I Feel Fine
|"I Feel Fine"|
|Single by the Beatles|
|B-side||"She's a Woman"|
|Recorded||18 October 1964|
|The Beatles US singles chronology|
|The Beatles UK singles chronology|
"I Feel Fine" is a song written by John Lennon (credited to Lennon–McCartney) and released in 1964 by the English rock band the Beatles as the A-side of their eighth British single. The song has one of the first uses of guitar feedback in popular music.
Lennon wrote the guitar riff while in the studio recording "Eight Days a Week". "I wrote 'I Feel Fine' around that riff going on in the background", he recalled. "I told them I'd write a song specially for the riff. So they said, 'Yes. You go away and do that', knowing that we'd almost finished the album Beatles for Sale. Anyway, going into the studio one morning, I said to Ringo, 'I've written this song but it's lousy'. But we tried it, complete with riff, and it sounded like an A-side, so we decided to release it just like that." Both John Lennon and George Harrison said that the riff was influenced by a riff in "Watch Your Step", a 1961 release written and performed by Bobby Parker and covered by the Beatles in concerts during 1961 and 1962. Paul McCartney said the drums on "I Feel Fine" were inspired by Ray Charles's 1959 single "What'd I Say".
At the time of the song's recording, the Beatles, having mastered the studio basics, had begun to explore new sources of inspiration in noises previously eliminated as mistakes (such as electronic goofs, twisted tapes, and talkback). "I Feel Fine" marks one of the earliest examples of the use of feedback as a recording effect in popular music. Artists such as the Kinks and the Who had already used feedback live, but Lennon remained proud of the fact that the Beatles were perhaps the first group to deliberately put it on vinyl.
"I Feel Fine" is written in 4
4 time with drummer Ringo Starr's R&B-influenced beat (based on the "Latin" drumming in Ray Charles's hit "What'd I Say") featured through most of the song except for the bridge, which has a more conventional backbeat. After a brief note of heavy feedback (see below), the intro begins with a distinctive arpeggiated riff which starts in D major before quickly progressing to C major and then G major, at which point the vocals begin in G. The melody, unusually, uses a major third and a minor seventh, and has been classified as Mixolydian mode. Just before the coda, Lennon's intro riff (or ostinato) is repeated with a bright sound by George Harrison on electric guitar (a Gretsch Tennessean). The song ends with a fadeout of the G major portion of the opening riff repeated several times.
"I Feel Fine" starts with a single, percussive feedback note produced by McCartney plucking the A string on his bass, and Lennon's guitar, which was leaning against McCartney's bass amp, picking up feedback. This was the first use of feedback on a rock record. According to McCartney, "John had a semi-acoustic Gibson guitar. It had a pickup on it so it could be amplified ... We were just about to walk away to listen to a take when John leaned his guitar against the amp. I can still see him doing it … it went, 'Nnnnnnwahhhhh!' And we went, 'What's that? Voodoo!' 'No, it's feedback.' 'Wow, it's a great sound!' George Martin was there so we said, 'Can we have that on the record?' 'Well, I suppose we could, we could edit it on the front.' It was a found object, an accident caused by leaning the guitar against the amp." Although it sounded very much like an electric guitar, Lennon actually played the riff on an acoustic-electric guitar (a Gibson model J-160E), employing the guitar's onboard pickup.
Later, Lennon was very proud of this sonic experimentation. In one of his last interviews, he said: "I defy anybody to find a record – unless it's some old blues record in 1922 – that uses feedback that way." 
Two different music videos directed by Joe McGrath were filmed on 23 November 1965. Both feature various bits of gym equipment. In the first, George sang into a punch-ball while Ringo pedalled on an exercise bike. The second marked the only time a lunch break was filmed, where they all ate fish and chips, while trying to mime to the song. Brian was adamant that this video could not be used. From then on, the controversial "fish and chips" footage was kept in a 2" videotape box labelled "I Feel Fried". The first music video was included in the Beatles' 2015 video compilation 1, and both videos were included in the three-disc versions of the compilation, titled 1+.
"I Feel Fine" was the first Beatles single to be released almost concurrently in the US and the UK. The single reached the top of the British charts on 12 December 1964, displacing the Rolling Stones' "Little Red Rooster", and remained there for five weeks. In Canada, the song also reached number one.
