I Shot an Arrow into the Air
|"I Shot an Arrow into the Air"|
|The Twilight Zone episode|
|Episode no.||Season 1|
|Directed by||Stuart Rosenberg|
|Story by||Madelon Champion|
|Teleplay by||Rod Serling|
|Featured music||Stock from "And When the Sky Was Opened" by Leonard Rosenman|
|Original air date||January 15, 1960|
|“||Her name is the Arrow 1. She represents four and a half years of planning, preparation, and training, and a thousand years of science, mathematics, and the projected dreams and hopes of not only a nation, but a world. She is the first manned aircraft into space and this is the countdown. The last five seconds before man shot an arrow into the air.||”|
A manned space flight with eight crew members crash lands on what the astronauts believe to be an unknown asteroid. Their expectations of survival or rescue are bleak. Only four of the crew survive: the commanding officer Donlin, crewmen Corey and Pierson, and a crewman named Hudak who is badly injured and barely. After they bury the dead men, Donlin and Pierson concern themselves with taking care of Hudak, but Corey, who is only concerned with saving himself, declares that sharing their limited supply of water with Hudak will reduce the chances of survival for the rest of them, as he'll probably die soon anyway. This sets Corey at odds with both Pierson and Donlin, who insists that they're going to continue care for Hudak and share their water with him, for as long as he does survive. About an hour later, Hudak dies, and, after they bury him, Donlin has Corey and Pierson trek out into the barren desert to see if there is anything that might improve their chances of survival.
Six hours later, Corey returns alone, claiming not to know where Pierson went. Donlin calls Corey out on having more water in his canteen now, than what he left with, and demands to know where Pierson is. Corey claims that he found Pierson dead and filched the water supply from his dead body. Not buying it, Donlin forces Corey at gunpoint to lead him to Pierson's body to see for himself. When they reach the spot Corey claims to have found Pierson, he is no longer there, leaving Donlin more dubious of Corey's claim. They later find Pierson, near the edge of a mountain, still barely alive. Donlin, drops the gun and rushes to Pierson, who wordlessly gestures that he climbed the mountain and saw something. With his last bit of strength, Pierson draws a primitive diagram in the sand with his finger, and then dies. Meanwhile, Corey grabs the dropped gun, and confesses that he attacked Pierson earlier. He then shoots and kills Donlin and sets out alone, confident that he will survive longer now that he has all of the water supply for himself. Corey climbs the mountain and sees a sign for Reno, and then sees telephone poles, which was what Pierson had attempted to draw before he died. Realizing that they had in fact never left Earth and that he had killed his partners for nothing, Corey breaks down weeping, and begging his deceased crewmates for forgiveness.
|“||Practical joke perpetrated by Mother Nature and a combination of improbable events. Practical joke wearing the trappings of nightmare, of terror, and desperation. Small, human drama played out in a desert 97 miles from Reno, Nevada, U.S.A., continent of North America, the Earth and, of course, the Twilight Zone.||”|
I got 15,000 manuscripts in the first five days. Of those 15,000, I and members of my staff read about 140. And 137 of those 140 were wasted paper; hand-scrawled, laboriously written, therapeutic unholy grotesqueries from sick, troubled, deeply disturbed people. Of the three remaining scripts, all of clearly poetic, professional quality, none of them fitted the show.
- Despite this, Serling did end up producing an idea from an industry outsider when he paid Madelon Champion $500 for the idea on which this episode was based, an idea that came up in a social conversation between the two. Though Serling was frequently approached with suggestions for the series, such a purchase was never repeated.
- Much of this episode was filmed in Death Valley National Monument (now a National Park), particularly around Zabriskie Point.
- In addition to the usual opening and closing narration, this episode features a rare bit of narration from Serling in the middle of the show—after Corey kills Donlin, Serling narrates Corey's travels through the desert landscape. This was the last use of mid-show narration until season three's "I Sing The Body Electric".
- The title of the episode comes from the opening line of Henry Wadsworth Longfellow's "The Arrow and the Song": "I shot an arrow into the air, it fell to Earth I knew not where." Serling also used this title for a prospective Twilight Zone pilot episode that was eventually shot, in modified form, as "The Gift".
- The plot idea of astronauts thinking they had crashed on an unknown planet, only to discover that in fact they had been on Earth all along, would be adapted by Rod Serling in his work on the initial screenplay of the 1968 film Planet of the Apes.
- This is one of several episodes from season one to have its opening title sequence plastered over with the opening for season two. This was done during the summer of 1961 in order to give the re-running episodes of season one the updated look that the show had taken in the second season.
- It appears that at least some of the electronics in the set were recycled from the movie Forbidden Planet (1956), if not in absolute physicality then in imitation. The large, white lighted circles with the 'pie slices' facing down appear in several scenes from Forbidden Planet as well as the previous episode "Third from the Sun".
- Zicree, Marc Scott (1982). The Twilight Zone Companion (2nd ed.). Hollywood: Sillman-James Press. p. 98.
- Zicree, Marc Scott (1982). The Twilight Zone Companion (2nd ed.). Hollywood: Sillman-James Press. p. 277.
- Full video of the episode at CBS.com
- DeVoe, Bill. (2008). Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0
- Grams, Martin. (2008). The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0