I Just Wasn't Made for These Times
|"I Just Wasn't Made for These Times"|
Cover to 1996 Sub Pop single release
|Song by The Beach Boys from the album Pet Sounds|
|Released||May 16, 1966|
|Recorded||February 14, March 10–April 13, 1966, Gold Star Studios and CBS Columbia Square, Hollywood|
|Pet Sounds track listing|
"I Just Wasn't Made for These Times" is a song written by Brian Wilson and Tony Asher about depression and social alienation, first recorded by the American rock band the Beach Boys. Also produced and sung by Wilson, it appears as the eleventh track on their 1966 album Pet Sounds. The piece is credited for being the first in popular music to feature the Tannerin and the first in rock music to feature a theremin-like instrument. An early work of psychedelic rock with lyrics portraying Wilson's insecurities and perceived shortcomings, the track's accompanying instrumentation includes an almost atonal harpsichord and plucked bass.
The song was written by Brian Wilson and Tony Asher. While it is commonly understood that Wilson composed the majority of the music on Pet Sounds, it has been claimed in Steven Gaines' book Heroes and Villains that "I Just Wasn't Made for These Times" was one of three songs in which Asher contributed musical ideas rather than acting solely as a co-lyricist; the other two being "Caroline, No" and "That's Not Me". On the song's meaning, Wilson stated "It's about a guy who was crying out because he thought he was too advanced, and that he'd eventually have to leave people behind. All my friends thought I was crazy to do Pet Sounds." Asher says "In many of the other songs, when Brian would express a feeling, I would say, 'Oh, yes, I've had those feelings,' maybe not in the same way or the same degree, but I understood them. But this one I didn't relate to. It was more trying to interpret what he was feeling than having this joint feeling in our various ways."
Like other songs on Pet Sounds, there is no drum kit until the chorus. The song's chorus features background vocals sung in Spanish: "O cuando sere? Un dia sere" ("When will I be? One day I will be") while Wilson leads with the lyric "sometimes I feel very sad". Each musical bar that follows within the chorus introduces a new contrapuntal melody, where Wilson further adds "ain't found the right thing I can put my heart and soul into" and "people I know don't wanna be where I'm at".
The lyrics are interpreted as ruminations on romance and the loss of innocence involved in growing up. Alternatively, it can be read as: "a plaintive ballad about coming to terms with one's differences." It is most commonly understood as a song about depression and social alienation, to which author Charles Granata concluded: "The protagonist is desperate to define himself, but is depressed and struggling. Ultimately, the answer to the question—'Where do I fit in?'—lies in the realization that he doesn't." Bob Stanley of indie pop outfit Saint Etienne wrote: "Although he was only twenty-three, there was something incredibly old and incredibly melancholy within Brian Wilson. 'Sometimes I feel sad,' the song goes, and no amount of convoluted Bob Dylan or Joni Mitchell wordplay is as effective or affecting." Author Jim Fusilli remarked that portions of song recall The Catcher in the Rye.
In 2011, Brian reflected: "It was like saying: 'Either I'm too far ahead of my time' or 'I'm not up to my time.' ... [The feeling has] stayed the same ... a little bit, in some ways not ... [Now] I do feel I was made for these times."
Desiring electronically produced sounds for the recording of Pet Sounds, Wilson contacted Paul Tanner to play as a sessions musician with the mistaken assumption that he was using a theremin for the song's recording. Tanner recalls the sessions being unusual for what he had been familiar to; Wilson forewent notation and instead sung Tanner's part for him to play. Wilson considered the theremin to make frightening, sexually evocative sounds that he associated with a woman's voice and 1940s mystery films.
The instrumental track was recorded on February 14, 1966 at Gold Star Studios, and vocal sessions ran between March 10 through April 13 at CBS Columbia Square. Although sung by Brian Wilson, Dennis Wilson was originally intended to sing lead on "I Just Wasn't Made for These Times". Shortly after this track was recorded, Wilson used the Tannerin on sessions for "Good Vibrations" which quickly proceeded.
In 1996, Sub Pop released a stereo mix of The Beach Boys' "I Just Wasn't Made for These Times" as a single with a vocal only version of "Wouldn't It Be Nice" and with the stereo backing to "Here Today as the B-side." The track's instrumental along with session highlights were released the following year for The Pet Sounds Sessions.
