|Born||16 September 1979|
Education and background
Davies was born in York, England and first studied piano and recorder, mentored in his early years by his father Ioan. From the age of eight he sang as a boy treble in the choir of St John's College, Cambridge. He began singing countertenor in his teens, at Wells Cathedral School. He returned to St John's as a choral scholar, graduating in archaeology and anthropology. He gained his DipRAM from, and was later appointed ARAM by, the Royal Academy of Music. In 2004 he won the Audience Prize at the London Handel Singing Competition and in 2010 was named "Young Artist of the Year" by the Royal Philharmonic Society.
Iestyn Davies's opera career to date has included the role of Ottone in Monteverdi's L'incoronazione di Poppea for both Zürich Opera  and Glyndebourne Festival Opera, and in Handel's Partenope he has sung Arsace for New York City Opera  and Armindo for English National Opera. He has sung Oberon in Britten's A Midsummer Night's Dream for Houston Grand Opera, Apollo in Britten's Death in Venice for English National Opera and Hamor in Handel's Jephtha for both Welsh National Opera and Opéra National de Bordeaux. In 2010 he sang Creonte in Agostino Steffani's Niobe at the Royal Opera House, Covent Garden. In 2011, he sang the part of Unulfo in Handel's Rodelinda at the Metropolitan Opera in New York.
He has appeared in concert at Teatro alla Scala with Gustavo Dudamel, at the Concertgebouw and the Tonhalle with Ton Koopman, at the Barbican, the Théâtre des Champs-Élysées and Lincoln Center, and at the Royal Albert Hall in the BBC Proms. He has worked with many leading orchestras including the Orchestra of the Age of Enlightenment, Academy of Ancient Music, Scottish Chamber Orchestra, the Hallé Orchestra, the King's Consort, Northern Sinfonia, the English Concert, the Akademie für Alte Musik, Berlin, Retrospect Ensemble, the Parley of Instruments, Il Complesso Barocco, the Gabrieli Consort and Players, the Minnesota Orchestra, London Philharmonic Orchestra, Britten Sinfonia, Concerto Köln, Concerto Copenhagen, Ensemble Matheus, Fretwork and the Bournemouth Symphony Orchestra.
Leading interpreters with whom Iestyn Davies has collaborated include conductors Rinaldo Alessandrini, Philippe Bender, Harry Bicket, Ivor Bolton, Frans Brüggen, Harry Christophers, Stephen Cleobury, Laurence Cummings, Christian Curnyn, Alan Curtis, Steven Devine, Richard Egarr, John Eliot Gardiner, Edward Gardner, Jane Glover, Paul Goodwin, Emmanuelle Haïm, Matthew Halls, Nikolas Harnoncourt, Edward Higginbottom, David Hill, Benedict Hoffnung, Christopher Hogwood, Peter Holman, Robert King, Nicholas Kraemer, Stephen Layton, Iain Leddingham, Charles Mackerras, Paul McCreesh, Kenneth Montgomery, Lars Ulrik Mortensen, Kent Nagano, Donald Nally, James O'Donnell, Enrico Onofri, Daniel Reuss, Jeffrey Skidmore, Jean-Christophe Spinosi, Charles Stewart, Patrick Summers, Elizabeth Wallfisch, Alison Balsom and Dominic Wheeler, and recitalists Julius Drake, Mark Padmore, Philip Langridge and Roger Vignoles.
Iestyn Davies was the guest soloist in Leonard Bernstein's 'Chichester Psalms' at the Last Night of the Proms at the Royal Albert Hall in September 2013.
Iestyn Davies's future engagements include a Carnegie Hall recital debut, his debut at the Metropolitan Opera to which he is re-invited for the 2012 and 2013 seasons, and his Chicago Lyric Opera debut. He will sing his first full operatic performance for La Scala in the coming season in Death in Venice. In London, he will sing the role of Oberon in A Midsummer Night's Dream at English National Opera.
Davies currently has a residency at Wigmore Hall in London, which began in November 2012 and which continues in February and July with concerts in which he's partnered by harpsichordist Richard Egarr and lutenist Thomas Dunford.
Davies has an extensive and growing discography including a Wigmore Live CD (2010) of a 2009 recital with his own Ensemble Guadagni and three recordings as a treble chorister.
- The Guardian (2010)
- Time Out (2010)
- The New York Times (2010)
- The Independent (2009)
- Press clippings
- Askonas Holt artist management
- Wigmore Hall podcast: Iestyn Davies in conversation
- New York City Opera podcast: Iestyn Davies and Anthony Roth Costanzo discuss the countertenor voice
- Iestyn Davies sings Vivaldi
- "Iestyn Davies: the accidental counter-tenor" at The Daily Telegraph, 2009
- "Yet can I hear that dulcet lay", by George Frideric Handel at youtube.com
- Robert Cummings (2013). "Iestyn Davies – biography". .allmusic.com. Retrieved 17 April 2013.
- "Public domain biography at Askonas Holt website".
- "London Handel Society website".
- "RPS Awards 2010 website".
- "Christ Church Oxford website, Ioan Davies masterclass".
- "Public domain record of artist's previous engagements".
- "Zurich Opera page on Iestyn Davies".
- "London Evening Standard review by Barry Millington".
- "Wall Street Journal review by Heidi Waleson". The Wall Street Journal. 21 April 2010.
- "Observer review by Anthony Holden". The Guardian. London. 12 October 2008.
- "Concerto.net review by Marcus Karl Moroney".
- "Sunday Times review by Hugh Canning". The Times. London. 3 June 2007.
- "Guardian review by Rian Evans". The Guardian. London. 7 March 2006.
- "Guardian review by Guy Dammann". The Guardian. London. 18 August 2008.
- "Public domain record of artist's future engagements".
- Tom Service (4 February 2013). "A Singularity of Voice". askonasholt.co.uk/. Retrieved 17 April 2013.
- "No. 61803". The London Gazette (Supplement). 31 December 2016. p. N17.