Ikkō Narahara

Ikkō Narahara (奈良原一高, Narahara Ikkō. b. 1931) — sometimes "Ikko Narahara" or simply "Ikko" — is a Japanese photographer.

Born in Fukuoka, Narahara studied art history at the graduate school of Waseda University (from which he received an MA in 1959).

He had his first solo exhibition, Ningen no tochi (Human land), at the Matsushima Gallery (Ginza) in 1956. In this Narahara showed Kurokamimura, a village on Sakurajima, and also . The exhibition brought instant renown. In his second exhibition, "Domains", at the Fuji Photo Salon in 1958, he showed a Trappist monastery in Tobetsu (Hokkaidō), and a women's prison in Wakayama.

In the meantime, Narahara had shown his works in the first (1957) of three exhibitions titled The Eyes of Ten; exhibited in all three, and went on to join the short-lived Vivo collective.

In 1962–5 he stayed in Paris, and 1970–74 in New York.

Narahara's work often depicts isolated communities and extreme conditions. He makes much use of wide angle lenses, even hemispherical-coverage ("circular") fisheye lenses.

In 1967 Narahara won the Photographer of the Year Award from the Japan Photo Critics Association. He has won numerous other prizes.

Works by Narahara

Booklength collections

• Yōroppa: teishi shita jikan (ヨーロッパ・静止した時間, Where time has stopped). Kajima, 1967.
• Supēn: Idai naru gogo (スペーン・偉大なる午後) España gran tarde. Kyūryūdō, 1969.
• Japanesuku (ジャパネスク, Japanesque). Tokyo: Mainichi Shinbun-sha, 1970.
• Ōkoku (王国) / Man and his land. Tokyo: Chūōkoronsha, 1971.
• Shōmetsu shita jikan (消滅した時間) / Where time has vanished. Tokyo: Asahi Shinbun-sha, 1975. Rpt Tokyo: Creo, 1995. ISBN 4-906371-20-5
• Ōkoku: Chinmoku no sono, kabe no naka (王国：沈黙の園・壁の中). Tokyo: Asahi Sonorama, 1978.
• Chikakute haruka na tabi (近くて遥かな旅). Tokyo: Shūeisha, 1979.
• Hikari no kairō: San Maruko (光の回廊：サン・マルコ, Arcade of light: Piazza San Marco). Tokyo: Unac, 1981.
• Shashin no jikan (写真の時間). Tokyo: Kōsakusha, 1981. With Seigow Matsuoka (松岡正剛).
• Narahara Ikkō (奈良原一高, Ikkō Narahara). Shōwa shashin zenshigoto 9. Tokyo: Asahi Shinbun-sha, 1983.
• Venetsia no yoru (ヴェネツィアの夜, Venice: Nightscapes). Tokyo: Iwanami, 1985. ISBN 4-00-008027-X
• Shōzō no fūkei (肖像の風景). Tokyo: Shinchōsha, 1985. ISBN 4-10-357501-8
• Ningen no tochi (人間の土地), Human land. Tokyo: Libroport, 1987.
• Hoshi no kioku (星の記憶, The memory of stars). Tokyo: Parco, 1987.
• Venetsia no hikari (ヴェネツィアの光) / Venetian Light. Tokyo: Ryūkō Tsūshin, 1985. ISBN 4-947551-93-3
• Burōdowei (ブロードウェイ) / Broadway. Tokyo: Creo, 1991. ISBN 4-906371-05-1
• Dyushan dai-garasu to Takiguchi Shūzō shigā bokkusu (デュシャン大ガラスと瀧口修造シガー・ボックス) / Marcel Duchamp large glass with Shuzo Takiguchi cigar box. Tokyo: Misuzu, 1992. ISBN 4622042428
• Kū (空) / Emptiness. Tokyo: Libroport, 1994. ISBN 4-8457-0898-1
• Takemitsu, Tōru and Giovanni Chiaramonte. Ikko Narahara: Japanesque. Milan: Motta, 1994. ISBN 88-7179-087-1 In Italian
• Tokyo, the '50s. Tokyo: Mole, 1996. ISBN 4-938628-21-X
• Narahara Ikkō (奈良原一高, Ikkō Narahara). Tokyo: Iwanami, 1997.
• Poketto Tōkyō (ポケット東京) / Pocket Tokyo. Tokyo: Creo, 1997. ISBN 4-87736-010-7
• Ten (天) / Heaven. Tokyo: Creo, 2002. ISBN 4-87736-078-6
• Mukokuseki-chi (無国籍地) / Stateless Land: 1954. Tokyo: Creo, 2004. ISBN 4-87736-097-2
• Jikū no kagami (時空の鏡) / Mirror of space and time. Tokyo: Shinchōsha, 2004. ISBN 4-10-357502-6
• En (円) / En: Circular vision. Tokyo: Creo, 2004. ISBN 4-87736-102-2