The song topped the US Billboard Hot 100 chart for three weeks in late 1964 and early 1965. Cash Box magazine ranked "I Feel Fine" as the 19th biggest US hit of 1965. The B-side was the number-four hit "She's a Woman". "I Feel Fine" was the sixth single by the Beatles to hit number one on the Billboard Hot 100 in a calendar year (1964), an all-time record. In order, these singles were "I Want to Hold Your Hand", "She Loves You", "Can't Buy Me Love", "Love Me Do", "A Hard Day's Night" and "I Feel Fine". For songwriters Lennon and McCartney, it was the seventh number-one they wrote in the same calendar year, which was another all-time record. The song was the first of six Hot 100 number one chart-toppers in a row (not counting the EP 4 – by the Beatles) by one act, also a record at the time. The subsequent singles were "Eight Days a Week", "Ticket to Ride", "Help!", "Yesterday" and "We Can Work It Out".
By 2012, "I Feel Fine" had sold 1.41 million copies in the UK. As of December 2018, it was the 53rd best-selling single of all time there – one of six Beatles songs included on the top sales rankings published by the UK's Official Charts Company.
In the United States, the song was released on the Capitol album Beatles '65. The stereo version of the LP presented a duophonic (mock stereo) mix featuring a layer of reverb added by executive Dave Dexter, Jr.. The mono version — also released as a single on Capitol – features an exclusive mix with added reverb and a shorter fade as created by Beatles producer George Martin. Both versions were released on CD in 2004 as part of the The Capitol Albums, Volume 1 boxed set compilation.
There is also another stereo version (virtually identical to the standard stereo mix) wherein whispering can be heard at the beginning of the track. This "whispering version" appears on the non-US release of 1962–1966, as well as on occasional single re-releases.
An outtake in mono is included in the On Air – Live at the BBC Volume 2 compilation released in 2013.
- John Lennon – double tracked lead vocal, lead/rhythm guitar
- Paul McCartney – harmony vocal, bass
- George Harrison – harmony vocal, lead/rhythm guitar
- Ringo Starr – drums
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|"I Feel Fine"|
|Single by Sweethearts of the Rodeo|
|from the album One Time, One Night|
|B-side||"Until I Stop Dancing"|
|Released||December 3, 1988|
|Sweethearts of the Rodeo singles chronology|
- In 1965, The Ventures included a cover of the song on their LP Knock Me Out.
- In 1966, Chet Atkins released an instrumental cover on his album Chet Atkins Picks on the Beatles.
- In 1967, Alma Cogan released a version on her album Alma.
- In 1970, Penny DeHaven released a Country version on a single only.
- In 1988, country duo Sweethearts of the Rodeo released a cover of the song that reached the top-ten on the US country singles chart.
Charts and certifications
- "1" Liner Notes by Mark Lewisohn
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- Terence J. O'Grady (1 May 1983). The Beatles: A Musical Evolution. Twayne Publishers. p. 56. ISBN 978-0-8057-9453-3.
Both "I Feel Fine" and "She's a Woman" are heavily rhythm and blues influenced pop-rock songs.
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- "Offizielle Deutsche Charts" (Enter "Beatles" in the search box) (in German). GfK Entertainment Charts. Retrieved 16 May 2016.
- "American single certifications – The Beatles – I Feel Fine". Recording Industry Association of America. Retrieved 14 May 2016. If necessary, click Advanced, then click Format, then select Single, then click SEARCH.
- Babiuk, Andy (2002). Beatles Gear: All the Fab Four's Instruments, from Stage to Studio (Revised ed.). San Francisco: Backbeat Books. ISBN 0-87930-731-5.
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- "Beatles For Sale". Beatles Interview Database. Retrieved 8 November 2009.
- MacDonald, Ian (2005). Revolution in the Head: The Beatles' Records and the Sixties (Second Revised ed.). London: Pimlico (Rand). ISBN 1-84413-828-3.
- Miles, Barry (1997). Paul McCartney: Many Years From Now. New York: Henry Holt and Company. ISBN 0-8050-5249-6.
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- Wallgren, Mark (1982). The Beatles on Record. New York: Simon & Schuster. ISBN 0-671-45682-2.
- Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944–2006, Second edition. Record Research. p. 341.