uncredited)|
|Written by||Vilgot Sjöman (uncredited)|
|Music by||Bengt Ernryd (uncredited)|
|Cinematography||Peter Wester (uncredited)|
|Edited by||Wic Kjellin (uncredited)|
|Distributed by||Grove Press|
|Box office||$27.7 million (US/Sweden)|
I Am Curious (Yellow) (Swedish: Jag är nyfiken – en film i gult, meaning "I Am Curious: A Film in Yellow") is a 1967 Swedish drama film written and directed by Vilgot Sjöman, starring Sjöman and Lena Nyman. It is a companion film to 1968's I Am Curious (Blue); the two were initially intended to be one 3 1⁄2 hour film.
Nyman's character, also named Lena, lives with her father in a small apartment in Stockholm and is driven by a burning passion for social justice and a need to understand the world, people and relationships. Her little room is filled with books, papers, and boxes full of clippings on topics such as "religion" and "men", and files on each of the 23 men with whom she has had sex. The walls are covered with pictures of concentration camps and a portrait of Francisco Franco, reminders of the crimes being perpetrated against humanity. She walks around Stockholm and interviews people about social classes in society, conscientious objection, gender equality, and the morality of vacationing in Franco's Spain. She and her friends also picket embassies and travel agencies. Lena's relationship with her father, who briefly went to Spain to fight Franco, is problematic, and she is distressed by the fact that he returned from Spain for unknown reasons after only a short period.
Through her father Lena meets the slick Bill (Börje in the original Swedish), who works at a menswear shop and voted for the Rightist Party. They begin a love affair, but Lena soon finds out from her father that Bill has another woman, Marie, and a young daughter. Lena is furious that Bill has not been open with her, and goes to the country on a bicycle holiday. Alone in a cabin in the woods, she attempts an ascetic lifestyle, meditating, studying nonviolence and practicing yoga. Bill soon comes looking for her in his new car. She greets him with a shotgun, but they soon start to make love. Lena confronts Bill about Marie, and finds out about another of his lovers, Madeleine. They begin to fight and Bill leaves. Lena has strange dreams, in which she ties two teams of soccer players – she notes that they number 23 – to a tree, shoots Bill and cuts his penis off. She also dreams of being taunted by passing drivers as she cycles down a road, until finally Martin Luther King Jr. drives up. She apologizes to him for not being strong enough to practice nonviolence.
Lena returns home, destroys her room, and goes to the car showroom where Bill works to tell him she has scabies. They are treated at a clinic, and then go their separate ways. As the embedded story of Lena and Bill begins to resolve, the film crew and director Sjöman are featured more. The relationship between Lena the actress and Bill the actor has become intimate during the production of Vilgot's film, and Vilgot is jealous and clashes with Bill. The film concludes with Lena returning Vilgot's keys as he meets with another young female theater student.
The movie also includes an interview with Martin Luther King Jr., who happened to be visiting Stockholm when the film was being made. In addition to the footage of King, the film also includes an interview with Minister of Transportation Olof Palme, who talks about the existence of class structure in Swedish society (he was told it was for a documentary film), and footage of Russian poet Yevgeny Yevtushenko.
- Vilgot Sjöman as Vilgot Sjöman
- Lena Nyman as Lena
- Börje Ahlstedt as Börje
- Peter Lindgren as Lena's father
- Chris Wahlström as Rune's woman
- Marie Göranzon as Marie
- Magnus Nilsson as Magnus
- Ulla Lyttkens as Ulla
- Anders Ek as Exercise leader
- Martin Luther King Jr. as himself
- Olof Palme as himself
- Yevgeny Yevtushenko as himself
- Uncredited roles
Yellow was a landmark film that helped define the emergent change in Swedish film of the 1960s. Like French New Wave, the film uses jump cuts and its story is not structured in a conventional Hollywood way. It also contains documentary elements; for example, it features a brief appearance by Dr. Martin Luther King, Jr. who is interviewed by Sjöman about his views on civil disobedience. It was part of a wave of Swedish left-wing films in the 1960s and early 1970s that were helped by the founding of the Swedish Film Institute when Harry Schein attempted to start a Swedish New Wave. Yellow was the only film of the wave of left-wing films that made any money; the movement had little significance to the Swedish public. The interview with Martin Luther King was filmed in March 1966, when Dr. King and Harry Belafonte were in Stockholm to start a new initiative for Swedish support of African Americans.