Other books with work by Narahara

• Hiraki, Osamu, and Keiichi Takeuchi. Japan, a Self-Portrait: Photographs 1945–1964. Paris: Flammarion, 2004. ISBN 2-08-030463-1 Also presents work by Ken Domon, Hiroshi Hamaya, Tadahiko Hayashi, Eikoh Hosoe, Yasuhiro Ishimoto, Kikuji Kawada, Ihei Kimura, Shigeichi Nagano, Takeyoshi Tanuma, and Shōmei Tōmatsu.
• Shashin toshi Tōkyō (『写真都市TOKYO』) / Tokyo/City of Photos. Tokyo: Tokyo Metropolitan Museum of Photography, 1995. Catalogue of an exhibition held in 1995. Also presents work by Takanobu Hayashi, Hiroh Kikai, Ryūji Miyamoto, Daidō Moriyama, Shigeichi Nagano, Mitsugu Ōnishi, Masato Seto, Issei Suda, Akihide Tamura, Tokuko Ushioda, and Hiroshi Yamazaki. Captions and texts in both Japanese and English.
• Yamagishi, Shoji, ed. Japan, a self-portrait. New York: International Center of Photography, 1979. ISBN 0933642016 (hard), ISBN 0933642024 paper). Also presents works by Ryōji Akiyama, Nobuyoshi Araki, Taiji Arita, Masahisa Fukase, Hiroshi Hamaya, Shinzō Hanabusa, Miyako Ishiuchi, Kikuji Kawada, Jun Morinaga, Daidō Moriyama, Kishin Shinoyama, Issei Suda, Shōmei Tōmatsu, Haruo Tomiyama, Hiromi Tsuchida, Shōji Ueda, Gashō Yamamura, and Hiroshi Yamazaki.
• Yamagishi, Shoji, and John Szarkowski, eds. New Japanese photography. New York: Museum of Modern Art, 1974. ISBN 0-87070-503-2 (hard), ISBN 0-87070-503-2 (paper). Also presents work by Ryōji Akiyama, Ken Domon, Eikō Hosoe, Masahisa Fukase, Tetsuya Ichimura, Yasuhiro Ishimoto, Bishin Jūmonji, Kikuji Kawada, Daidō Moriyama, Masatoshi Naitō, Ken Ohara, Akihide Tamura (as Shigeru Tamura), Shōmei Tōmatsu, and Hiromi Tsuchida.

Sources and external links

• Narahara comments on En, and on his photography in general.
• Template:Ja icon Narahara's CV at Fuji Film
• Template:Ja icon Interview with Narahara
• Template:Ja icon Nihon shashinka jiten (『日本写真家事典』, 328 Outstanding Japanese Photographers). Kyoto: Tankōsha, 2000. ISBN 4-473-01750-8
• Tucker, Anne Wilkes, et al. The History of Japanese Photography. New Haven: Yale University Press, 2003. ISBN 0-300-09925-8