|Directed by||Mani Ratnam|
|Produced by||Kovai Thambi|
|Written by||M. G. Vallabhan (Dialogues)|
|Screenplay by||M. G. Vallabhan|
|Story by||R. Selvaraj|
|Edited by||B. Lenin
V. T. Vijayan
|Distributed by||Motherland Pictures|
|14 September 1985|
Idaya Kovil (English: Temple in Heart) is a 1985 Indian Tamil language film directed by Mani Ratnam, starring Mohan, Ambika, Radha and Goundamani. Featuring a score and soundtrack composed by Ilaiyaraaja, the movie did well at the box office.
Suriya (Radha) wishes to get popular singer Shankar (Mohan) to sing in her college festival. Initial attempts to meet Shankar prove futile as he is a recluse. Nonetheless, she breaks into his home to meet him but is shocked to discover him in an inebriated state. She makes efforts to make him sober and come to the festival. It works as Shankar performs at the festival. Over time, as they become friends, Shankar stops drinking and Suriya falls in love with him but he has a dark past which is then revealed.
Before becoming famous, Shankar grew up in a village where he used to sing in the festivals there. He and Gauri (Ambika) love each other and Shankar, with encouragement from Gauri, wishes to become a famous singer and leaves for Madras. He soon gets an opportunity to sing for a radio program but unknown to him, Gauri arrived at Madras on the same day. Without Shankar to receive her at the bus stop, she gets lost in the city when trying to find Shankar and is chased by a group of thugs and finds refuge in a temple, where she commits suicide. At the same time Shankar sings for the program and later finds her body in the temple. This incident drives Shankar into an alcoholic recluse.
Meanwhile, Suriya’s parents arrange for her to be wedded to her friend. Although Suriya wants to wed Shankar, he refuses stating that his only true love is Gauri even though he cares about her. On the day of the wedding, just before the ceremony, Suriya collapses and dies, having consumed poison prior to the wedding.
The film ends as Shankar looks over the graves of both Gauri and Suriya.
Producer Kovaithambi of Motherland Pictures had the dates of Radha and Ambika, as well as a story ready for a potential film. He sent over the narration of his story in an audio cassette to Mani Ratnam, who he wanted to direct the script. Mani Ratnam was busy finishing work on Pagal Nilavu (1985) at the time and initially turned down the opportunity to work on the film. Kovaithambi subsequently called up the managers of Radha and Ambika and postponed their schedules, and stated that he would wait for Ratnam to finish work on Pagal Nilavu and was adamant that Ratnam should direct his script. After finishing his other film, Ratnam returned and narrated a script titled Divya, which later went on to become Mouna Ragam (1986), to Kovaithambi, but he refused and insisted that Ratnam worked on his original script with Radha and Ambika. The director initially wrote a screenplay for the film, inspired from the American film City Lights (1931), with the plot being narrated from the point of view from a star, but Kovaithambi was unimpressed with the idea and demanded that Ratnam solely concentrate on the technical work of the film. The producer also insisted on inserting a comedy track written by Veerapan featuring Goundamani into the film. Ratnam wanted P. C. Sreeram to be the cinematographer, but that position instead went to Raja Rajan.
Despite the film's commercial success, Ratnam told film critic Baradwaj Rangan in the book Conversations with Mani Ratnam that the filming process had made him "miserable", and that he understood that the reason he came into cinema was not to make films like Idaya Kovil, and was adamant to not make any more commercial compromises to his films. Irked by Ratnam's remarks on Idaya Kovil in Rangan's book, Kovaithambi stated that he regretted providing an opportunity for him. He also said Ratnam spent the amount equivalent to making three films while making Idaya Kovil.
The music composed by Ilaiyaraaja. Mani said that the song "Naan Paadum Mouna Raagam" was his homage to Hindi film Pyaasa and the inspiration for the title of Mouna Ragam (1986) came from the song.
|1||Idhayam Oru Kovil (Male)||S. P. Balasubrahmanyam||Ilaiyaraaja||04:56|
|2||Idhayam Oru Kovil||Ilaiyaraaja, S. Janaki||04:43|
|3||Kootathilae Kovil Pura||S. P. Balasubrahmanyam||Muthulingham||04:29|
|4||Naan Paadum Mouna Raagam||S. P. Balasubrahmanyam||Vairamuthu||04:23|
|6||Paattu Thalaivan||S. P. Balasubrahmanyam||Vaali||04:43|
|7||Vaanuyarntha Solaiyile||S. P. Balasubrahmanyam||Pavalar Varadharasan||05:14|
|8||Yaar Veetu Roja||S. P. Balasubrahmanyam||Mu. Metha||04:41|
- Rangan 2012, p. 289.
- Rangan 2012, p. 42.
- Rangan 2012, p. 31.
- "Leader for all times". The Hindu. 2012-11-09. Retrieved 2016-04-22.
- "மணிரத்னத்துக்கு வாய்ப்பு கொடுத்ததே தவறு: கோவைத் தம்பி" [It was a mistake to give Mani Ratnam a chance: Kovaithambi]. Ananda Vikatan. 20 November 2012. Archived from the original on 2016-04-22. Retrieved 2016-04-22.
- "Idhaya Kovil Songs". raaga. Retrieved 2013-12-21.
- Rangan 2012, p. 43.
- Rangan, Baradwaj (2012). Conversations with Mani Ratnam. Penguin Books India. ISBN 978-0-670-08520-0.