In popular culture
Sourced from liner notes included with the 1999 mono/stereo reissue of Pet Sounds, except where otherwise noted.
- The Beach Boys
- Brian Wilson – lead vocal
- Carl Wilson – vocals
- Dennis Wilson – vocals
- Al Jardine – vocals
- Mike Love – vocals
- Bruce Johnston - vocals
- Additional musicians
- Chuck Berghofer – upright bass
- Hal Blaine – kettle drums, drum kit, timpani, bongos
- Glen Campbell – guitar
- Frank Capp – "clip-clop" percussion, tympani
- Steve Douglas – tenor saxophone
- Plas Johnson – tenor saxophone
- Barney Kessel – guitar
- Bobby Klein – tenor saxophone
- Mike Melvoin – harpsichord
- Jay Migliori – baritone saxophone
- Tommy Morgan – harmonica
- Ray Pohlman – bass guitar
- Don Randi – piano
- Paul Tanner – Tannerin
- 1967 – Carmen McRae, For Once in My Life
- 1970 – Peggy Lipton
- 1991 – Louis Philippe, Rainfall
- 1991 – David Garland, I Guess I Just Wasn't Made for These Times
- 1998 – Feelds, Smiling Pets
- 2001 – Aimee Mann and Michael Penn, A Tribute To Brian Wilson
- 2002 – Sixpence None the Richer, Making God Smile
- 2002 – Brian Wilson, Pet Sounds Live
- 2005 – Patrick Wolf, Do It Again: A Tribute To Pet Sounds
- 2006 – The Servants, Reserved
- 2012 – Kat Edmonson, Way Down Low.
- 2012 – Rich Batsford, Mindfulmess
- Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock, 1968-1978 (1. print. ed.). Chicago, Ill. [u.a.]: Open Court. pp. 80–81. ISBN 9780812693683.
- Lambert, Philip (2007). Inside the Music of Brian Wilson: The Songs, Sounds, and Influences of the Beach Boys' Founding Genius. p. 240. ISBN 9781441107480.
- Elliott, Brad (August 31, 1999). "Pet Sounds Track Notes". beachboysfanclub.com. Retrieved March 3, 2009.
- J. DeRogatis, Turn On Your Mind: Four Decades of Great Psychedelic Rock (Milwaukie, Michigan: Hal Leonard, 2003), ISBN 0-634-05548-8, p. 4.
- Stanley, Bob (13 September 2013). Yeah Yeah Yeah: The Story of Modern Pop. Faber & Faber. p. 220. ISBN 978-0-571-28198-5.
- Gaines, Steven; Hajdu, David (2009). Heroes and Villains: Essays on Music, Movies, Comics, and Culture. New York: Da Capo Press. p. 145. ISBN 9780786751044.
- Benci, Jacopo (January 1995). "Brian Wilson interview". Record Collector (UK) (185).
- Hickey, Andrew (2011). The Beach Boys On CD: Volume 1 1961-1969. lulu.com. pp. 114–115. ISBN 978-1-4475-4233-9.
- The Beach Boys in Studio Q on YouTube
- "I Just Wasn't Made for These Times review". Allmusic.com.
- Granata, Charles L. (2003). Wouldn't It Be Nice: Brian Wilson and the making of the Beach Boys' Pet Sounds. pp. 106–7. ISBN 9781556525070.
- Fusilli, Jim (February 11, 2005). Beach Boys' Pet Sounds. Bloomsbury Publishing. ISBN 978-1-4411-1266-8.
- Art Rock legend Brian Wilson in Studio Q on YouTube
- Brend, Mark (2005). Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop (1. ed. ed.). San Francisco, Calif.: Backbeat. ISBN 9780879308551.
- T. Pinch and F. Trocco, Analog Days: The Invention and Impact of the Moog Synthesizer (Cambridge, Massachusetts: Harvard University Press, 2004), ISBN 0-674-01617-3, p. 87.
- "I Just Wasn't Made for These Times". Sub Pop. Retrieved 2012-10-18.
- Morris, C. (July 6, 1996). "Sub Pop Releases Beach Boys Single". Billboard Magazine. p. 9. Retrieved 2012-10-18.
- Seitz, Matt Zoller (April 23, 2012). "Mad Men Recap: They Weren’t Made for These Times". Retrieved August 10, 2014.
- Pet Sounds (CD Liner). The Beach Boys. Capitol Records. 1999.