I Am Curious (Yellow)

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I Am Curious (Yellow)
CuriousYellowPoster.jpg
North American release poster
Directed byVilgot Sjöman
Produced byGöran Lindgren (uncredited)
Lena Malmsjö
Written byVilgot Sjöman (uncredited)
StarringVilgot Sjöman
Lena Nyman
Börje Ahlstedt
Music byBengt Ernryd (uncredited)
CinematographyPeter Wester (uncredited)
Edited byWic Kjellin (uncredited)
Production
company
Distributed byGrove Press
Release date
  • 9 October 1967 (1967-10-09)
Running time
122 minutes
CountrySweden
LanguagesSwedish
English
Box office$27.7 million (US/Sweden)

I Am Curious (Yellow) (Swedish: Jag är nyfiken – en film i gult, meaning "I Am Curious: A Film in Yellow") is a 1967 Swedish erotic drama film written and directed by Vilgot Sjöman, starring Sjöman and Lena Nyman. It is a companion film to 1968's I Am Curious (Blue); the two were initially intended to be one ​3 12 hour film.[1]

Plot[edit]

Director Vilgot Sjöman plans to make a social film starring his lover Lena Nyman, a young theater student who has a strong interest in social issues.

Nyman's character, also named Lena, lives with her father in a small apartment in Stockholm and is driven by a burning passion for social justice and a need to understand the world, people and relationships. Her little room is filled with books, papers, and boxes full of clippings on topics such as "religion" and "men", and files on each of the 23 men with whom she has had sex. The walls are covered with pictures of concentration camps and a portrait of Francisco Franco, reminders of the crimes being perpetrated against humanity. She walks around Stockholm and interviews people about social classes in society, conscientious objection, gender equality, and the morality of vacationing in Franco's Spain. She and her friends also picket embassies and travel agencies. Lena's relationship with her father, who briefly went to Spain to fight Franco as part of the International Brigades, is problematic, and she is distressed by the fact that he returned from Spain for unknown reasons after only a short period.

Through her father Lena meets the slick Bill (Börje in the original Swedish), who works at a menswear shop and voted for the Rightist Party. They begin a love affair, but Lena soon finds out from her father that Bill has another woman, Marie, and a young daughter. Lena is furious that Bill has not been open with her, and goes to the country on a bicycle holiday. Alone in a cabin in the woods, she attempts an ascetic lifestyle, meditating, studying nonviolence and practicing yoga. Bill soon comes looking for her in his new car. She greets him with a shotgun, but they soon make love. Lena confronts Bill about Marie, and finds out about another of his lovers, Madeleine. They fight and Bill leaves. Lena has strange dreams, in which she ties two teams of soccer players – she notes that they number 23 – to a tree, shoots Bill and cuts his penis off. She also dreams of being taunted by passing drivers as she cycles down a road, until finally Martin Luther King Jr. drives up. She apologizes to him for not being strong enough to practice nonviolence.

Lena returns home, destroys her room, and goes to the car showroom where Bill works to tell him she has scabies. They are treated at a clinic, and then go their separate ways. As the embedded story of Lena and Bill begins to resolve, the film crew and director Sjöman are featured more. The relationship between Lena the actress and Bill the actor has become intimate during the production of Vilgot's film, and Vilgot is jealous and clashes with Bill. The film concludes with Lena returning Vilgot's keys as he meets with another young female theater student.

Nonfictional content[edit]

The film includes an interview with Dr. Martin Luther King Jr., filmed in March 1966, when King was visiting Stockholm along with Harry Belafonte with a view to starting a new initiative for Swedish support of African Americans.[2] The film also includes an interview with then Minister of Transportation Olof Palme (later Prime Minister of Sweden), who talks about the existence of class structure in Swedish society (he was told it was for a documentary film), and footage of Russian poet Yevgeny Yevtushenko. Coincidentally, both King and Palme would later be assassinated, King in 1968 a few months after the film's release and Palme in 1986.

Cast[edit]

Uncredited roles

Release[edit]

Director Vilgot Sjöman together with actress Lena Nyman.

Censorship[edit]

The film includes numerous and frank scenes of nudity and staged sexual intercourse. One particularly controversial scene features Lena kissing her lover's flaccid penis. Released in Sweden in October 1967, it was released in the U.S. in March 1969, immediately attracting a ban in Massachusetts for being pornographic, with the Boston Police Department seizing the film reels from the Symphony Cinemas I & II on Huntington Avenue.[3][4] After proceedings in the United States District Court for the District of Massachusetts (Karalexis v. Byrne, 306 F. Supp. 1363 (D. Mass. 1969)), the United States Court of Appeals for the Second Circuit, and the Supreme Court of the United States (Byrne v. Karalexis, 396 U.S. 976 (1969) and 401 U.S. 216 (1971)), the Second Circuit found the film not to be obscene.[5][4][6]

An arsonist torched the Heights Theater in Houston during the film's run there.[7]

Box office[edit]

The film was popular at the box office and was the 12th most popular film in the United States and Canada in 1969[8] and the highest-grossing foreign-language film in the United States and Canada of all-time[9] with a gross of $20,238,100.[10] It was number one at the US box office for two weeks in November 1969.[11] One reason it did so well was that it became popular among film stars to be seen going to the film. News of Johnny Carson seeing the film legitimized going to see it despite any misgivings about possible pornographic content.[12] Jacqueline Onassis went to see the movie, judo-felling an awaiting news photographer, Mel Finkelstein, alerted by the theater manager, while leaving the theater during the showing.[13][14][15]

Critical reception[edit]

Contemporary[edit]