The film includes numerous and frank scenes of nudity and staged sexual intercourse. One particularly controversial scene features Lena kissing her lover's flaccid penis. In 1969, the film was banned in Massachusetts for being pornographic and Boston police seized the film reels for I Am Curious (Yellow) from the Symphony Cinemas. After proceedings in the United States District Court for the District of Massachusetts (Karalexis v. Byrne, 306 F. Supp. 1363 (D. Mass. 1969)), the United States Court of Appeals for the Second Circuit, and the Supreme Court of the United States (Byrne v. Karalexis, 396 U.S. 976 (1969) and 401 U.S. 216 (1971)), the Second Circuit found the film not to be obscene.
Initial reception to Curious Yellow was divided. Vincent Canby of the New York Times referred to it as a "Good, serious movie about a society in transition," and Norman Mailer said he felt "like a better man" after having seen it. Conversely, Rex Reed described the film as "about as good for you as drinking furniture polish" and Roger Ebert of the Chicago Sun-Times lambasted it as "a dog... a real dog" and "stupid and slow and uninteresting.". In recent years, Yellow has received some reappraisal, thanks in part to Gary Giddins, who authored the 2003 essay accompanying the Criterion Collection DVD release, and a review by Nathan Southern on the All Movie Guide website. Southern assesses the picture as "a droll and sophisticated comedy about the emotional, political, social, and sexual liberation of a young woman... a real original that has suffered from public incomprehension since its release and is crying out for reassessment and rediscovery.".
As of August 2015, "I Am Curious (Yellow)" received a 52% rating based on 25 reviews, 13 "fresh" and 12 "rotten" on the review aggregate website Rotten Tomatoes.
One of the main reasons for its box office success was that it was the first film with sexual acts performed onscreen that was not confined to the porn theaters on 42nd Street, New York City. Millions who had never seen a pornographic film flocked to safe neighborhood theaters to see what it was all about. Another reason was that it became popular among "stars" to be seen going to this movie, causing the general public to be even more interested. News of Johnny Carson seeing the film legitimized going to see it. The film ushered in a wave of nudity and sex never before shown to the general public, and it was the first shot fired in the revolution that was to begin in pushing the limits of films for the general public.
In popular culture
- The Get Smart episode "I Am Curiously Yellow", which was the series finale
- The "Moonlighting" episode "I Am Curious, Maddie", which has sexual references.
- The Simpsons episode "I Am Furious (Yellow)"
- The Superman's Girl Friend, Lois Lane issue "I Am Curious (Black)" wherein Lois Lane becomes a Black woman for a day to experience racism.
- The That Girl episode "I Am Curious Lemon"
- The Fall's 1988 album I Am Kurious Oranj (which in turn inspired Lee and Herring's comedy character "The Curious Orange", portrayed by Paul Putner)
- In the Mad Men episode "The Strategy", Don Draper references having just seen this movie in a theater.
- In "Death in the Family", an episode of the BBC comedy series Steptoe and Son, Harold raises his father's spirits after the death of their horse by promising to take him to see I Am Curious (Yellow).
- The Ed, Edd n Eddy episode "I Am Curious Ed".
- A feather is called "Curious Yellow" in the novel Vurt by Jeff Noon, leading to speculation Noon was alluding to I Am Curious (Yellow).
- Chrysler Corporation named a color of their early seventies muscle cars "Curious Yellow".
- In Glasshouse by Charles Stross the memory redacting virus with additional lethality for historians is named Curious Yellow.
- The Partridge Family episode "I Am Curious...Partridge"
- Vilgot Sjöman, I Was Curious: Diary of the Making of a Film (Grove Press, 1968).
- Sjöman, published screenplay (Grove Press, 1968).
- I Am Curious / Jag är nyfiken | Film International
- Whitebloom, Kenny (10 August 2011). "The Curious Case of 'I am Curious'". Boston TV News Digital Library. Retrieved 22 January 2015.
- "Heights Theater History » Gallery M Squared". Archived from the original on 4 May 2011. Retrieved 22 October 2011.
- "Big Rental Films of 1969", Variety, 7 January 1970, p. 15.
- "The World's Top Twenty Films". Sunday Times (London, England) 27 September 1970: 27. The Sunday Times Digital Archive. accessed 5 April 2014
- Blood, Kirk L. (2016). My 1st Wife Had a Borderline Personality Disorder. Lulu Press, Inc. ISBN 978-1-329-90421-7.
- "Lena Nyman". Swedish Film Institute. 1 March 2014.
- Sepinwall, Alan (19 May 2014). "Review: 'Mad Men' - 'The Strategy': Regrets, I've had a few". Hitfix: What's Alan Watching?.