Initial reception to Curious Yellow was divided. Vincent Canby of the New York Times referred to it as a "Good, serious movie about a society in transition,"[16] and Norman Mailer said he felt "like a better man" after having seen it. Conversely, Rex Reed described the film as "about as good for you as drinking furniture polish" and Roger Ebert of the Chicago Sun-Times lambasted it as "a dog... a real dog" and "stupid and slow and uninteresting.".[17] Rex Reed said the movie was "vile and disgusting" and Sjöman was "a very sick Swede with an overwhelming ego and a fondness for photographing pubic hair", but Norman Mailer described it as "one of the most important pictures I have ever seen in my life".[18]

Retrospective[edit]

In recent years, Yellow has received some reappraisal, thanks in part to Gary Giddins, who authored the 2003 essay accompanying the Criterion Collection DVD release, and a review by Nathan Southern on the All Movie Guide website. Southern assesses the picture as "a droll and sophisticated comedy about the emotional, political, social, and sexual liberation of a young woman... a real original that has suffered from public incomprehension since its release and is crying out for reassessment and rediscovery.".[19]

As of August 2015, I Am Curious (Yellow) received a 52% rating based on 25 reviews, 13 "fresh" and 12 "rotten" on the review aggregate website Rotten Tomatoes.

Accolades[edit]

Olof Palme (who played himself in an uncredited role in the movie) and Lena Nyman, taken at the Guldbagge Award ceremony. Nyman won the 1967 award for Best Actress in a leading role.

Nyman won the award for Best Actress at the 5th Guldbagge Awards for her role in this film and I Am Curious (Blue).[20]

In popular culture[edit]

Various television series have episodes with similar titles, such as Get Smart's series finale "I Am Curiously Yellow"; Moonlighting ("I Am Curious, Maddie"); The Simpsons ("I Am Furious (Yellow)"); That Girl ("I Am Curious Lemon"); Ed, Edd n Eddy ("I Am Curious Ed"); and The Partridge Family ("I Am Curious...Partridge").

References[edit]

  1. ^ Vilgot Sjöman, I Was Curious: Diary of the Making of a Film (Grove Press, 1968).
  2. ^ Sjöman, published scenario (New York: Grove Press, 1968, 264 p., 266 stills from the film; translated from the Swedish by Martin Minow and Jenny Bohman).
  3. ^ "Symphony Cinema I & II in Boston, MA". Cinema Treasures. Retrieved 8 December 2020.
  4. ^ a b Whitebloom, Kenny (10 August 2011). "The Curious Case of 'I am Curious'". Boston TV News Digital Library. Retrieved 22 January 2015.
  5. ^ "I Am Curious / Jag är nyfiken". Film International.
  6. ^ Björk, Ulf Jonas (2012). "Tricky Film: The Critical and Legal Reception of 'I Am Curious (Yellow)' in America". American Studies in Scandinavia. 44 (2): 113–134. doi:10.22439/asca.v44i2.4919. Retrieved 8 December 2020.
  7. ^ "Heights Theater History » Gallery M Squared". Archived from the original on 4 May 2011. Retrieved 22 October 2011.
  8. ^ "Big Rental Films of 1969". Variety. 7 January 1970. p. 15.
  9. ^ "Top Foreign Films in U.S.". Variety. 31 August 1992. p. 54.
  10. ^ Klady, Leonard (20 February 1995). "Top Grossing Independent Films". Variety. p. A84.
  11. ^ "50 Top-Grossing Films". Variety. 3 December 1969. p. 11.
  12. ^ Blood, Kirk L. (2016). My 1st Wife Had a Borderline Personality Disorder. Lulu Press, Inc. ISBN 978-1-329-90421-7.
  13. ^ "She Was Furious" (PDF). San Francisco Chronicle. San Francisco. 6 October 1969. Jacqueline Onassis went to see the movie "I Am Curious (Yellow)"
  14. ^ Finkelstein, Mel (5 October 1969). "Jacqueline Kennedy Onassis walks out of Cinema Rendezvous theater on W. 57th St. after seeing "I Am Curious (Yellow)."". NY Daily News. Getty Images. Retrieved 8 December 2020.
  15. ^ Sheehan, Susan (31 May 1970). "The Happy Jackie, The Sad Jackie, The Bad Jackie, The Good Jackie". The New York Times. Retrieved 8 December 2020.
  16. ^ By VINCENT CANBYMARCH 11, 1969 (11 March 1969). "Screen: 'I Am Curious (Yellow)' From Sweden - The New York Times". Nytimes.com. Retrieved 19 September 2018.
  17. ^ Ebert, Roger. "I Am Curious (Yellow) Movie Review (1969) - Roger Ebert". www.rogerebert.com.
  18. ^ "Vigot Sjöman". The Telegraph. 21 April 2006. Retrieved 8 December 2020. Norman Mailer announced that it was "one of the most important pictures I have ever seen in my life"; but the film critic Rex Reed called it "vile and disgusting" and described Sjöman as "a very sick Swede with an overwhelming ego and a fondness for photographing pubic hair"... When the Supreme Court finally allowed the film to be released, it benefited considerably from the publicity. But cinema-goers seeking titillation were generally disappointed. The sex scenes were more surprising than erotic and were dominated by the rather vague narrative in which the actors (Lena Nyman, Borje Ahlstedt and Sjöman himself) all played characters with their own names. But it marked a turning point for censorship, and by the 1970s a naked woman or a bare male bottom in a mainstream film barely raised an eyebrow.
  19. ^ "I Am Curious (Yellow) (1967) - Vilgot Sjöman - Review - AllMovie". AllMovie.
  20. ^ "Lena Nyman". Swedish Film Institute. 1 March 2014.
  21. ^ Sepinwall, Alan (19 May 2014). "Review: 'Mad Men' - 'The Strategy': Regrets, I've had a few". Hitfix: What's Alan Watching?.

External links[edit]